Ogasawara

The Ogasawara Islands lie roughly a thousand kilometers south of Tokyo in the Pacific, a subtropical archipelago of volcanic peaks and coral-fringed bays returned to Japanese administration only in 1968. A print of this title from Maeda's later career likely depicts a coastal view — a steep green headland dropping into the sea, possibly with the boat-shaped silhouettes of the smaller offshore islands beyond. The subject is unusual within [shin-hanga](/glossary/shin-hanga) or [sosaku-hanga](/glossary/sosaku-hanga) conventions, both of which were heavily oriented toward Honshu and, for Maeda, Hokkaido. Choosing Ogasawara placed him among the small group of postwar print designers extending the [meisho-e](/glossary/meisho-e) tradition into territories the Edo masters had never depicted. Technically, a tropical seascape gives the printer room for layered [bokashi](/glossary/bokashi) in the water — bands of cobalt and turquoise printed wet-on-wet — and for crisp keyblock outlines on the volcanic rock. Maeda's interest in the periphery, whether his native Hokkaido north or this Pacific south, runs through his mature catalogue, and this print belongs to that geographic outlook.