

In "The Monkey Bridge in Winter," Kishio Koizumi presents a contemplative woodblock that draws the viewer into the landscape.
As a [shin-hanga](/glossary/shin-hanga) work, this piece reflects the movement's emphasis on collaboration between artist, carver, and printer to achieve technical refinement and atmospheric beauty. The woodblock technique allows for the characteristic interplay of precise line work and subtle color gradation that gives the image its distinctive presence. Dating to 1939, this work was created during a period of creative ferment in Japanese printmaking.

Woodblock print

1934
Color woodblock print; oban

1932
Color woodblock print; oban
![Kiba Lumberyard along the River at Fukugawa (New Edition) [Fukagawa-ku, kiba no kawasuji (shinpan)], from the series "One Hundred Views of Great Tokyo in the Showa Era (Showa dai Tokyo fukei hyaku zue hanga)" by Kishio Koizumi](https://www.artic.edu/iiif/2/f6380c15-6d23-c26a-899d-08ead4db792b/full/843,/0/default.jpg)
1940
Color woodblock print; oban

Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print

1934
Color woodblock print; oban

n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
The Monkey Bridge in Winter was created by Kishio Koizumi (小泉癸巳男) in 1939.
The Monkey Bridge in Winter depicts landscapes, bridges, and winter.