

"Shishikutsu (In the Cave)" from 1953 depicts a scene of cave-dwelling or cave encounter — the cave being in both world mythology and Japanese tradition a liminal space: the threshold between the human world and the underworld, between the profane and the sacred. In Japanese mythology, the cave is associated with Amaterasu's withdrawal and the Kagura dance that drew her out. For Munakata, the cave as subject may have carried both this mythological resonance and the visual interest of an enclosed, dark space from which figures emerge or into which they retreat — a metaphor for the creative act of drawing forms from the darkness of the woodblock.

1960
Woodblock print

Shôwa period, 1926-1989
Woodblock print

1939-68
Woodblock print

1939 (printed 1955)
Woodblock print

Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print

1934
Color woodblock print; oban

n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
Shishikutsu (In the Cave) was created by Shiko Munakata (棟方志功) in 1953.
Shishikutsu (In the Cave) depicts landscapes, figures, and mythology.