Hanga

Bijin-ga Prints (1154)

Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality. Utamaro's bust portraits of the 1790s, which isolated individual faces against plain backgrounds, were revolutionary in their psychological depth and compositional daring. His contemporaries Chobunsai Eishi and Torii Kiyonaga developed complementary approaches, emphasizing graceful full-length figures in elaborate settings. The genre documented the changing ideals of feminine beauty across centuries, from the rounded features favored in the Edo period to the elongated elegance of the Meiji era. The shin-hanga revival of the early twentieth century produced a final flowering of bijin-ga, with artists like Ito Shinsui, Torii Kotondo, and Hashiguchi Goyo creating some of the genre's most refined works. These artists brought Western-influenced light and shadow to traditional subjects, producing prints that are among the most sought-after in the Japanese print market today. Bijin-ga prints are prized for their technical virtuosity, particularly the rendering of fabric patterns, hair arrangements, and subtle skin tones achieved through multiple woodblock impressions.

Artists Known for Bijin-ga

Maiko Girl by Ito Shinsui

Maiko Girl

July 1932

Woodblock print, ink and color on paper

Woman of the Island, from the series "New Twelve Images of Modern Beauties" by Ito Shinsui

Woman of the Island, from the series "New Twelve Images of Modern Beauties"

1922

Color woodblock print

Rouge, from the series "New Twelve Images of Modern Beauties" by Ito Shinsui

Rouge, from the series "New Twelve Images of Modern Beauties"

1917

Color woodblock print

Twelve Images of Modern Beauties: SnowyNight (Shin bijin junisugata: Yuki no yo) by Ito Shinsui

Twelve Images of Modern Beauties: SnowyNight (Shin bijin junisugata: Yuki no yo)

Woodblock print

Woman in snow by the river by Takahashi Shotei

Woman in snow by the river

Woodblock print

Geisha and Cherry Tree - Ueno Park by Tsuchiya Koitsu

Geisha and Cherry Tree - Ueno Park

Woodblock print

Bijin 2 by Hashiguchi Goyo

Bijin 2

Not set

Woodblock print

Summer Beauty by Hashiguchi Goyo

Summer Beauty

1920

Woodblock print

Woman at a Hot Spring by Hashiguchi Goyo

Woman at a Hot Spring

1953

Woodblock print, ink and color on paper

Woman at her Toilet by Hashiguchi Goyo

Woman at her Toilet

1918

Woodblock print

Woman at the Hot Springs by Hashiguchi Goyo

Woman at the Hot Springs

1920 (Taishō 9), 8th month

Unmatted modern Japanese woodblock print; ink and color on paper

Woman Combing Her Hair, Taishô period, dated 1920 by Hashiguchi Goyo

Woman Combing Her Hair, Taishô period, dated 1920

Taishô period, 1912-1926

Woodblock print

Woman Holding a Hand Towel by Hashiguchi Goyo

Woman Holding a Hand Towel

early 1950s

Woodblock print, ink and color on paper with mica

Woman Holding a Tray by Hashiguchi Goyo

Woman Holding a Tray

1920 (Taishō 9), 1st month

Modern Japanese woodblock print; ink, color and mica on paper

Woman Holding a Tray - Bon Moteru Onna by Hashiguchi Goyo

Woman Holding a Tray - Bon Moteru Onna

1920

Woodblock print

Woman in Summer Kimono (Natsu yosôi no musume), Taishô period, dated 1920 by Hashiguchi Goyo

Woman in Summer Kimono (Natsu yosôi no musume), Taishô period, dated 1920

Taishô period, 1912-1926

Woodblock print

Woman with a Circular Fan and with a Small, Hexagonal Box with Fireflies, Taishô period, dated 1918 (7th month of Taishô 9) by Hashiguchi Goyo

Woman with a Circular Fan and with a Small, Hexagonal Box with Fireflies, Taishô period, dated 1918 (7th month of Taishô 9)

Taishô period, 1912-1926

Woodblock print

Woman with a Firefly Cage by Hashiguchi Goyo

Woman with a Firefly Cage

designed: 1920 (Taishō 9), July, printed: c. 1950 (Shōwa 25)

Woodblock print; ink on paper

Woman with fan and cricket cage by Hashiguchi Goyo

Woman with fan and cricket cage

1920

Woodblock print

Woman with rouge brush by Hashiguchi Goyo

Woman with rouge brush

1920

Woodblock print

Woman with Sash by Hashiguchi Goyo

Woman with Sash

1920 (posthumous edition)

Woodblock print

Young Woman Applying Rouge (Portrait of Chiyofuku, a Maiko of Gion, Kyoto) by Hashiguchi Goyo

Young Woman Applying Rouge (Portrait of Chiyofuku, a Maiko of Gion, Kyoto)

1920

Color woodblock print with mica

Young Woman in Summer Kimono (natsu yosoi no musume) by Hashiguchi Goyo

Young Woman in Summer Kimono (natsu yosoi no musume)

1920

Woodblock print

No. 5 - Summer Geisha - 夏奴 by Torii Kotondo

No. 5 - Summer Geisha - 夏奴

1934

Woodblock print

Summer Geisha (Natsuko) by Torii Kotondo

Summer Geisha (Natsuko)

ca. 1934

Woodblock print

Summer Geisha- Natsuko — 夏妓 by Torii Kotondo

Summer Geisha- Natsuko — 夏妓

1934

Woodblock print

Bijin Under Cherry Tree (1) by Kobayakawa Kiyoshi

Bijin Under Cherry Tree (1)

1930

Woodblock print

Bijin with a fan by Kobayakawa Kiyoshi

Bijin with a fan

Not set

Woodblock print

Bijin writing a poem V1 by Kobayakawa Kiyoshi

Bijin writing a poem V1

Not set

Woodblock print

Tanabata Bijin by Kobayakawa Kiyoshi

Tanabata Bijin

Not set

Woodblock print

The Geisha, Ichimaru by Kobayakawa Kiyoshi

The Geisha, Ichimaru

1933

Woodblock print

The Geisha Ichimaru (Geisha Ichimaru) by Kobayakawa Kiyoshi

The Geisha Ichimaru (Geisha Ichimaru)

1933

Woodblock print

Daikoku, God of Health, Personified by a Courtesan of the Shimabara, Kyoto by Paul Jacoulet

Daikoku, God of Health, Personified by a Courtesan of the Shimabara, Kyoto

1952

Woodblock print

Woman with Hibiscus Blossom (Haibisukasu no onna) by Shiko Munakata

Woman with Hibiscus Blossom (Haibisukasu no onna)

Shōwa period,

Woodblock print; ink on paper

Maiko, Kyoto (H), Shôwa period, dated 1961 by Saito Kiyoshi

Maiko, Kyoto (H), Shôwa period, dated 1961

Woodblock print

Young Woman in Blue Kimono by Hiratsuka Un'ichi

Young Woman in Blue Kimono

1930

Color woodblock print

Woman in orange hat by Umetaro Azechi

Woman in orange hat

1955

Color woodblock print; edition 2/100

Woman with black hair by Umetaro Azechi

Woman with black hair

1955

Color woodblock print; edition 3/100

Complete View of a Courtesan House in Tokyo by Tsukioka Yoshitoshi

Complete View of a Courtesan House in Tokyo

1870, 3rd lunar month

Woodblock print (nishiki-e), ink and color on paper

Frozen: The Appearance of a Fukagawa Nakamichi Geisha of the Tempo Era (1830-44) by Tsukioka Yoshitoshi

Frozen: The Appearance of a Fukagawa Nakamichi Geisha of the Tempo Era (1830-44)

1888

Woodblock print

'Jigoku Daiyu, the Hell  Courtesan, meditating'  by Tsukioka Yoshitoshi

'Jigoku Daiyu, the Hell Courtesan, meditating'

19th century

Print

Picture of the Hell Courtesan’s Enlightenment by Tsukioka Yoshitoshi

Picture of the Hell Courtesan’s Enlightenment

February 1890

Woodblock print (nishiki-e), ink and color on paper

Old Catfish (Oinamazu): Geisha Playing Samisen and Clown Imitating Catfish by Kawanabe Kyosai

Old Catfish (Oinamazu): Geisha Playing Samisen and Clown Imitating Catfish

Woodblock print

Beauties of Kan'ei and Shōhō Era by Kobayashi Kiyochika

Beauties of Kan'ei and Shōhō Era

April 1896

Woodblock print (nishiki-e), ink and color on paper

The Geisha Kayo of Kyoto, Ikkaku of Osaka, and Kokichi of Tokyo by Kobayashi Kiyochika

The Geisha Kayo of Kyoto, Ikkaku of Osaka, and Kokichi of Tokyo

February 1877

Woodblock print (nishiki-e), ink and color on paper

Bijin and Spider by Uemura Shoen

Bijin and Spider

Woodblock print

Bijin Contemplating by Uemura Shoen

Bijin Contemplating

Woodblock print

Bijin enjoying the view by Uemura Shoen

Bijin enjoying the view

Woodblock print

Bijin hanging a scroll by Uemura Shoen

Bijin hanging a scroll

Woodblock print

Bijin Reading by Uemura Shoen

Bijin Reading

Woodblock print

Geisha Dressing with Attendant (1) by Uemura Shoen

Geisha Dressing with Attendant (1)

Woodblock print

Jyo No Maiko — 序の舞 by Uemura Shoen

Jyo No Maiko — 序の舞

Woodblock print

Two Bijin and Child by Uemura Shoen

Two Bijin and Child

Woodblock print

Beauties Harvesting Bracken, from the series Gekkō’s Miscellaney by Ogata Gekko

Beauties Harvesting Bracken, from the series Gekkō’s Miscellaney

c. 1886–1899

Woodblock print, ink and color on paper

Begonia (Shukaidô), from the series Beauties Matched with Flowers (Bijin hana kurabe) by Ogata Gekko

Begonia (Shukaidô), from the series Beauties Matched with Flowers (Bijin hana kurabe)

Woodblock print

Courtesan Jigoku-dayu by Ogata Gekko

Courtesan Jigoku-dayu

Woodblock print

Plum Blossoms (Ume no hana), from the series Beauties Matched with Flowers (Bijin hana kurabe) by Ogata Gekko

Plum Blossoms (Ume no hana), from the series Beauties Matched with Flowers (Bijin hana kurabe)

Woodblock print

A beauty holding a ball, from by Toyohara Chikanobu

A beauty holding a ball, from

Woodblock print

A beauty in white kimono, from by Toyohara Chikanobu

A beauty in white kimono, from

Woodblock print

Beauty with a Cat playing with a String of flags by Toyohara Chikanobu

Beauty with a Cat playing with a String of flags

Woodblock print

Related Subjects

Frequently Asked Questions

Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality.

Torii Kotondo, Hashiguchi Goyo, and Ito Shinsui are among the artists most associated with bijin-ga in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 1154 prints tagged with bijin-ga, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.