Hanga

Figures Prints (1669)

Figure compositions are among the most diverse subjects in Japanese printmaking, encompassing everything from intimate domestic scenes to grand historical narratives. The tradition spans the full history of ukiyo-e, from Moronobu's pioneering single-sheet prints of the 1670s to contemporary figure studies that blend traditional techniques with modern sensibilities. In the ukiyo-e era, figure prints often depicted courtesans, actors, and townspeople of Edo's pleasure quarters, capturing the fashions, gestures, and social dynamics of urban life. The shin-hanga movement brought a more contemplative approach, with artists like Ito Shinsui creating elegant figure studies that emphasized mood and atmosphere over narrative action. Sosaku-hanga artists pursued more experimental figure work, from Onchi Koshiro's abstract portraits to Sekino Jun'ichiro's bold character studies. Figure prints in the Japanese tradition are notable for their attention to textile patterns, body language, and the suggestion of inner life through subtle compositional choices. Whether depicting a single standing figure or a complex multi-figure narrative, these works reveal the printmaker's skill in translating human presence into the woodblock medium.

Artists Known for Figures

Yaoya Oshichi and Koshô Kichisaburô (Yaoya Oshichi and Koshô Kichisaburô) by Kitagawa Utamaro

Yaoya Oshichi and Koshô Kichisaburô (Yaoya Oshichi and Koshô Kichisaburô)

Woodblock print

Lieutenant General Yamaji … by Ogata Gekko

Lieutenant General Yamaji …

January 1895

Woodblock print (nishiki-e), ink and color on paper

Tanaka Kanhachi by Tsukioka Yoshitoshi

Tanaka Kanhachi

1869, 3rd lunar month

Woodblock print (nishiki-e), ink and color on paper

Fourth Act by Tsukioka Yoshitoshi

Fourth Act

1860, 4th lunar month

Woodblock print (nishiki-e), ink and color on paper

Streetwalkers Taking a Break in Yoshida-machi, Honjo by Tsukioka Yoshitoshi

Streetwalkers Taking a Break in Yoshida-machi, Honjo

January 1881

Woodblock print (nishiki-e), ink and color on paper

Appearing Inquisitive, Behavior of a Maid of the Tenpō Era by Tsukioka Yoshitoshi

Appearing Inquisitive, Behavior of a Maid of the Tenpō Era

April 1888

Woodblock print (nishiki-e), ink and color on paper

Fukami Jikyu (fukami jikyū) by Tsukioka Yoshitoshi

Fukami Jikyu (fukami jikyū)

1887

Print

Komagine Hachibei by Tsukioka Yoshitoshi

Komagine Hachibei

1868, 8th lunar month

Woodblock print (nishiki-e), ink and color on paper

Ōshima Tanzō by Tsukioka Yoshitoshi

Ōshima Tanzō

1866, 8th lunar month

Woodblock print (nishiki-e), ink and color on paper

Picture of the Fever of Taira no Kiyomori by Tsukioka Yoshitoshi

Picture of the Fever of Taira no Kiyomori

August 1883

Woodblock print (nishiki-e), ink and color on paper

Shindō Kojirō Nobuyuki by Tsukioka Yoshitoshi

Shindō Kojirō Nobuyuki

1867, 8th lunar month

Woodblock print (nishiki-e), ink and color on paper

Table of Contents by Tsukioka Yoshitoshi

Table of Contents

October 1888

Woodblock print (nishiki-e), ink and color on paper

kawanabe-kyosai by Kawanabe Kyosai

kawanabe-kyosai

Woodblock print

diptych print by Kawanabe Kyosai

diptych print

Woodblock print

One Hundred Pictures by Kyōsai (Kyōsai hyakuzu) by Kawanabe Kyosai

One Hundred Pictures by Kyōsai (Kyōsai hyakuzu)

1878

Print

Kyosai gafu 狂斎画譜 by Kawanabe Kyosai

Kyosai gafu 狂斎画譜

Woodblock print

Parody of by Kawanabe Kyosai

Parody of

Woodblock print

Girls (descriptive title) by Toyohara Chikanobu

Girls (descriptive title)

Woodblock print

New Year’s Day by Toyohara Chikanobu

New Year’s Day

Woodblock print

Palanquin by Toyohara Chikanobu

Palanquin

Woodblock print

Senba Saburobe Mitsutada 千馬三郎兵衛光忠 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Senba Saburobe Mitsutada 千馬三郎兵衛光忠 / Gishi shijushichi zu 義士四十七図

Woodblock print

Picture of Second Lieutenant Takenouchi Tearing apart the Reconnaissance Map at the Time of Death by Ogata Gekko

Picture of Second Lieutenant Takenouchi Tearing apart the Reconnaissance Map at the Time of Death

January 1895

Woodblock print (nishiki-e), ink and color on paper

Yoshida Chuzaemon Kanesuke 吉田忠左衛門兼亮 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Yoshida Chuzaemon Kanesuke 吉田忠左衛門兼亮 / Gishi shijushichi zu 義士四十七図

Woodblock print

Cavalryman Kimura Genmatsu … by Ogata Gekko

Cavalryman Kimura Genmatsu …

March 1895

Woodblock print (nishiki-e), ink and color on paper

Last Stand of the Kusunoki Clan at Shijonawate — Kusunoki Shijonawate chusen nozu - Masatsura by Ogata Gekko

Last Stand of the Kusunoki Clan at Shijonawate — Kusunoki Shijonawate chusen nozu - Masatsura

Woodblock print

General Ōyama… by Ogata Gekko

General Ōyama…

August 1895

Woodblock print (nishiki-e), ink and color on paper

Hotei by Ogata Gekko

Hotei

Woodblock print

Gekko's Sketches in Iroha-alphabet order (Vol. 2, fasc. 3) by Ogata Gekko

Gekko's Sketches in Iroha-alphabet order (Vol. 2, fasc. 3)

1898

Woodblock printed book, ink on paper

Katsuta Shinzaemon Taketaka 勝田新左衛門武尭 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Katsuta Shinzaemon Taketaka 勝田新左衛門武尭 / Gishi shijushichi zu 義士四十七図

Woodblock print

Kinugayoihime by Ogata Gekko

Kinugayoihime

Woodblock print

Kiku moyō enmei bukuro, no. 2 by Tsukioka Yoshitoshi

Kiku moyō enmei bukuro, no. 2

July 1891

Woodblock print (nishiki-e), ink and color on paper

Mimura Jiroemon Kanetsune 三村次郎右衛門包常 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Mimura Jiroemon Kanetsune 三村次郎右衛門包常 / Gishi shijushichi zu 義士四十七図

Woodblock print

Kurikara Kengorō  by Tsukioka Yoshitoshi

Kurikara Kengorō

1867

Print

Ninth Act by Tsukioka Yoshitoshi

Ninth Act

1860, 5th lunar month

Woodblock print (nishiki-e), ink and color on paper

Soga Jūrō Sukenari and Soga Gorō Tokimune by Tsukioka Yoshitoshi

Soga Jūrō Sukenari and Soga Gorō Tokimune

1872–73

Woodblock print (nishiki-e), ink and color on paper

Somehow I Want to Win by Tsukioka Yoshitoshi

Somehow I Want to Win

1878

Woodblock print (nishiki-e), ink and color on paper

The Sun Goddess Amaterasu Ōmikami by Tsukioka Yoshitoshi

The Sun Goddess Amaterasu Ōmikami

February 1882

Woodblock print (nishiki-e), ink and color on paper

Okuda Sadaemon Yukitaka, from by Kawanabe Kyosai

Okuda Sadaemon Yukitaka, from

Woodblock print

A caricature of commodity prices, triptych, 1867 by Kawanabe Kyosai

A caricature of commodity prices, triptych, 1867

Woodblock print

No. 23, from by Toyohara Chikanobu

No. 23, from

Woodblock print

Kagoshima shizoku Kumamoto-jo senso no zu by Toyohara Chikanobu

Kagoshima shizoku Kumamoto-jo senso no zu

Woodblock print

April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo by Toyohara Chikanobu

April 10, Meiji 31: 30th. Anniversary Celebration of the Changing Name from Edo to Tokyo

Woodblock print

Empress Shoken in Western Dress and Bonnet by Toyohara Chikanobu

Empress Shoken in Western Dress and Bonnet

Woodblock print

Ame no Goro (4/40) by Takahashi Hiromitsu

Ame no Goro (4/40)

Woodblock print

Imayo Genji 今様げんじ / Miyashima senchu asobi 宮しま船中遊 by Toyohara Chikanobu

Imayo Genji 今様げんじ / Miyashima senchu asobi 宮しま船中遊

Woodblock print

Koka era, from by Toyohara Chikanobu

Koka era, from

Woodblock print

Male by Kawachi Seiko

Male

Woodblock print

Two Mechanics of the Warship Matsushima … by Ogata Gekko

Two Mechanics of the Warship Matsushima …

August 1895

Woodblock print (nishiki-e), ink and color on paper

Hunter by Umetaro Azechi

Hunter

Woodblock print

Captain Matsuzaki, Picture of Him Bravely Fighting at Anseong Ford by Ogata Gekko

Captain Matsuzaki, Picture of Him Bravely Fighting at Anseong Ford

1895

Woodblock print (nishiki-e), ink and color on paper

At Fenghuangcheng, Picture of Generals and Their Men Engaged in a Hard Struggle by Ogata Gekko

At Fenghuangcheng, Picture of Generals and Their Men Engaged in a Hard Struggle

November 1894

Woodblock print (nishiki-e), ink and color on paper

Complete account of the chastisement at Kagoshima by Tsukioka Yoshitoshi

Complete account of the chastisement at Kagoshima

1877

Print

After A Bath — 湯上がり by Sentaro Iwata

After A Bath — 湯上がり

Woodblock print

Prologue by Tsukioka Yoshitoshi

Prologue

1860, 4th lunar month

Woodblock print (nishiki-e), ink and color on paper

Appearing Warm, Behavior of an Urban Widow of the Kansei Era by Tsukioka Yoshitoshi

Appearing Warm, Behavior of an Urban Widow of the Kansei Era

March 1888

Woodblock print (nishiki-e), ink and color on paper

Ohara-me by Insho Domoto

Ohara-me

Woodblock print

Man with knife on rooftop by Tsukioka Yoshitoshi

Man with knife on rooftop

second half 1860s

Preparatory drawing for a print, ink and color on paper

Painful (Itaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)" by Tsukioka Yoshitoshi

Painful (Itaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"

1888

Color woodblock print; oban

Postal News by Tsukioka Yoshitoshi

Postal News

1875

Woodblock print

The Actors Ichimura Uzaemon XIII and Kawarazaki Gonjūrō I Announcing Their Return to the Stage after Recovering from Measles  by Tsukioka Yoshitoshi

The Actors Ichimura Uzaemon XIII and Kawarazaki Gonjūrō I Announcing Their Return to the Stage after Recovering from Measles

1862

Print

Related Subjects

Frequently Asked Questions

Figure compositions are among the most diverse subjects in Japanese printmaking, encompassing everything from intimate domestic scenes to grand historical narratives. The tradition spans the full history of ukiyo-e, from Moronobu's pioneering single-sheet prints of the 1670s to contemporary figure studies that blend traditional techniques with modern sensibilities.

Tsukioka Yoshitoshi, Ogata Gekko, and Utagawa Kuniyoshi are among the artists most associated with figures in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 1669 prints tagged with figures, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.