

The image depicts an Asama shrine—a Shinto institution dedicated to Konohanasakuya-hime, the deity of Mount Fuji—framing the mountain through or alongside shrine architecture. Vermilion torii or shaden roofs typically anchor the foreground while Fuji's cone rises behind, rendered through [bokashi](/glossary/bokashi) gradation that runs from deep indigo at the base to the unprinted white of the [washi](/glossary/washi) for the snow cap. Tokuriki's Fuji subjects draw on the [meisho-e](/glossary/meisho-e) (famous views) tradition that Hokusai and Hiroshige established, but his palette is distinctly twentieth-century: saturated and mineral-hued. As the twelfth-generation head of a Kyoto family that had supplied prints to Honganji Temple since the Keicho era, he brought a fluency with religious architecture into his landscape practice. This print belongs to the broad current of Mount Fuji subjects he produced from the 1930s through the postwar decades, issued through Uchida and other Kyoto publishers.

伏見稲荷
Woodblock print

c. 1832/38
Color woodblock print; oban

Woodblock print

Uji Byodoin no ichibu
1921
Color woodblock print; oban
Curated cross-cuts that include this print.
Asama Shrine (Mt.Fuji) was created by Tomikichiro Tokuriki (徳力富吉郎).
Asama Shrine (Mt.Fuji) depicts temples & shrines, mount fuji, and mountains.