

Beauty and the Moon, documented through the [ukiyo-e](/glossary/ukiyo-e).org archive, brings together two of the most enduring motifs in Japanese visual culture: the bijin and the autumn moon. The moon as a subject carries centuries of poetic association, from waka anthologies to the moon-viewing prints of Hiroshige and Yoshitoshi. Tomioka Eisen's treatment locates the figure within this tradition while inflecting it with the introspective mood typical of his Meiji [bijin-ga](/glossary/bijin-ga). The work demonstrates the way late ukiyo-e continued to draw on classical poetic vocabulary even as the publishing context shifted toward novels and magazines. For Eisen, the moon was a way to give a quiet emotional weight to an otherwise simple portrait, drawing on associations that any Meiji reader of poetry would recognize.
![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
1947
Color woodblock print; oban

March 1933
Color woodblock print; oban

1919
Color woodblock print

January 1938
Woodblock print, ink and color on paper
Beauty and the Moon was created by Tomioka Eisen (富岡永洗).
Beauty and the Moon depicts moonlight.