
Mt. Fuji
富士図
- Date:
- Late 18th–early 19th century
- Medium:
- Hanging scroll; ink on paper
Description
Mt. Fuji is a hanging-scroll painting by Yamaguchi Soken in ink on paper, held by the Los Angeles County Museum of Art (accession AC1997.182.11) and dated to the late eighteenth or early nineteenth century — the mature period of Soken's career, after his transition from Ōkyo's studio into the wider Shijō circle around Matsumura Goshun. The composition depicts Mt. Fuji in the standard upright Japanese landscape format, with the mountain rising above a band of cloud or mist and a foreground of pine trees and lower hills, drawn in the restrained ink wash and clear contour line that the Maruyama-Shijō school favored for landscape subjects. Fuji was a foundational subject for late Edo painters across schools: a sacred mountain associated with pilgrimage and immortality, a national emblem before nationalism gave the term its modern meaning, and a compositional challenge that every senior Kyoto and Edo painter took up at some point in his career. Soken's treatment is characteristically quiet, with the descriptive Shijō line carrying the structure of the trees and the mountain's silhouette and the ink wash producing the atmospheric distance. The scroll entered LACMA's collection as a gift of Hans and Margot Ries.







![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)