A woman at the hot springs — an "unmatted" impression of the onsen subject from August 1920, the absence of matting giving the print a raw immediacy that framed versions sometimes obscure. Goyo's hot spring women occupy the most private and physically immediate space in his work: without the kimono's elaborate structure, the elaborate hairstyle, and the formal posture of public life, his women at the bath are closest to their unmediated physical selves. The bijin-ga tag confirms the work's participation in the beautiful-women tradition.