Bijin-ga Prints (1154)
Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality. Utamaro's bust portraits of the 1790s, which isolated individual faces against plain backgrounds, were revolutionary in their psychological depth and compositional daring. His contemporaries Chobunsai Eishi and Torii Kiyonaga developed complementary approaches, emphasizing graceful full-length figures in elaborate settings. The genre documented the changing ideals of feminine beauty across centuries, from the rounded features favored in the Edo period to the elongated elegance of the Meiji era. The shin-hanga revival of the early twentieth century produced a final flowering of bijin-ga, with artists like Ito Shinsui, Torii Kotondo, and Hashiguchi Goyo creating some of the genre's most refined works. These artists brought Western-influenced light and shadow to traditional subjects, producing prints that are among the most sought-after in the Japanese print market today. Bijin-ga prints are prized for their technical virtuosity, particularly the rendering of fabric patterns, hair arrangements, and subtle skin tones achieved through multiple woodblock impressions.
Artists Known for Bijin-ga

Kobori Tomoto
Woodblock print

Kajita Hanko
Woodblock print

A Bath
Woodblock print

Chapter 44 - Takekawa
Woodblock print

Yomogyu (Weeds)
Woodblock print

Frontispiece of a novel, from
Woodblock print

A frontispiece of a novel, 1901
Woodblock print

Bijin 2, Beauties of the Twelve Months
Woodblock print

Courtesan and Two Kamuro Promenading on a City Street
Woodblock print

Maiko
Woodblock print
Daikoku, God of Health, Personified by a Courtesan of Shimabara
Woodblock print
Jyo No Maiko (Opening Dance)
Woodblock print
The Ladies' Graphic vol. 4 no. 4
Woodblock print
After the Bath (Tokyo)
Woodblock print
Combing Her Hair
Woodblock print
Ayame Yukata
Woodblock print
Beni (Rouge)
Woodblock print
Nap
Woodblock print
Combing the Hair, Kamisuki
Woodblock print
Combing The Hair
Woodblock print
To the Morning Light (Ten Female Subjects)
Woodblock print
Princess Tatsuta
Woodblock print
Red Juban
Woodblock print
The Day She Takes her Vows
Woodblock print

In the bath
Woodblock print

Aiaigasa (Sharing an Umbrella)
Woodblock print

After the Bath
Woodblock print

Hot Springs Inn
Woodblock print

Face Powder
Woodblock print

Before the Mirror
Woodblock print

Mosquito Net
Woodblock print

After the bath
Woodblock print
Ghost with Sword
Woodblock print
Female Ghost (Complete Works of Chikamatsu)
Woodblock print

Dressing the Hair for New Years Day
Woodblock print

First Make-Up of the New Year
Woodblock print

The Lovers Mikkatsu and Akane-ya Hanschichi
Woodblock print

The Heron Maiden
Woodblock print

Umegawa
Woodblock print

The Sound of the Bell
Woodblock print

First Love 2
Woodblock print

Bathing Beauties
2026
2026 Unique, Drypoint and relief print on Japanese paper H43 x W36 cm (framed dimensions)

Beautiful Woman
1892
Silk

Beautiful Woman
1880
Silk

A Beauty at the Spring Window
Nihonga (natural mineral pigments) on silk

Beauty from Anei Era
1896
N/A

Beauty of the Moment
Moku Hanga

Woman Combing Her Hair
1982
Woodblock

Portrait of a Beauty
1911
Sepia ink and pencil on paper

Woman with a Red Tray
1920
N/A

Moga Reclining (Nude)
Oil on canvas

Woman in Chignon
1924
N/A

Geisha
Ukiyo-e/Woodblock print

Beautiful Woman Sewing
1880
Silk

Maiko (Apprentice Geisha from Kyoto)
1925
Japanese Color Woodblock Print on handmade paper

Maiko Kyoto (B)
1959
Woodblock

Maiko Kyoto (D)
1960
Woodblock Print

Beauty
1958
Ink on paper

Beauty(波枕)
1960
Original Woodcut print

Beauty(柳湯)
1960
Original Woodcut print
Related Subjects
Frequently Asked Questions
Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality.
Torii Kotondo, Hashiguchi Goyo, and Ito Shinsui are among the artists most associated with bijin-ga in our collection. Browse the full list of artists who explored this subject above.
Hanga currently catalogues 1154 prints tagged with bijin-ga, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.




