$1,000–$8,000. Common subjects: $1,000–$2,500. Key value factors: Phillips is highly collected in Canada. Mountain and lake scenes are most popular. Japanese-technique prints are more valued than his etchings.
A dock extending into water provides the subject for this 1922 print, its linear form creating a strong compositional axis that leads the eye from shore to open water. Walter J. Phillips's choice of this humble, functional structure as a subject reflects his interest in the points where human construction meets natural landscape. A dock is built to project outward from solid ground into the liquid element, and its wooden planks and pilings form a geometric grid against the organic shapes of water, sky, and shore. Phillips would have observed docks on the lakes and rivers of Manitoba and Ontario, where they serve as launching points for canoes, fishing boats, and swimmers. The 1922 date places this among Phillips's earlier woodcuts, when he was establishing the subjects and compositional approaches that would define his career. The woodblock technique renders the dock's weathered wood with a textural honesty that suits the subject's plainspoken character.
Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print
1934
Color woodblock print; oban
n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
The Dock was created by Walter J. Phillips in 1922.
The Dock depicts landscapes, boats & ships, and seascapes.
