Bijin-ga Prints (1154)
Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality. Utamaro's bust portraits of the 1790s, which isolated individual faces against plain backgrounds, were revolutionary in their psychological depth and compositional daring. His contemporaries Chobunsai Eishi and Torii Kiyonaga developed complementary approaches, emphasizing graceful full-length figures in elaborate settings. The genre documented the changing ideals of feminine beauty across centuries, from the rounded features favored in the Edo period to the elongated elegance of the Meiji era. The shin-hanga revival of the early twentieth century produced a final flowering of bijin-ga, with artists like Ito Shinsui, Torii Kotondo, and Hashiguchi Goyo creating some of the genre's most refined works. These artists brought Western-influenced light and shadow to traditional subjects, producing prints that are among the most sought-after in the Japanese print market today. Bijin-ga prints are prized for their technical virtuosity, particularly the rendering of fabric patterns, hair arrangements, and subtle skin tones achieved through multiple woodblock impressions.
Artists Known for Bijin-ga
Woman Representing Good Fortune
1753–1806
color woodblock print
Wakato
1864, 7th lunar month
Woodblock print (nishiki-e), ink and color on paper
Heian Era, from
Woodblock print
Empress Shoken in Western Dress and Bonnet
Woodblock print
Lady of the Kanbun Era (1661-72)
Woodblock print
Lady of Meireki Era (1655-58)
Woodblock print
Tenna era, from
Woodblock print
Tokyo Pleasures: Women in Western Dress
Woodblock print
Yaoya Oshichi and Koshô Kichisaburô (Yaoya Oshichi and Koshô Kichisaburô)
Woodblock print
Battledore
1896
Woodblock print (nishiki-e), ink and color on paper
Palanquin
Woodblock print
A court lady holding a folding-fan, from
Woodblock print
Girls (descriptive title)
Woodblock print
Lady in Kyoto Era (1716-1735)
Woodblock print
Tokyo Pleasures: Photographs
Woodblock print
triptych print
Woodblock print
Woman of the Yoshiwara
1753–1806
color woodblock print
Complete set of the series
Woodblock print
Lady in Meiji Era (1868-1912)
Woodblock print
Lady of the Kyouhou Era (1716-1755)
Woodblock print
Kogo in her hermitage at Sagano
Woodblock print
Painful (Itaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"
1888
Color woodblock print; oban
Keian Era, from
Woodblock print
Woman Red with White Chrysanthemums, from the series The Appearance of Upper-Class Women of the Edo period (Tokugawa jidai kifujin no sugata)
Meiji period, dated October 1895
Woodblock print in "ōban" format; ink and color on paper
Women Drawing Strings for Prizes, right panel of a triptych
Woodblock print
11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"
1880
Color woodblock print
Kiku moyō enmei bukuro, no. 2
July 1891
Woodblock print (nishiki-e), ink and color on paper
In The Mood for a Walk (Yuho ga shitaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"
1888
Color woodblock print; oban
Oroku
1864, 7th lunar month
Woodblock print (nishiki-e), ink and color on paper
Takaragi
1864, 7th lunar month
Woodblock print (nishiki-e), ink and color on paper
Lady of the Houei Era (1704-1711)
Woodblock print
Harimaze
Woodblock print
After A Bath — 湯上がり
Woodblock print
Appearing Inquisitive, Behavior of a Maid of the Tenpō Era
April 1888
Woodblock print (nishiki-e), ink and color on paper
Ohara-me
Woodblock print
Chiyoda no o-oku
Woodblock print
Kanmu Era, from
Woodblock print
toyohara-chikanobu
Woodblock print
Princess Sotoori (Sotoori-hime), from the series Sketches by Gekkô (Gekkô zuihitsu)
Woodblock print
Women’s Activities of the Tokugawa Era
Woodblock print
Unknown, Woman 2
Woodblock print
Ameshiro
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Solitude, Kyoto
1955
Color woodblock print; edition 70/150
Untitled (hirezaki-eiho)
Woodblock print
Jealousy
1952
Color woodblock print; edition 128/300
Mirror (Kagami)
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Naoko
Woodblock print
Obi (Sash)
Woodblock print
Hara Shobō
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Black Hair
Woodblock print
Untitled (hirezaki-eiho)
Woodblock print
Woman wearing necklace
1955
Color woodblock print; edition 1/100
Solitude - A Model from Akita
1947
Color woodblock print
Related Subjects
Frequently Asked Questions
Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality.
Torii Kotondo, Hashiguchi Goyo, and Ito Shinsui are among the artists most associated with bijin-ga in our collection. Browse the full list of artists who explored this subject above.
Hanga currently catalogues 1154 prints tagged with bijin-ga, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.