The fifth in a series exploring snow as an abstract subject, this woodblock print treats winter's blanket not as a landscape feature but as a condition of erasure and simplification. Snow covers and unifies, reducing complex surfaces to smooth white planes. For a woodblock artist, snow presents a technical consideration: the white of the paper itself becomes the primary visual element, with printed areas forming the minority of the surface. Masaji's abstract treatment likely pushes this dynamic further than any representational snow scene could, using the paper's blankness as an active compositional force rather than mere background. The series numbering to at least five entries suggests that Masaji found snow's visual properties, its capacity to simplify, silence, and transform, a productive subject for sustained abstract investigation.