Tokyo National Museum in spring snow

A second treatment of the Tokyo National Museum under spring snow, distinct from the companion version in either state, color register, or compositional adjustment. In sosaku-hanga, where the artist personally cut and printed each impression, variant prints of the same subject are common and reflect ongoing reworking of a motif rather than the standardized editions produced by publisher-driven shin-hanga workshops. Fujimori may have shifted the snow density, the tonal weight of the museum mass, or the cropping of the foreground trees to test a different reading of the same Ueno Park scene. The Imperial Crown Style building, completed in 1937, served as a frequent subject for printmakers documenting modern Tokyo, and this variant places Fujimori within that documentary impulse while preserving the sosaku-hanga insistence that each impression carry the visible trace of the artist's own hand at the baren.