Hanga

Bijin-ga Prints (1154)

Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality. Utamaro's bust portraits of the 1790s, which isolated individual faces against plain backgrounds, were revolutionary in their psychological depth and compositional daring. His contemporaries Chobunsai Eishi and Torii Kiyonaga developed complementary approaches, emphasizing graceful full-length figures in elaborate settings. The genre documented the changing ideals of feminine beauty across centuries, from the rounded features favored in the Edo period to the elongated elegance of the Meiji era. The shin-hanga revival of the early twentieth century produced a final flowering of bijin-ga, with artists like Ito Shinsui, Torii Kotondo, and Hashiguchi Goyo creating some of the genre's most refined works. These artists brought Western-influenced light and shadow to traditional subjects, producing prints that are among the most sought-after in the Japanese print market today. Bijin-ga prints are prized for their technical virtuosity, particularly the rendering of fabric patterns, hair arrangements, and subtle skin tones achieved through multiple woodblock impressions.

Artists Known for Bijin-ga

Nippon Jozokusen / Women's Customs in Japan by Onchi Koshiro

Nippon Jozokusen / Women's Customs in Japan

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Nasanu Naka by Hirezaki Eiho

Nasanu Naka

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Hair by Onchi Koshiro

Hair

1930

Color woodblock print

After the Bath by Onchi Koshiro

After the Bath

Woodblock print

After the Bath (Tokyo) / Nihon jozoku sen (Woman's Customs in Japan) by Onchi Koshiro

After the Bath (Tokyo) / Nihon jozoku sen (Woman's Customs in Japan)

Woodblock print

Tipsy by Kobayakawa Kiyoshi

Tipsy

1930

Woodblock print

A hood — Okoso-Zukin by Ito Shinsui

A hood — Okoso-Zukin

Woodblock print

Princess showing upper arm by Shiko Munakata

Princess showing upper arm

1958

Woodblock print, ink on paper

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Tired look by Hirezaki Eiho

Tired look

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Gazing Woman by Saito Kiyoshi

Gazing Woman

Woodblock print

Total Abandon (Mukotai no saku), from a series iIllustrating Tanizaki Junichiro's "The Key (Kagi)" by Shiko Munakata

Total Abandon (Mukotai no saku), from a series iIllustrating Tanizaki Junichiro's "The Key (Kagi)"

1956 (printed 1958)

Woodblock print

Returning from a Bath — 湯がへり by Onchi Koshiro

Returning from a Bath — 湯がへり

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Kasumi Teshigawara arranging chrysanthemums — 菊を活ける勅使ヶ原霞女史 by Ito Shinsui

Kasumi Teshigawara arranging chrysanthemums — 菊を活ける勅使ヶ原霞女史

Woodblock print

The Wife's Surprise (Tsumatachi no saku), from the series "The Tale of the Auklet (Uto Hanga-kan)" by Shiko Munakata

The Wife's Surprise (Tsumatachi no saku), from the series "The Tale of the Auklet (Uto Hanga-kan)"

1938

Woodblock print

Untitled (asada-benji) by Asada Benji

Untitled (asada-benji)

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

Untitled (hirezaki-eiho) by Hirezaki Eiho

Untitled (hirezaki-eiho)

Woodblock print

TotalCount by Torii Kotondo

TotalCount

1929

Woodblock print

Kiss — くちづけ by Takasawa Keiichi

Kiss — くちづけ

Not set

Woodblock print

Hair - 髪 by Takasawa Keiichi

Hair - 髪

circa 1970s (this item: First edition)

Woodblock print

Uta Sugata — うた姿 by Hirezaki Eiho

Uta Sugata — うた姿

Woodblock print

Pose - ポーズ by Takasawa Keiichi

Pose - ポーズ

1984

Woodblock print

Takasawa Keiichi Painting Collection - 高沢圭一画集 by Takasawa Keiichi

Takasawa Keiichi Painting Collection - 高沢圭一画集

1977

Woodblock print

Woman and Snowflakes by Takasawa Keiichi

Woman and Snowflakes

Not set

Woodblock print

Lament — 愁 by Takasawa Keiichi

Lament — 愁

1980

Woodblock print

Number 4 (1) by Takasawa Keiichi

Number 4 (1)

1969

Woodblock print

Wife and Lamp — 夫人とランプ by Takasawa Keiichi

Wife and Lamp — 夫人とランプ

circa 1970-1990

Woodblock print

Woman and Snowflakes by Takasawa Keiichi

Woman and Snowflakes

Not set

Woodblock print

The Lesson — レッスン by Takasawa Keiichi

The Lesson — レッスン

1974

Woodblock print

6 Dreams of Ukiyo Beauty: Ease by Tuula Moilanen

6 Dreams of Ukiyo Beauty: Ease

2008

Mokuhanga

No 2 by Takasawa Keiichi

No 2

Not set

Woodblock print

Number 3 (1) by Takasawa Keiichi

Number 3 (1)

1969

Woodblock print

Pose — ポーズ by Takasawa Keiichi

Pose — ポーズ

4

Woodblock print

The Kiss by Kobayakawa Kiyoshi

The Kiss

Not set

Woodblock print

Number 1 (1) by Takasawa Keiichi

Number 1 (1)

1969

Woodblock print

Pose — ポーズ by Takasawa Keiichi

Pose — ポーズ

4

Woodblock print

Shark-Spot Pattern - 鮫小紋 by Takasawa Keiichi

Shark-Spot Pattern - 鮫小紋

circa 1970s (this item: First edition)

Woodblock print

Crimson by Takasawa Keiichi

Crimson

Not set

Woodblock print

Moegi-iro no (Light Green) by Ushio Takahashi

Moegi-iro no (Light Green)

もえぎ色の

Mezzotint

Yasou (Nocturne) by Ushio Takahashi

Yasou (Nocturne)

夜想

Mezzotint

Behind the Screen by Ushio Takahashi

Behind the Screen

Mezzotint

Sleeping Beauty - Moegi-iro by Ushio Takahashi

Sleeping Beauty - Moegi-iro

もえぎ色

Mezzotint

Juliet by Ushio Takahashi

Juliet

Mezzotint

Number 2 (1) by Takasawa Keiichi

Number 2 (1)

1969

Woodblock print

Number 5 (1) by Takasawa Keiichi

Number 5 (1)

1969

Woodblock print

Pose — ポーズ by Takasawa Keiichi

Pose — ポーズ

4

Woodblock print

Takasawa Keiichi by Takasawa Keiichi

Takasawa Keiichi

circa 1970s (this item: First edition)

Woodblock print

Lament — 愁 by Takasawa Keiichi

Lament — 愁

1980

Woodblock print

Takasawa Keiichi Painting Collection - 高沢圭一画集 by Takasawa Keiichi

Takasawa Keiichi Painting Collection - 高沢圭一画集

1984

Woodblock print

TotalCount by Takasawa Keiichi

TotalCount

circa 1970s (this item: First edition)

Woodblock print

Hair - 髪 by Takasawa Keiichi

Hair - 髪

circa 1970s (this item: First edition)

Woodblock print

Related Subjects

Frequently Asked Questions

Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality.

Torii Kotondo, Hashiguchi Goyo, and Ito Shinsui are among the artists most associated with bijin-ga in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 1154 prints tagged with bijin-ga, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.