Hanga

Still Life Prints (402)

Still life subjects (seibutsu-ga) in Japanese woodblock prints encompass arrangements of objects — flowers in vases, fruit, pottery, books, musical instruments, seasonal decorations — that reveal the aesthetic sensibilities and material culture of their era. While less prominent than landscape or figure subjects, still life prints produced some of the tradition's most technically refined works, particularly in the surimono format of privately commissioned luxury prints. The surimono tradition of the late Edo period raised still life printing to its highest level, with artists creating elaborate compositions of carefully arranged objects using metallic pigments, blind embossing (karazuri), and other special techniques. These prints, often commissioned for poetry circles or New Year celebrations, combined visual beauty with literary allusion, as each object carried symbolic meaning accessible to educated viewers. Modern still life prints developed in two directions. Shin-hanga artists produced refined floral arrangements and seasonal compositions that continued the decorative tradition. Sosaku-hanga artists used still life subjects as vehicles for formal experimentation, abstracting everyday objects into bold compositions of color and shape. Artists like Saito Kiyoshi and Watanabe Sadao transformed simple subjects — persimmons, pottery, garden stones — into modernist compositions that brought the still life tradition into dialogue with international contemporary art.

Artists Known for Still Life

Light Time Silence #12 by Keisuke Yamamoto

Light Time Silence #12

Lithograph

Light Time Silence #15 by Keisuke Yamamoto

Light Time Silence #15

Lithograph

Light Time Silence #18 by Keisuke Yamamoto

Light Time Silence #18

Lithograph

Light Time Silence #23 by Keisuke Yamamoto

Light Time Silence #23

Lithograph

Light Time Silence #25 by Keisuke Yamamoto

Light Time Silence #25

Lithograph

Light Time Silence #26 by Keisuke Yamamoto

Light Time Silence #26

Lithograph

Light Time Silence #27 by Keisuke Yamamoto

Light Time Silence #27

Lithograph

Light Time Silence #28 by Keisuke Yamamoto

Light Time Silence #28

Lithograph

Light Time Silence #30 by Keisuke Yamamoto

Light Time Silence #30

Lithograph

Light Time Silence M - C by Keisuke Yamamoto

Light Time Silence M - C

Lithograph

Roses by Ito Nisaburo

Roses

Woodblock print

Pure Potential by Andy Farkas

Pure Potential

Wood engraving & handset letterpress text

Blue Fruit  by Asako Iwasawa

Blue Fruit

2020

Acrylic on canvas

Persimmon Sunrise by Daniel Kelly

Persimmon Sunrise

1983

Woodblock on Arches 90lb hotpress watercolour paper

Thirteen Persimmons by Daniel Kelly

Thirteen Persimmons

2018

Mixed Media

Anémonés et fleurs de champs dans un verre a facettes / Bouquet sur fond de dentelle by Kiyoshi Hasegawa

Anémonés et fleurs de champs dans un verre a facettes / Bouquet sur fond de dentelle

1945

Etching and aquatint

White Hexagon Tea Bowl  by Nana Shiomi

White Hexagon Tea Bowl

2017

Woodcut on Japanese Paper

Still Life with Lace by Tetsuro Komai

Still Life with Lace

1975

Aquatint and etching on paper

Japanese Wood Block Print Floral Still Life by Toru Mabuchi

Japanese Wood Block Print Floral Still Life

1967

Woodcut print

Still life with Viktor Orban and Inverted Tucker by William Evertson

Still life with Viktor Orban and Inverted Tucker

2022

Color Woodblock

Cluster of grapes by Yozo Hamaguchi

Cluster of grapes

1969

Mezzotint on paper

A Bowlful of Water by Nana Shiomi

A Bowlful of Water

2015

Japanese Woodcut

Carrot and Two Garlic by Art Hansen

Carrot and Two Garlic

Etching

Brush by Seoul Kim

Brush

Color etching with chine collé and hand coloring

Grapes, Kusama 29 by Yayoi Kusama

Grapes, Kusama 29

Screenprint

Ashtray by Yayoi Kusama

Ashtray

Silkscreen

Proverb - Smelly demon in a pickle jar by Kawanabe Kyosai

Proverb - Smelly demon in a pickle jar

Woodblock print

Lily In Bamboo Vase- V2 by Ohno Bakufu

Lily In Bamboo Vase- V2

Woodblock print

Lily In Bamboo Vase- V2 by Ohno Bakufu

Lily In Bamboo Vase- V2

Woodblock print

Tea and Tea Bowl by Nana Shiomi

Tea and Tea Bowl

Mokuhanga (Japanese woodblock)

A Room of One's Own -Still Life by Nana Shiomi

A Room of One's Own -Still Life

Mokuhanga (Japanese woodblock)

Indigo Hexagon Tea Bowl by Nana Shiomi

Indigo Hexagon Tea Bowl

Mokuhanga (Japanese woodblock)

Tea Bowl Universe by Nana Shiomi

Tea Bowl Universe

Mokuhanga (Japanese woodblock)

White Hexagon Tea Bowl by Nana Shiomi

White Hexagon Tea Bowl

Mokuhanga (Japanese woodblock)

Nude and vase by Maeda Masao

Nude and vase

Mokuhanga (Japanese woodblock)

Nude and jar by Maeda Masao

Nude and jar

Mokuhanga (Japanese woodblock)

Still-life with hand-cut vase by Fumio Kitaoka

Still-life with hand-cut vase

Mokuhanga (Japanese woodblock)

Carnations in a vase by Hide Kawanishi

Carnations in a vase

Mokuhanga (Japanese woodblock)

Carnations in a vase by Hide Kawanishi

Carnations in a vase

Mokuhanga (Japanese woodblock)

Composition of Western glass, jar and jug by Sumio Kawakami

Composition of Western glass, jar and jug

Mokuhanga (Japanese woodblock)

Western lamps and jar by Sumio Kawakami

Western lamps and jar

Mokuhanga (Japanese woodblock)

Man holding cup by Fukami Gashu

Man holding cup

Mokuhanga (Japanese woodblock)

Related Subjects

Frequently Asked Questions

Still life subjects (seibutsu-ga) in Japanese woodblock prints encompass arrangements of objects — flowers in vases, fruit, pottery, books, musical instruments, seasonal decorations — that reveal the aesthetic sensibilities and material culture of their era. While less prominent than landscape or figure subjects, still life prints produced some of the tradition's most technically refined works, particularly in the surimono format of privately commissioned luxury prints.

Ohno Bakufu, Nana Shiomi, and Hiratsuka Un'ichi are among the artists most associated with still life in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 402 prints tagged with still life, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.