Landscapes Prints (3812)
Landscapes are the most celebrated subject in Japanese woodblock printmaking, encompassing mountain vistas, coastal panoramas, river valleys, and rural scenes that have defined the genre for centuries. The tradition reached its first peak with Hokusai's "Thirty-six Views of Mount Fuji" (1831) and Hiroshige's "Fifty-three Stations of the Tokaido" (1833-34), series that established the meisho-e (famous places) format as a cornerstone of ukiyo-e. Shin-hanga artists of the early twentieth century, particularly Kawase Hasui and Hiroshi Yoshida, reinvented the landscape tradition by combining Western atmospheric effects with Japanese compositional sensibilities. Hasui's snow scenes and twilight views of rural Japan became iconic, while Yoshida's mountain studies introduced plein-air observation techniques unprecedented in woodblock printing. Sosaku-hanga artists like Toshi Yoshida and Shiro Kasamatsu further expanded the landscape vocabulary through personal expression and experimental color palettes. Japanese landscape prints typically emphasize seasonal atmosphere, weather conditions, and the interplay between human presence and natural grandeur. The use of bokashi (graduated color) and multiple impression techniques creates depth and luminosity that distinguish woodblock landscapes from other printmaking traditions.
Artists Known for Landscapes

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (kaiseki-jokata)
Woodblock print

Untitled (kaiseki-jokata)
Woodblock print

Untitled (kazuma-oda)
Woodblock print

Untitled (kazuma-oda)
Woodblock print

Seijaku
Woodblock print

Shunjitsu
Woodblock print

Tower of Kibitsu Shrine
Woodblock print

Landscape (Autumn)
Woodblock print with copper embellishment

Matsushima Godaido
Woodblock print (oil-based inks)

The Imperial Gate of Kaneiji-temple
Woodblock print (oil-based inks)

Favourable Sunset Wind
晩照順風
Woodblock print

Mountain Village in Snow
2002
Woodblock print

Lying Dragon Sakura — 臥龍桜
1996
Woodblock print

Aki (Autumn)
Woodblock print

Summer Wind
Woodblock print

Akatsuki
Woodblock print

June
6月
Woodblock print

Spring Wind — 春 風
Woodblock print

Morning Fog
Woodblock print

Shadows on the Water
Woodblock print

White Trees (4)
Woodblock print

Momiji (Autumn Colors)
紅葉
Woodblock print

Icy River
Woodblock print

Inland Sea
Woodblock print

Farmhouse
Woodblock print

Reflect
映える
Woodblock print

Return Night
Woodblock print

Wind
Woodblock print

Moon
Woodblock print

Sunset
Woodblock print

Saito, Hodo
Woodblock print

Untitled (hodo-nishimura)
Woodblock print

Untitled (hodo-nishimura)
Woodblock print

Untitled (hodo-nishimura)
Woodblock print

Untitled (inagaki-toshijiro)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (kaiseki-jokata)
Woodblock print

Untitled (kaiseki-jokata)
Woodblock print

Untitled (kazuma-oda)
Woodblock print

Black Night Ginza (One Hundred Views of Tokyo)
Woodblock print and silkscreen

No. 129 - Evening Scene of Sagano
嵯峨野の夕景
Silkscreen (serigraph)

No. 136 - Shimohiraya Village
下平屋村
Silkscreen (serigraph)

No. 97 - Cabin at Inoshita
井下の小屋
Silkscreen (serigraph)

No. 153 - Thatched Roof in the Snow
Silkscreen (serigraph)

No. 231 - Rankyo
嵐峡
Silkscreen (serigraph)

Amou Pass
天生峠
Silkscreen (serigraph)

Untitled (hodo-nishimura)
Woodblock print

Untitled (hodo-nishimura)
Woodblock print

Untitled (hodo-nishimura)
Woodblock print

Untitled (hodo-nishimura)
Woodblock print

Untitled
1929

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print

Untitled (ishiwata-koitsu)
Woodblock print
Related Subjects
Frequently Asked Questions
Landscapes are the most celebrated subject in Japanese woodblock printmaking, encompassing mountain vistas, coastal panoramas, river valleys, and rural scenes that have defined the genre for centuries. The tradition reached its first peak with Hokusai's "Thirty-six Views of Mount Fuji" (1831) and Hiroshige's "Fifty-three Stations of the Tokaido" (1833-34), series that established the meisho-e (famous places) format as a cornerstone of ukiyo-e.
Utagawa Hiroshige, Kawase Hasui, and Hiroshi Yoshida are among the artists most associated with landscapes in our collection. Browse the full list of artists who explored this subject above.
Hanga currently catalogues 3812 prints tagged with landscapes, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.




