From the unfinished series Twelve Months of Tokyo, this 1920 Taishô-period print depicts the Sanjûgen Canal in Tokyo under falling evening snow. Hasui frames the narrow waterway between embankments dusted white, likely with bare-branched trees and dim lantern light reflecting on the dark water below. The bosetsu (evening snow) subject allowed printmakers to contrast warm interior lamplight against blue-grey atmospheric washes built up through careful bokashi gradation. As an early entry in what would become a landmark series, the composition shows Hasui developing the meisho-e landscape tradition for a modern Tokyo audience, rendering a working urban canal with the same poetic attention traditionally reserved for celebrated scenic sites.