Hanga

Bijin-ga Prints (1154)

Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality. Utamaro's bust portraits of the 1790s, which isolated individual faces against plain backgrounds, were revolutionary in their psychological depth and compositional daring. His contemporaries Chobunsai Eishi and Torii Kiyonaga developed complementary approaches, emphasizing graceful full-length figures in elaborate settings. The genre documented the changing ideals of feminine beauty across centuries, from the rounded features favored in the Edo period to the elongated elegance of the Meiji era. The shin-hanga revival of the early twentieth century produced a final flowering of bijin-ga, with artists like Ito Shinsui, Torii Kotondo, and Hashiguchi Goyo creating some of the genre's most refined works. These artists brought Western-influenced light and shadow to traditional subjects, producing prints that are among the most sought-after in the Japanese print market today. Bijin-ga prints are prized for their technical virtuosity, particularly the rendering of fabric patterns, hair arrangements, and subtle skin tones achieved through multiple woodblock impressions.

Artists Known for Bijin-ga

Resembling a Branch (Eda ni utsusu), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata) -- Woman with a Doll by Toyohara Chikanobu

Resembling a Branch (Eda ni utsusu), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin no sugata) -- Woman with a Doll

Meiji period, dated October 10, 1896

Woodblock print in "ōban" format; ink and color on paper

Woman with Chrysanthemums by Toyohara Chikanobu

Woman with Chrysanthemums

Meiji period, circa 1890s

Woodblock print in "ōban" format; ink and color on paper

Woman with Chrysanthemums, Meiji period, circa 1890s by Toyohara Chikanobu

Woman with Chrysanthemums, Meiji period, circa 1890s

Woodblock print

Beauty 1 by Takehisa Yumeji

Beauty 1

Woodblock print

Bijin and Beetle Stall (1) by Takehisa Yumeji

Bijin and Beetle Stall (1)

Woodblock print

Bijin and hat box by Takehisa Yumeji

Bijin and hat box

Woodblock print

Bijin in Red (1) by Takehisa Yumeji

Bijin in Red (1)

Woodblock print

Bijin playing battledore by Takehisa Yumeji

Bijin playing battledore

Woodblock print

Bijin With Fan in Garden by Takehisa Yumeji

Bijin With Fan in Garden

Woodblock print

Bookplate design [woman playing shamisen] by Takehisa Yumeji

Bookplate design [woman playing shamisen]

1910s–1930s

Woodblock print, ink and color on paper

Courtesan and man attendant walking in the night, illustration from the book Narrow Alley (Roji no hosomichi) by Takehisa Yumeji

Courtesan and man attendant walking in the night, illustration from the book Narrow Alley (Roji no hosomichi)

March 1919

Woodblock print, ink and color on paper

High Climb, woman with shamisen by Takehisa Yumeji

High Climb, woman with shamisen

Woodblock print

Title unknown [Woman with green and white fan] by Takehisa Yumeji

Title unknown [Woman with green and white fan]

1910s–1930s

Woodblock print, ink and color on paper

Woman in Chapel by Takehisa Yumeji

Woman in Chapel

Woodblock print

Woman in Despair by Takehisa Yumeji

Woman in Despair

Woodblock print

Woman in Lavender by Takehisa Yumeji

Woman in Lavender

Woodblock print

A Collection of Eastern Brocade Beauties: First Night (Azuma nishiki bijin awase: Shoya) by Paul Binnie

A Collection of Eastern Brocade Beauties: First Night (Azuma nishiki bijin awase: Shoya)

Woodblock print

A Collection of Eastern Brocade Beauties: Morning Tears (Azuma nishiki bijin awase: Asa ni Namida) by Paul Binnie

A Collection of Eastern Brocade Beauties: Morning Tears (Azuma nishiki bijin awase: Asa ni Namida)

Woodblock print

A Collection of Eastern Brocade Beauties: Twilight (Azuma nishiki bijin awase: Tasogare) by Paul Binnie

A Collection of Eastern Brocade Beauties: Twilight (Azuma nishiki bijin awase: Tasogare)

Woodblock print

Kyo Maiko original conte drawing by Paul Binnie

Kyo Maiko original conte drawing

Woodblock print

Kyu Maiko by Paul Binnie

Kyu Maiko

Woodblock print

The Actor Ichikawa Komazo as a Woman with Dishevelled Hair by Katsushika Hokusai

The Actor Ichikawa Komazo as a Woman with Dishevelled Hair

c. 1791

Color woodblock print; hosoban

Two Beauties Dressed as Komuso Priests (Komuso sugata no ni bijin) by Kitagawa Utamaro

Two Beauties Dressed as Komuso Priests (Komuso sugata no ni bijin)

Woodblock print

Woman Holding a Fan (from the series Ten Aspects of the Physiognomy of Women) by Kitagawa Utamaro

Woman Holding a Fan (from the series Ten Aspects of the Physiognomy of Women)

c. 1793

color woodblock print

Woman Holding an Uchiwa by Kitagawa Utamaro

Woman Holding an Uchiwa

Woodblock print

Woman Holding up a Piece of Fabric (Nuno o kazasu onna) by Kitagawa Utamaro

Woman Holding up a Piece of Fabric (Nuno o kazasu onna)

Woodblock print

Woman Writing by Kitagawa Utamaro

Woman Writing

1753–1806

color woodblock print

Courtesan by Utagawa Kuniyoshi

Courtesan

Woodblock print

Geisha Standing on the Bank of the Sumida River (from the series People Who Like the Latest Fashions and Manners) by Utagawa Kuniyoshi

Geisha Standing on the Bank of the Sumida River (from the series People Who Like the Latest Fashions and Manners)

early 1830s

color woodblock print

Mino, Ushiwaka Maru at the Inn, sword in hand. Bijin mitate. by Utagawa Kuniyoshi

Mino, Ushiwaka Maru at the Inn, sword in hand. Bijin mitate.

Woodblock print

A Woman A by Clifton Karhu

A Woman A

Contemporary - Circa 1968

Woodblock print

Genji Woman B by Clifton Karhu

Genji Woman B

1981

Woodblock print, ink and color on paper

Akashi of the Tamaya, from the series Seven Komachis of Yoshiwara (Seiro nana Komachi) (Tamaya uchi Akashi, Uraji, Shimano) by Kitagawa Utamaro

Akashi of the Tamaya, from the series Seven Komachis of Yoshiwara (Seiro nana Komachi) (Tamaya uchi Akashi, Uraji, Shimano)

Woodblock print

Genji Woman II by Clifton Karhu

Genji Woman II

1968

Woodblock print, ink and color on paper

Five, Hinazō by Kanpo Yoshikawa

Five, Hinazō

early summer 1922

Woodblock print, ink and color on paper with mica

Mosquito Net (Kaya), from the series Model Young Women Woven in Mist (Kasumi-ori musume hinagata), Late Edo period, circa 1794-1795 by Kitagawa Utamaro

Mosquito Net (Kaya), from the series Model Young Women Woven in Mist (Kasumi-ori musume hinagata), Late Edo period, circa 1794-1795

Woodblock print

Eyes, Hitomi, no. 4 from the series Modern Styles of Makeup by Kobayakawa Kiyoshi

Eyes, Hitomi, no. 4 from the series Modern Styles of Makeup

1/1931

Woodblock print

Mirror, from the series "Eight Women of Modern Times (Imayo fujin hattai no uchi)" by Onchi Koshiro

Mirror, from the series "Eight Women of Modern Times (Imayo fujin hattai no uchi)"

1929

Color woodblock print; edition 12/80

Japanese Art Open Database by Yamamura Toyonari

Japanese Art Open Database

Woodblock print

Koman by Yamamura Toyonari

Koman

Woodblock print

Untitled by Hirano Hakuhō

Untitled

Print

Morning by Ishikawa Toraji

Morning

Woodblock print

Lipstick - 口紅 by Shimura Tatsumi

Lipstick - 口紅

c. 1980 (this item: First edition)

Woodblock print

Saseru by Shimura Tatsumi

Saseru

Not set

Woodblock print

Arai Yoshimune II by Yoshimune Arai

Arai Yoshimune II

Woodblock print

Untitled (yoshimune-arai) by Yoshimune Arai

Untitled (yoshimune-arai)

Woodblock print

Nakazawa, Hiromitsu by Hiromitsu Nakazawa

Nakazawa, Hiromitsu

Woodblock print

Welcome (Kangei), frontispiece illustration from the literary magazine Bungei kurabu 10, no. 10 by Kajita Hanko

Welcome (Kangei), frontispiece illustration from the literary magazine Bungei kurabu 10, no. 10

Woodblock print

After the Bath (Yuagari) by Hirano Hakuhō

After the Bath (Yuagari)

Woodblock print

Untitled (ishikawa-toraji) by Ishikawa Toraji

Untitled (ishikawa-toraji)

Woodblock print

At the Bath by Ishikawa Toraji

At the Bath

1934

Woodblock print, ink and color on paper

Plaything by Ishikawa Toraji

Plaything

Woodblock print

Tinkle of the bell by Ishikawa Toraji

Tinkle of the bell

Woodblock print

Tamoto by Shimura Tatsumi

Tamoto

Not set

Woodblock print

Untitled (yoshimune-arai) by Yoshimune Arai

Untitled (yoshimune-arai)

Woodblock print

Untitled (yoshimune-arai) by Yoshimune Arai

Untitled (yoshimune-arai)

Woodblock print

Untitled (hiromitsu-nakazawa) by Hiromitsu Nakazawa

Untitled (hiromitsu-nakazawa)

Woodblock print

Untitled (hiromitsu-nakazawa) by Hiromitsu Nakazawa

Untitled (hiromitsu-nakazawa)

Woodblock print

Slovenly (Shidaranasaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)" by Tsukioka Yoshitoshi

Slovenly (Shidaranasaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"

1888

Color woodblock print; oban

Untitled (hirano-hakuho) by Hirano Hakuhō

Untitled (hirano-hakuho)

Woodblock print

Related Subjects

Frequently Asked Questions

Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality.

Torii Kotondo, Hashiguchi Goyo, and Ito Shinsui are among the artists most associated with bijin-ga in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 1154 prints tagged with bijin-ga, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.