The Buddha of Sake Drinking (Sakenomi Nyorai)

This woodblock print by Utagawa Sadafusa, held by the Museum of Fine Arts Boston and dated to approximately 1847-1852, depicts a satirical-religious subject identified in the title as Sakenomi Nyorai, 'the Buddha of Sake Drinking.' The image belongs to a recurring genre of late-Edo [ukiyo-e](/glossary/ukiyo-e) in which the iconography of Buddhist deities was wittily adapted to mundane and often comic subjects from contemporary urban life, producing what scholars call mitate Buddhist prints. In this idiom, the formal compositional conventions of a nyorai (a fully enlightened buddha figure), with its serene seated pose, lotus throne, and aureole, were redeployed to portray the dedicated drinker, gourmand, fashionable woman, or kabuki actor as the central object of devotion in a mock-religious composition. The substitution was both irreverent and affectionate, expressing the Edo townsman's cheerful comfort with the appropriation of religious imagery for everyday humor while simultaneously elevating the drinking culture of the chōnin class to the dignity of religious iconography. Sadafusa's Sakenomi Nyorai contributes to this strand of late-Edo print humor, dated by the museum to the late 1840s or early 1850s, the same period as several of his calendrical and acrobat prints. The MFA Boston holding is part of the William Sturgis Bigelow collection, and the print represents the comic-religious strand of Sadafusa's mature practice alongside his more conventional [yakusha-e](/glossary/yakusha-e), [bijin-ga](/glossary/bijin-ga), and [musha-e](/glossary/musha-e) production.