This 1918 woodblock print depicts a nude bather seated on coastal rocks, a subject that placed Yamamoto firmly outside the conventions of traditional Japanese printmaking. The nude figure, rendered with Western-influenced anatomical awareness, reflects his years of study in Europe where life drawing was fundamental to artistic training. Yamamoto's decision to treat the human body as a serious subject for woodblock printing was provocative in a Japanese art world that largely confined the medium to landscapes, actors, and beauties in kimono. The rocks and water are reduced to essential shapes, with the figure integrated into the natural setting rather than posed against a neutral backdrop. The print bridges European figurative traditions and the material qualities of Japanese woodblock carving.