

Hibiya Park, opened in 1903 on the grounds of a former daimyo residence and military parade ground, was Tokyo's first Western-style public park. Its formal flower beds, gravel walks, and bandstand introduced European landscape conventions into central Tokyo at the foot of the imperial palace moats, and the park became a recurring twentieth-century subject for printmakers documenting modern urban Japan. A mokuhanga of Hibiya typically frames the wisteria pergola, the heart-shaped pond, the central fountain, or a seasonal flower display, with bokashi handling the open sky above the relatively low Tokyo skyline of Maeda's working years. The subject fits Maeda's Tokyo cityscape work in the company of pieces like the Akamon at Tokyo University: places where Edo-period topography had been overwritten by Meiji and Taisho-era civic infrastructure. The park's status as a designed landscape — flower beds and lawn — places it close to kacho-e in pictorial vocabulary while remaining a meisho subject.
![[Garden of] Taj Mahal, No. 1 (Taji Maharu no niwa, dai ichi) by Hiroshi Yoshida](https://www.artic.edu/iiif/2/230993a7-d4f0-c979-c267-127d48e1ef1c/full/843,/0/default.jpg)
Taji Maharu no niwa, dai ichi
1931
Color woodblock print; oban

January 1938
Woodblock print, ink and color on paper

1938
Color woodblock print; oban

10/70, 1966
Woodblock print
Curated cross-cuts that include this print.
Hibiya Park was created by Maeda Masao (前田政雄).
Hibiya Park depicts gardens.