Bijin-ga Prints (1154)
Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality. Utamaro's bust portraits of the 1790s, which isolated individual faces against plain backgrounds, were revolutionary in their psychological depth and compositional daring. His contemporaries Chobunsai Eishi and Torii Kiyonaga developed complementary approaches, emphasizing graceful full-length figures in elaborate settings. The genre documented the changing ideals of feminine beauty across centuries, from the rounded features favored in the Edo period to the elongated elegance of the Meiji era. The shin-hanga revival of the early twentieth century produced a final flowering of bijin-ga, with artists like Ito Shinsui, Torii Kotondo, and Hashiguchi Goyo creating some of the genre's most refined works. These artists brought Western-influenced light and shadow to traditional subjects, producing prints that are among the most sought-after in the Japanese print market today. Bijin-ga prints are prized for their technical virtuosity, particularly the rendering of fabric patterns, hair arrangements, and subtle skin tones achieved through multiple woodblock impressions.
Artists Known for Bijin-ga
Tipsy — ほろ酔
1932
Woodblock print
Vapour- Yuge — ゆげ
1929
Woodblock print
#16 Sekiya
Woodblock print
Nap 52/100
1930
Woodblock print
Seated Woman
1936
Woodblock print
Rouge- lipstick — くち紅
1932
Woodblock print
Steam (Yuge)
1929
Color woodblock print
No Title
1753–1806
color woodblock print
Hair Ornament
髪飾り
1929
Color woodblock print
Vapor (Yuge)
1929
Woodblock print
Steam
October 1929
Woodblock print
Woman
1929
Woodblock print
#25 Hotaru
Woodblock print
New Yoshiwara (Shin Yoshiwara), from the series Famous Places in the Eastern Capital
early 1830s
color woodblock print
February - Wintry Sky
1924
Woodblock print
Drying the Hair
髪を乾かす
1930
Color woodblock print
Long Underrobe
7/1929
Woodblock print
Rouge
口紅
1929
Color woodblock print
#34 Wakana
Woodblock print
After the Bath
湯上がり
1930
Color woodblock print
Lipstick - 口紅
1932
Woodblock print
Napping
February 1933
Woodblock print, ink and color on paper
Morning Hair
朝の髪
c. 1930
Color woodblock print
Sash- Obi- V1
1929
Woodblock print
Short Hair (Tanpotsu)- Oban
Woodblock print
Combing Hair (Kamisuki)
1929
Color woodblock print (finished print: 1930.361)
Fushimi no Yuki
Not set
Woodblock print
No. 12 - Combing In The Bath - 裸婦髪梳き
1929
Woodblock print
Tipsy (Horoyoi)
1932
Color woodblock print
Woman as the Hero Taisō in Palanquin Holding a Pipe
c. 1830
Woodblock print (surimono), ink and color on paper
Hyakkaen
Woodblock print
A Hundred Shades of Ink of Edo: Eisen's Blue-Printed Pictures (Edo zumi hyaku shoku: Eisen no Aizuri-e)
Woodblock print
Mosquito Net
蚊帳
1929
Color woodblock print
Make-up
1930
Color woodblock print
Pounding Silk
1930
Woodblock print
Rouge (Beni)
1929
Woodblock print
Sash- Obi- V2
1929
Woodblock print
Utatane- A nap- Version 2 — うたっ寝
1933
Woodblock print
(Kagamiyama) zori-hachi no dan
Woodblock print
No. 6 - Lipstick - 口紅
1932 1980s)
Woodblock print
Richard Kruml
c. 1927–1976
Woodblock print
Utatane- A nap- V1 — うたっ寝
1933
Woodblock print
Woman Kneeling before a Mirror Stand
1920
Woodblock print
Appearing Warm, Behavior of an Urban Widow of the Kansei Era
March 1888
Woodblock print (nishiki-e), ink and color on paper
A Collection of Pictures of Chignon Hairstyles (Kazura tsuke sokuhatsu zukai)
1887 (Meiji 20)
Woodblock print (nishiki-e); ink and color on paper
Imayo Genji 今様げんじ / Miyashima senchu asobi 宮しま船中遊
Woodblock print
Lady in Kaei Era (1848-54)
Woodblock print
Osome
1864, 7th lunar month
Woodblock print (nishiki-e), ink and color on paper
No. 23, from
Woodblock print
Contemporary Styles
Woodblock print
Kenmu Era, from
Woodblock print
Lady of the Bunsei Era (1818-1830)
Woodblock print
No. 33, from
Woodblock print
Streetwalkers Taking a Break in Yoshida-machi, Honjo
January 1881
Woodblock print (nishiki-e), ink and color on paper
Osame, a Concubine of the Lord of Sendai Fief, Learning Courtesanship
1886
Woodblock print
Untitled (Part of a Triptych: A Woman being Shot by Arrows)
1889
Woodblock print
Somekawa
1864, 7th lunar month
Woodblock print (nishiki-e), ink and color on paper
Koka era, from
Woodblock print
The Third Princess and Kashiwagi, from Chapter 34, “New Herbs I (Wakana I)” (Nihon shinnō onna sannomiya)
1890
Triptych of woodblock prints; ink and color on paper
Kinugayoihime
Woodblock print
Related Subjects
Frequently Asked Questions
Bijin-ga — literally "pictures of beautiful people" — is one of the foundational genres of Japanese woodblock printmaking. The tradition dates to the earliest days of ukiyo-e, when artists like Hishikawa Moronobu and later Kitagawa Utamaro elevated portrayals of women from simple illustrations to sophisticated studies of beauty, fashion, and personality.
Torii Kotondo, Hashiguchi Goyo, and Ito Shinsui are among the artists most associated with bijin-ga in our collection. Browse the full list of artists who explored this subject above.
Hanga currently catalogues 1154 prints tagged with bijin-ga, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.