
Moonlit Night at Miyajima (Miyajima no tsukiyo)
by Kawase Hasui

by Kawase Hasui
Night views with moonlight and lantern effects carry a 20–30% premium over comparable daytime scenes. The dramatic tonal contrasts required for nocturnal subjects make impression quality especially important — fine examples from pre-war printings show a depth of color that later editions rarely match. Prints with well-preserved black areas and accurate moonlight bokashi command the highest prices. Postwar lifetime editions (1946–1957) bearing the small 6mm J-seal represent authentic lifetime impressions but from the artist's final decade.
Miyajima under moonlight returns in this 1947 print — a later and more experienced rendering of the famous floating torii site than the 1921 Second Series version. The tsukiyo title specifies clear moonlit night rather than misty moonlight, meaning the torii and shrine corridors are sharply visible in the lunar illumination, their vermillion color still faintly perceptible against the night sea. The postwar moonlit Miyajima shows Hasui's continued interest in returning to his most famous subjects with a deepened technique.
![Mount Fuji on a Moonlit Night, Kawai Bridge (Tsukiyo no Fuji [Kawaibashi]), from the series "Selection of Views of the Tokaido (Tokaido fukei senshu)" by Kawase Hasui](https://www.artic.edu/iiif/2/d0960668-1e73-339a-b182-fb995a54bff0/full/843,/0/default.jpg)
1947
Color woodblock print; oban

March 1933
Color woodblock print; oban

1919
Color woodblock print

January 1938
Woodblock print, ink and color on paper
Curated cross-cuts that include this print.
Moonlit Night at Miyajima (Miyajima no tsukiyo) was created by Kawase Hasui (川瀬巴水) in 1947.
Moonlit Night at Miyajima (Miyajima no tsukiyo) uses Bokashi, on color woodblock print.
Moonlit Night at Miyajima (Miyajima no tsukiyo) was published by Watanabe Shozaburo (1947).
Moonlit Night at Miyajima (Miyajima no tsukiyo) depicts moonlight and night scenes, set at Miyajima.