Key value factors: As self-carved and self-printed works, sosaku-hanga value is tied to the artist's reputation and edition size. Larger formats, earlier editions, and historically significant works command the highest prices.
Dated 1939, this woodblock print presents Mount Fuji from its rear aspect, offering a perspective that departs from the familiar southern view celebrated by centuries of Japanese artists. Seeing Fuji from behind strips the mountain of some of its iconic symmetry, revealing irregular ridgelines and slopes that the canonical viewpoint conceals. Fukazawa treats this less-visited angle with the same care that [shin-hanga](/glossary/shin-hanga) publishers brought to their front-facing Fuji prints, suggesting that the mountain's grandeur does not depend on a single privileged vantage point. The Showa-period dating places this print in the years just before the Pacific War, a time when Japanese artists were actively reinterpreting national symbols. The woodblock medium connects Fukazawa's modern observation to the long history of Fuji imagery in Japanese art.
Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print
1934
Color woodblock print; oban
n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
Mount Fuji from Behind, Shôwa period, dated 1939 was created by Sakuichi Fukazawa (深沢索一).
Mount Fuji from Behind, Shôwa period, dated 1939 depicts landscapes and mount fuji, set at Mount Fuji.
