Farm House

Farm House depicts a rural Japanese dwelling, likely rendered with the attention to vernacular architecture and rural labor that characterizes Wada Sanzo's documentary approach. The print belongs to his series cataloguing the occupations and daily life of Showa-era Japan, where thatched roofs, exposed timber framing, and surrounding fields are typically shown with a painter's sensitivity to volume and structure rather than the flat decorative treatment of earlier ukiyo-e. Wada's mokuhanga from this period combines simplified planar color blocks with carefully observed figurative detail, the result of his training in Western-style oil painting (yoga) under Kuroda Seiki at the Tokyo School of Fine Arts. Subtle bokashi gradations on washi typically suggest atmospheric depth in the surrounding landscape, while the printmaker's restrained palette emphasizes earthen tones consistent with agricultural subjects. As part of Wada's broader project to dignify the rhythms of rural and working-class life, Farm House reflects his interest in occupational identity and place over the celebrity portraiture or famous-views tradition of earlier print schools.