

Lake Mashū in eastern Hokkaido is a caldera lake set inside the rim of an ancient volcano, ringed by steep crater walls and frequently veiled in fog — one of the most distinctive landscape subjects available on Maeda's home island. The lake is internationally noted for water clarity and for the unusual color of its surface, which shifts between deep cobalt and near-black depending on light and weather. Maeda's treatment of his native Hokkaido terrain runs throughout his [sosaku-hanga](/glossary/sosaku-hanga) career, and Mashū sits naturally alongside his Myōgi and other northern subjects as part of a sustained engagement with volcanic, structural landscape rather than the gentler scenery of Honshu. A mokuhanga print of a caldera lake typically uses the encircling crater rim as a strong dark band wrapping the composition, with the lake's surface carried by one or two flat blocks, possibly with [bokashi](/glossary/bokashi) to suggest depth or fog drift. The print exemplifies Maeda's regional commitment — designing, carving, and printing the landscape he grew up inside rather than the conventional meisho stops on the Tokaidō or in the Kyoto basin.

Nikko Chuzenjiko
1930
Color woodblock print; oban

Wakasa Kugushiko
1920
Color woodblock print; oban

Niigata Gosaibori
1921
Color woodblock print; oban

Woodblock print
Curated cross-cuts that include this print.
Mashuko Lake was created by Maeda Masao (前田政雄).
Mashuko Lake depicts rivers & lakes.