

Temple and shrine subjects form the backbone of Hasui's rural Japan repertoire — steady, consistently popular categories that hold value across all market conditions. Snow at temple subjects command the highest premiums (Snow at Tosho-gu Shrine in Ueno achieved $3,200 at Artelino; Saishoin Temple in the Snow reached $3,000). Standard pre-war temple scenes without snow trade between $1,000–$3,500. Pre-war lifetime editions bearing the Watanabe copyright seal (A through G types, 1926–1944) are the most desirable.
The Great Buddha, Kamakura presents one of Japan's most universally recognized monuments — the colossal bronze Amida Buddha statue at Kotoku-in temple in Kamakura. Created in 1930 and published by Watanabe Shozaburo, this print depicts the thirteen-meter-tall seated figure with the serene composure and monumental presence that has made it an enduring symbol of Japanese Buddhist art. Hasui frames the great statue within its natural setting, with trees flanking the composition and visitors or pilgrims providing scale that emphasizes the Buddha's immense proportions.
The Kamakura Daibutsu was cast in bronze in 1252 during the Kamakura period and has sat in the open air since a tsunami destroyed the hall that originally housed it in the fifteenth century. By the time Hasui depicted it, the statue had been a destination for pilgrims and tourists for centuries and had been widely reproduced in photographs and prints. Hasui's challenge was to bring fresh artistic vision to one of the most familiar subjects in Japanese visual culture, and he achieved this through his characteristic sensitivity to atmospheric conditions and the interplay of light and shadow across the statue's massive bronze surfaces.
The print reflects Hasui's interest in the spiritual dimension of Japanese landscape, a theme that runs throughout his career from temple scenes to sacred groves. The Great Buddha is depicted not merely as a tourist attraction but as a living presence in the landscape, its calm expression and meditative posture radiating an aura of peace that extends to the surrounding environment. The technical printing is notable for the rendering of the bronze patina, achieved through carefully controlled overprinting of multiple color blocks. This composition demonstrates how Hasui could find personal artistic expression even within the most conventional of subjects, transforming a well-known landmark into a contemplative study of permanence and spiritual tranquility.

伏見稲荷
Woodblock print

c. 1832/38
Color woodblock print; oban

Woodblock print

Uji Byodoin no ichibu
1921
Color woodblock print; oban
Curated cross-cuts that include this print.
The Great Buddha, Kamakura (Kamakura Daibutsu) (Kamakura Daibutsu) was created by Kawase Hasui (川瀬巴水) in 1930.
The Great Buddha, Kamakura (Kamakura Daibutsu) uses Bokashi, Nishiki-e, and Moku-hanga, on color woodblock print.
The Great Buddha, Kamakura (Kamakura Daibutsu) was published by Watanabe Shozaburo (1930).
The Great Buddha, Kamakura (Kamakura Daibutsu) depicts temples & shrines and religious, set at Kamakura.
The Great Buddha, Kamakura (Kamakura Daibutsu) measures 24.1 × 36.3 cm (Oban format).