Snow Moon and flowers

The title invokes setsugekka — snow, moon, and flowers — the classical triad of seasonal motifs codified in Heian poetry and adopted across Japanese painting and printmaking as shorthand for the changing year. Prints organized around this theme are typically issued either as a triptych of separate sheets, each given over to one motif, or as a single composition layering all three elements within one frame. Tokuriki's handling of the subject would draw on the technical vocabulary of his Kyoto landscape series: bokashi gradations to establish moonlit sky, gauffrage or selective overprinting for snow on branches, and clean color separations for the flowering boughs. The setsugekka subject connects this work to the kacho-e tradition of Hokusai and Hiroshige, while the inclusion of the moon links it to Tokuriki's broader output of seasonal Kyoto views, in which weather and lunar cycle are recurring organizing devices.