

Shinjuku Park almost certainly depicts Shinjuku Gyoen, the former imperial garden in central Tokyo whose grounds combine French formal, English landscape, and Japanese garden traditions across more than fifty hectares. Maeda's print likely frames a Japanese-garden corner of the park, with a pond, a curving path, and the dark masses of pruned pines or maples set against a cleared lawn. As a [sosaku-hanga](/glossary/sosaku-hanga) printmaker, Maeda would have carved and printed the blocks himself, allowing him to introduce passages of [bokashi](/glossary/bokashi) where water meets shore and where seasonal foliage shifts in tone. The subject places the print within a long tradition of urban garden views that reaches back to the [meisho-e](/glossary/meisho-e) of Edo, but Maeda's compositional flattening and reduced color register align it with mid-century print practice. Within his broader catalogue, Shinjuku Park sits among the Kyoto temple gardens and the Hokkaido landscapes as evidence of his appetite for designed and natural space alike.
![[Garden of] Taj Mahal, No. 1 (Taji Maharu no niwa, dai ichi) by Hiroshi Yoshida](https://www.artic.edu/iiif/2/230993a7-d4f0-c979-c267-127d48e1ef1c/full/843,/0/default.jpg)
Taji Maharu no niwa, dai ichi
1931
Color woodblock print; oban

January 1938
Woodblock print, ink and color on paper

1938
Color woodblock print; oban

10/70, 1966
Woodblock print
Curated cross-cuts that include this print.
Shinjuku Park was created by Maeda Masao (前田政雄).
Shinjuku Park depicts gardens.