

Koitsu's atmospheric night and temple scenes are his most sought-after subjects. Doi Hangaten first editions (1930s) are the most desirable; Watanabe editions are more common.
Ishiyamadera on the southern shore of Lake Biwa has been associated with moongazing since the Heian period, when the temple's hilltop position over the water made it ideal for viewing the autumn moon. Koitsu renders the scene with the luminous [bokashi](/glossary/bokashi) that defines his finest night work — the moon's glow diffusing through mist above the darkened lake surface, the temple buildings silhouetted against the pale sky. The print draws on the same classical imagery as his 1933 Ishiyama view but treats the scene with greater atmospheric abstraction.
![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
1947
Color woodblock print; oban

March 1933
Color woodblock print; oban

1919
Color woodblock print

January 1938
Woodblock print, ink and color on paper
Curated cross-cuts that include this print.
Autumn Moon at Ishiyamadera was created by Tsuchiya Koitsu (土屋光逸).
Autumn Moon at Ishiyamadera uses Bokashi, on woodblock print.
Autumn Moon at Ishiyamadera was published by Doi Sadaichi.
Autumn Moon at Ishiyamadera depicts moonlight, night scenes, and autumn foliage.