
Biography
Hiratsuka Un'ichi (1895-1997) was one of the founding figures of the sosaku-hanga (creative print) movement in Japan. Born in Matsue, Shimane Prefecture, he studied Western-style painting before turning to printmaking under the influence of Yamamoto Kanae, whose 1904 print "Fisherman" is considered the birth of sosaku-hanga. Hiratsuka became a tireless advocate for the principle that artists should design, carve, and print their own works, in contrast to the collaborative ukiyo-e and shin-hanga traditions.
Throughout his extraordinarily long career spanning over eight decades, Hiratsuka created more than 3,000 prints, predominantly bold black-and-white woodcuts characterized by strong contrasts and dynamic compositions. His subjects ranged from Buddhist temples and Shinto shrines to modern cityscapes, rendered with a distinctively powerful cutting technique. He was instrumental in organizing the Nihon Sosaku-Hanga Kyokai (Japan Creative Print Association) in 1918 and mentored generations of younger printmakers including Takeji Asano and Tomikichiro Tokuriki.
In 1962, Hiratsuka moved to Washington, D.C., where he continued to create prints and teach at several American universities until his return to Japan. He received numerous honors including the Order of the Sacred Treasure and was designated a Living National Treasure candidate. His longevity — he lived to 102 — made him a living link between the pre-war origins of sosaku-hanga and its postwar international recognition.
Key Facts
- Active Period
- 1895–1997
- Nationality
- 🇯🇵Japan
- Movement
- Sōsaku-hanga
- Works Indexed
- 239
Frequently Asked Questions
What is Hiratsuka Un'ichi known for?
Hiratsuka Un'ichi (1895-1997) was one of the founding figures of the sosaku-hanga (creative print) movement in Japan. Born in Matsue, Shimane Prefecture, he studied Western-style painting before turning to printmaking under the influence of Yamamoto Kanae, whose 1904 print "Fisherman" is considered the birth of sosaku-hanga. Hiratsuka became a tireless advocate for the principle that artists should design, carve, and print their own works, in contrast to the collaborative ukiyo-e and shin-hanga traditions.
When was Hiratsuka Un'ichi active?
Hiratsuka Un'ichi was active from 1895 to 1997. They were associated with the Sōsaku-hanga movement.
What artistic movements influenced Hiratsuka Un'ichi?
Hiratsuka Un'ichi's work was shaped by the Sōsaku-hanga tradition in Japanese woodblock printmaking. Sōsaku-hanga: The "creative prints" movement (c.
Where can I see Hiratsuka Un'ichi's original prints?
Original prints by Hiratsuka Un'ichi can be found in collections including Art Institute of Chicago.
Woodblock Prints by Hiratsuka Un'ichi (239)

Bold Symbol in Square, from roof tile
1930s
Woodblock print

Mount Amagi Imperial Forest, Izu
1935
Color woodblock print

3/4 Rosette with Fleur de Lis from Center
1930s
Woodblock print

Mount Aso in Kyushu
1935
Color woodblock print

Site of the Capital City of Ancient Paekche, Korea
1935
Color woodblock print

Chichibu Nagatoro
c. 1935
Color woodblock print

Ancient Tile from Roof Tile
1930s
Woodblock print

Komoro in Nagano, Early Spring
1935
Woodblock print

Partial Rosette Segment from a Roof Tile and Peony from a Roof Tile
1930s
Woodblock prints

Rosette Quarter Panels
1930s
Woodblock print

Sukiya Bridge, from the series Recollections of Tokyo
1930
Color woodblock print

Crane Pulling Cart, from roof tile
1930s
Woodblock print

Mother and Child Tending Plants, from roof tile
1935
Woodblock print

Rosette-X in Center, from roof tile
1930s
Woodblock print

Clay Seal of Tachibana District, from roof tile
1930s
Woodblock print

Cape Nichiren, Izu Peninsula
1937
Woodblock print

Nichiren Shonin, from the series Mantai Suriutsuchi No Uchi
1937
Woodblock print

Rosette-like Segment of Tile, from roof tile
1932
Woodblock print

Floral Frond, from roof tile
1933
Woodblock print

Mt. Uchikongo Falls (banbak-do) Korea
1939
Woodblock print

Bearded Face, from roof tile
1935
Woodblock print

Horse Pulling Carriage with Drive, from roof tile
1935
Woodblock print

Scroll-like Segment on a Tile, from roof tile
1935
Woodblock print

Horse and Rider, from roof tile
1935
Woodblock print

Soyangsa Temple in Inner Diamond Mountain (Nae Keum Kang), Korea
1940
Woodblock print

Grand Bridge of Matsue in Shimane
1941
Color woodblock print

Fragments of Buddhist Sculpture at the Usuki Site, Oita
1941
Woodblock print

Sutra Depository at Iwayaji Temple, Aichi Prefecture
1940
Woodblock print

Old Pagoda in Clearing Snow, Mount Koya
1942
Color woodblock print

Kokubun-ji Temple at Hida, Gifu Prefecture
1942
Color woodblock print

Banbaku-do at Mount Uchikongo, Korea
1942
Woodblock print

Girl in Cotton Dress
1942
Woodblock print

Night at Nihonbashi Bridge (Tokyo)
1946
Color woodblock print

Ujibashi Bridge to the Grand Shrine of Ise, Mie
1942
Woodblock print

Road to Izumo Mountain Hot Spring
1942
Color woodblock print

Sunset at Matsue Castle, Shimane Prefecture
1942
Woodblock print

Nichiren Shoin
1937
Woodblock print, ink on paper

Saint Nichiren
1937
Woodblock print

Beginning of the Great Wall in Shanaiguan, China
1943
Woodblock print

Burial Figure of a Tang Woman (Tojoyo)
1943
Color woodblock print

Buddha's Grave Stone at Datong, China
1944
Hand-colored woodblock print

Characters in Cross-Hatching, from roof tile
1940
Woodblock print

Sukiya Bridge, from the series Recollections of Tokyo
1945
Color woodblock print

Plum Blossom
1945
Woodcut print

Moonlight Over Kinugawa Hot Springs (Kinugawa Onsen)
1940
Woodblock print

Top of Mt. Oso
1940
Woodblock print

View of Mountain Range in Kyushu from the Sea of Amakusa (Kyushu renzan Amakusa-nada yori
1940
Woodblock print

White Character, from roof tile
1940
Woodblock print

Heijo Botandai from the Series of One Hundred Views of New Japan
April 1940
Ink and color on paper

Inner Sanctuary of Kōya-san
1941
Woodblock print, ink on paper
Tōdai-ji, the Shōsō-in
Shōwa period, dated 1941
Woodblock print; ink on paper
Great Gate of Koyasan
Shōwa period, dated 1941
Woodblock print; ink on paper

Early Autumn at Horyuji Temple, Nara
1942
Woodblock print

Early Autumn at Ikarugadera
1942
Woodblock print, ink on paper

Pine Avenue of Tsuda, near Matsue
1949
Color woodblock print

Girl with Calico-Patterned Background
1948
Woodblock print

Pagoda Tyoyo, in Early Spring, Manchuria
1948
Woodblock print

One Glass Water (Rose Flower in Glass)
1943
Woodblock print

Nishdai Gate, Horyu Temple
1948
Woodblock print

Song Dynasty Three-Color Glazed Plate with Rabbit Design (So sansai tomonzara)
1944
Hand-colored woodblock print