Spring scenery at Mt. Yoshino

Mount Yoshino in Nara prefecture has been a renowned cherry-blossom site since the Heian period, its slopes planted with tens of thousands of yamazakura and divided into the Shimo, Naka, Kami, and Oku Senbon, or 'thousand trees,' sections. Tokuriki's print likely depicts the mass flowering of these trees across the mountainside, a subject treated by [ukiyo-e](/glossary/ukiyo-e) masters from Hokusai onward and central to the [meisho-e](/glossary/meisho-e) tradition. The technical demands are considerable: layered pinks and pale greens require multiple blocks in close registration, while the pale background and distant ridges typically rely on [bokashi](/glossary/bokashi) gradations carried out by hand for each impression. As a Kyoto artist working within reach of Yoshino, Tokuriki returned to spring landscapes throughout his career, in which seasonal subjects formed a substantial part of his output alongside his Kyoto temples and Mount Fuji series. The composition fits within twentieth-century mokuhanga's continuation of Edo-period landscape conventions on [washi](/glossary/washi).