Hanga

Nikko (日光)

33 prints by 12 artists

About Nikko

Nikko is a town in northwestern Tochigi Prefecture in the Kanto region of Honshu, situated in the foothills of the volcanic mountains of the Nikko massif, approximately 140 kilometers north of Tokyo. The area has been a sacred mountain district since the eighth century, when the Buddhist priest Shodo Shonin established the principal mountain temples and made the first recorded ascent of Mount Nantai in 782, but its present importance derives principally from its selection as the burial site of the first Tokugawa shogun, Tokugawa Ieyasu, after his death in 1616. The Toshogu shrine complex, established in 1617 and dramatically expanded by the third shogun, Tokugawa Iemitsu, in 1636 in the great Kan'ei reconstruction, is one of the most architecturally elaborate religious monuments in Japan, with its main buildings covered in polychrome lacquer carvings, gold leaf, and ornamental metalwork in a deliberately maximalist mode distinguished from the more austere Edo Shinto and Buddhist architectural conventions. The complex includes the Yomei-mon gate, the principal main hall (honden) and worship hall (haiden), the Karamon Chinese-style gate, the bronze and stone lanterns donated by subsidiary daimyo, the Sleeping Cat carving attributed to Hidari Jingoro, and the Three Wise Monkeys panel of the sacred horse stable depicting the famous see-no-evil, hear-no-evil, speak-no-evil monkeys. Adjacent shrine and temple complexes include Futarasan-jinja (founded 782 by Shodo Shonin), Rinno-ji (the head temple of the Tendai school in the region), and the burial complex of the third shogun at Taiyu-in completed in 1653. The town is also celebrated for its waterfalls, including the Kegon Falls and the surrounding mountain landscape extending toward Lake Chuzenji, which is treated under its own entry. The Shrines and Temples of Nikko were designated a UNESCO World Heritage Site in 1999. For Japanese printmaking Nikko appears as one of the canonical Japanese meisho. Utagawa Hiroshige treated Nikko in his Famous Views of the Sixty-Odd Provinces and in individual sheets of the shrine and the surrounding landscape, and Hokusai included Nikko in passages of his minor printed sets. The shin-hanga revival brought a sustained engagement with the shrine complex and the surrounding mountain district. Kawase Hasui produced numerous Nikko compositions including snow and twilight views of the Yomei-mon gate, the Shinkyo sacred bridge (the curved red lacquered bridge across the Daiya River at the entrance to the shrine district, founded in legend by Jakko in the eighth century), and the surrounding shrine precincts, with his Nikko sheets across multiple decades among the most reproduced of his Kanto regional subjects. Yoshida Hiroshi treated Nikko in his individual landscape sheets including memorable snow scenes of the shrine architecture and variant impressions of the temples under different conditions. Tsuchiya Koitsu, Asano Takeji, Tokuriki Tomikichiro, and the postwar sosaku-hanga circle contributed further compositions. The visual character of Nikko in prints is built on the dense polychrome ornamentation of the Toshogu architecture set against the surrounding dark green cryptomeria (sugi) forest, the curved red Shinkyo bridge across the Daiya River at the entrance to the shrine district, the seasonal phenomena of snow on the eaves and gates in winter, autumn maple in October and November, and spring fresh foliage, and frequently the foreground stone lanterns or pilgrims approaching the gates. The contrast between the elaborate polychrome of the architecture and the dark surrounding cedars produces the principal compositional tension in most Nikko prints. Contemporary visitors reach Nikko via the JR Nikko Line and the Tobu Nikko Line from Tokyo (approximately two hours via the Tobu Limited Express SPACIA), with the shrine and temple complex preserved as a UNESCO World Heritage Site and the surrounding mountain district extending north to Lake Chuzenji and beyond, accessible via the dramatic Iroha-zaka switchback road.

Prints Depicting Nikko (33)

Autumn Colors at Nikko by Gihachiro Okuyama

Autumn Colors at Nikko

Woodblock print

Cryptomerias Trees in Nikko — 日光杉並木 by Kotozuka Eiichi

Cryptomerias Trees in Nikko — 日光杉並木

Not set

Woodblock print

Five-storied Pagoda at Nikko (Nikko Goju no to) by Tsuchiya Koitsu

Five-storied Pagoda at Nikko (Nikko Goju no to)

1920

Color woodblock print; oban

FOUR SEASONS OF NIKKO- set by Kotozuka Eiichi

FOUR SEASONS OF NIKKO- set

Not set

Woodblock print

Futarasan Shrine at Nikko (Nikko Futarasan jinja) by Tsuchiya Koitsu

Futarasan Shrine at Nikko (Nikko Futarasan jinja)

1930

Color woodblock print; oban

Futaro shrine, Nikko by Tsuchiya Koitsu

Futaro shrine, Nikko

Woodblock print

Futatsu Hall, Nikko (Nikko Futatsudo) by Kawase Hasui

Futatsu Hall, Nikko (Nikko Futatsudo)

1929

Color woodblock print

Gamman-ga-Fuchi in Nikko by Takahashi Shotei

Gamman-ga-Fuchi in Nikko

Woodblock print

Kegon Falls, Nikko (Nikko Kegon no taki) by Kawase Hasui

Kegon Falls, Nikko (Nikko Kegon no taki)

1927

Color woodblock print; oban

Kegon Falls, Nikko (Nikko Kegon-no-taki) by Kawase Hasui

Kegon Falls, Nikko (Nikko Kegon-no-taki)

n.d.

Color woodblock print

Kegon Waterfalls, Nikko — 華源滝 by Yamakawa Shuho

Kegon Waterfalls, Nikko — 華源滝

Woodblock print

Lake at Nikko by Takahashi Shotei

Lake at Nikko

Woodblock print

Lake Chuzenji, Nikko (Nikko Chuzenjiko) by Kawase Hasui

Lake Chuzenji, Nikko (Nikko Chuzenjiko)

Nikko Chuzenjiko

1930

Color woodblock print; oban

Lake Chuzenji, Nikko, from by Kobayashi Kiyochika

Lake Chuzenji, Nikko, from

Woodblock print

Misty Day in Nikko by Hiroshi Yoshida

Misty Day in Nikko

1937

Color woodblock print

Mountain Temple (Futara-san, Nikko) - oban by Tsuchiya Koitsu

Mountain Temple (Futara-san, Nikko) - oban

Woodblock print

Nikko by Saito Kiyoshi

Nikko

1966

Woodblock print, ink and color on paper

Nikko 5 Story Pagoda by Tsuchiya Koitsu

Nikko 5 Story Pagoda

Woodblock print

Nikko no to (Nikko Pagoda) by Kotozuka Eiichi

Nikko no to (Nikko Pagoda)

1950

Woodblock print

Nikko Shirakumo Waterfall — 日光白雲瀧 by Takahashi Shotei

Nikko Shirakumo Waterfall — 日光白雲瀧

Woodblock print

Nikko Yomei Gate by Tsuchiya Koitsu

Nikko Yomei Gate

Woodblock print

No Series Nikko No To by Kotozuka Eiichi

No Series Nikko No To

Woodblock print

Pagoda At Nikko by Yuhan Ito

Pagoda At Nikko

Woodblock print

Road throuh the Forest at Nikko by Bertha Lum

Road throuh the Forest at Nikko

1916

Woodblock print

Sacred Bridge at Nikko by Shiro Kasamatsu

Sacred Bridge at Nikko

日光 神橋

1941

Color woodblock print

Sacred Bridge in Nikko (Nikko Shinkyo) by Kawase Hasui

Sacred Bridge in Nikko (Nikko Shinkyo)

1930

Color woodblock print; oban

Sacred Bridge, Nikko by Yuhan Ito

Sacred Bridge, Nikko

Woodblock print

Shin Bridge, Nikko (Nikko Shinkyo) by Kawase Hasui

Shin Bridge, Nikko (Nikko Shinkyo)

December 1953

Color woodblock print

Snow at the Shin Bridge, Nikko (Nikko Shinkyo no yuki) by Kawase Hasui

Snow at the Shin Bridge, Nikko (Nikko Shinkyo no yuki)

Nikko Shinkyo no yuki

1930; edition:178/350

Color woodblock print; Oban

Snow at Yomei Gate, Nikko by Shiro Kasamatsu

Snow at Yomei Gate, Nikko

日光陽明門の雪

1952

Color woodblock print

Village Near Nikko by Yuhan Ito

Village Near Nikko

Woodblock print

Yukadi Falls , Nikko (Nikko Yukadi) by Kawase Hasui

Yukadi Falls , Nikko (Nikko Yukadi)

1941

Color woodblock print

Yumoto Hot Spring, Nikko, from by Kobayashi Kiyochika

Yumoto Hot Spring, Nikko, from

Woodblock print

Artists Who Depicted Nikko (12)

Frequently Asked Questions

Nikko is a town in northwestern Tochigi Prefecture in the Kanto region of Honshu, situated in the foothills of the volcanic mountains of the Nikko massif, approximately 140 kilometers north of Tokyo. The area has been a sacred mountain district since the eighth century, when the Buddhist priest Shodo Shonin established the principal mountain temples and made the first recorded ascent of Mount Nantai in 782, but its present importance derives principally from its selection as the burial site of the first Tokugawa shogun, Tokugawa Ieyasu, after his death in 1616. The Toshogu shrine complex, established in 1617 and dramatically expanded by the third shogun, Tokugawa Iemitsu, in 1636 in the great Kan'ei reconstruction, is one of the most architecturally elaborate religious monuments in Japan, with its main buildings covered in polychrome lacquer carvings, gold leaf, and ornamental metalwork in a deliberately maximalist mode distinguished from the more austere Edo Shinto and Buddhist architectural conventions. The complex includes the Yomei-mon gate, the principal main hall (honden) and worship hall (haiden), the Karamon Chinese-style gate, the bronze and stone lanterns donated by subsidiary daimyo, the Sleeping Cat carving attributed to Hidari Jingoro, and the Three Wise Monkeys panel of the sacred horse stable depicting the famous see-no-evil, hear-no-evil, speak-no-evil monkeys. Adjacent shrine and temple complexes include Futarasan-jinja (founded 782 by Shodo Shonin), Rinno-ji (the head temple of the Tendai school in the region), and the burial complex of the third shogun at Taiyu-in completed in 1653. The town is also celebrated for its waterfalls, including the Kegon Falls and the surrounding mountain landscape extending toward Lake Chuzenji, which is treated under its own entry. The Shrines and Temples of Nikko were designated a UNESCO World Heritage Site in 1999. For Japanese printmaking Nikko appears as one of the canonical Japanese meisho. Utagawa Hiroshige treated Nikko in his Famous Views of the Sixty-Odd Provinces and in individual sheets of the shrine and the surrounding landscape, and Hokusai included Nikko in passages of his minor printed sets. The shin-hanga revival brought a sustained engagement with the shrine complex and the surrounding mountain district. Kawase Hasui produced numerous Nikko compositions including snow and twilight views of the Yomei-mon gate, the Shinkyo sacred bridge (the curved red lacquered bridge across the Daiya River at the entrance to the shrine district, founded in legend by Jakko in the eighth century), and the surrounding shrine precincts, with his Nikko sheets across multiple decades among the most reproduced of his Kanto regional subjects. Yoshida Hiroshi treated Nikko in his individual landscape sheets including memorable snow scenes of the shrine architecture and variant impressions of the temples under different conditions. Tsuchiya Koitsu, Asano Takeji, Tokuriki Tomikichiro, and the postwar sosaku-hanga circle contributed further compositions. The visual character of Nikko in prints is built on the dense polychrome ornamentation of the Toshogu architecture set against the surrounding dark green cryptomeria (sugi) forest, the curved red Shinkyo bridge across the Daiya River at the entrance to the shrine district, the seasonal phenomena of snow on the eaves and gates in winter, autumn maple in October and November, and spring fresh foliage, and frequently the foreground stone lanterns or pilgrims approaching the gates. The contrast between the elaborate polychrome of the architecture and the dark surrounding cedars produces the principal compositional tension in most Nikko prints. Contemporary visitors reach Nikko via the JR Nikko Line and the Tobu Nikko Line from Tokyo (approximately two hours via the Tobu Limited Express SPACIA), with the shrine and temple complex preserved as a UNESCO World Heritage Site and the surrounding mountain district extending north to Lake Chuzenji and beyond, accessible via the dramatic Iroha-zaka switchback road.

Hanga catalogues 33 prints depicting Nikko (日光), by 12 different artists.

Bertha Lum, Gihachiro Okuyama, and Hiroshi Yoshida are among the 12 artists who depicted Nikko in our collection.

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