
Five Pines on Konagi River
- Medium:
- Woodblock print
- Format:
- Oban
- Source:
- Art Gallery of Greater Victoria
Typical Price
- Later reprint (Meiji–Taisho era publishers): $50–$400
- Good later impression (Edo-period, worn blocks): $1,500–$8,000
- Good early impression (fine bokashi, vivid color): $8,000–$30,000
- Fine early impression (exceptional atmospheric quality): $30,000–$80,000
Hiroshige transformed Japanese landscape printing through his mastery of bokashi (gradated wash) technique and sensitivity to weather, season, and light. His atmospheric landscapes directly influenced Impressionist painters in Europe after Japanese prints reached the West in the 1860s.
Description
Five venerable pine trees stand along the banks of the Konagi River in this Edo landscape view. The ancient pines were a recognized landmark and a subject of poetry — their aged forms reflected in the slow river current. Hiroshige's treatment emphasizes the gnarled dignity of the trees, their trunks weathered and their branches reaching horizontally over the water in the characteristic manner of coastal pines.
More Prints by Utagawa Hiroshige
More Landscapes Prints

Lake Kugushi in Wakasa Province (Wakasa Kugushiko), from the series Souvenirs of Travel I (Tabi miyage dai isshu)"
Wakasa Kugushiko
1920
Color woodblock print; oban
Autumn Maple Leaves at Takao, from the album Eight Views of Kyoto (Kyôto hakkei)
Woodblock print

The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series "Collection of Views of Japan II, Kansai Edition (Nihon fukei shu II Kansai hen)"
1934
Color woodblock print; oban

Tea Kettle, section of a sheet from the series "Mirror of Stone Rubbings of Views of the Provinces" (Kohon meihitsu ishizuri kagami)
n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Featured in Collections
Curated cross-cuts that include this print.
Frequently Asked Questions
Five Pines on Konagi River was created by Utagawa Hiroshige (歌川広重).
Five Pines on Konagi River depicts landscapes and rivers & lakes.


