

Returning Sails at Yabase is one of the classic eight views established for Lake Biwa, the largest freshwater lake in Japan, lying just east of Kyoto in Omi Province. The Eight Views of Omi (Omi hakkei) had been a poetic subject in Japan since the Muromachi period, modeled on the Chinese Eight Views of the Xiao and Xiang Rivers; Yabase, on the eastern shore opposite Otsu, supplied the standard view of sails returning at dusk. In this 1857 landscape print, Utagawa Hiroshige depicts the bay with a low horizon, a cluster of small boats heading toward the shore under full sail, and the distant hills of the western lakeside. While he had treated the Omi subjects multiple times across his career, late versions like this one show a refined economy: the composition relies on the spacing of sails, the gradation of sky and water, and a few horizontal accents of land rather than on figural detail. As an Edo [ukiyo-e](/glossary/ukiyo-e) landscape print, the sheet exemplifies how Hiroshige absorbed centuries of inherited iconography into his own mature style, treating Yabase not as a sketch from life but as a meditation on a poetic theme. The Art Institute of Chicago's impression preserves the cool blues and soft [bokashi](/glossary/bokashi) gradations characteristic of his late landscape work and contributes to the museum's substantial holdings of his Omi material.

Wakasa Kugushiko
1920
Color woodblock print; oban
Woodblock print

1934
Color woodblock print; oban

n.d.
Woodblock print; ishizuri-e, section of harimaze sheet
Curated cross-cuts that include this print.
Returning Sails at Yabase (Yabase kihan), from the series "Eight Views of Omi (Omi hakkei)" was created by Utagawa Hiroshige (歌川広重) in 1857.
Yes — Returning Sails at Yabase (Yabase kihan), from the series "Eight Views of Omi (Omi hakkei)" is part of the Eight Views of Omi series by Utagawa Hiroshige.
Returning Sails at Yabase (Yabase kihan), from the series "Eight Views of Omi (Omi hakkei)" depicts landscapes, eight views of ōmi, and eight views (hakkei).