Hanga

Figures Prints (1669)

Figure compositions are among the most diverse subjects in Japanese printmaking, encompassing everything from intimate domestic scenes to grand historical narratives. The tradition spans the full history of ukiyo-e, from Moronobu's pioneering single-sheet prints of the 1670s to contemporary figure studies that blend traditional techniques with modern sensibilities. In the ukiyo-e era, figure prints often depicted courtesans, actors, and townspeople of Edo's pleasure quarters, capturing the fashions, gestures, and social dynamics of urban life. The shin-hanga movement brought a more contemplative approach, with artists like Ito Shinsui creating elegant figure studies that emphasized mood and atmosphere over narrative action. Sosaku-hanga artists pursued more experimental figure work, from Onchi Koshiro's abstract portraits to Sekino Jun'ichiro's bold character studies. Figure prints in the Japanese tradition are notable for their attention to textile patterns, body language, and the suggestion of inner life through subtle compositional choices. Whether depicting a single standing figure or a complex multi-figure narrative, these works reveal the printmaker's skill in translating human presence into the woodblock medium.

Artists Known for Figures

Picture of ‘White Stripe in the Waves’ Zhang Shun and ‘Black Whirlwind’ Li Kui Fighting in the Water by Tsukioka Yoshitoshi

Picture of ‘White Stripe in the Waves’ Zhang Shun and ‘Black Whirlwind’ Li Kui Fighting in the Water

After February 1887

Woodblock print (nishiki-e), ink and color on paper

Sugaya Kuemon by Tsukioka Yoshitoshi

Sugaya Kuemon

1868, 8th lunar month

Woodblock print (nishiki-e), ink and color on paper

Suzuki Sujaku by Kamoshita Chōko

Suzuki Sujaku

Woodblock print

Tanabata by Bertha Lum

Tanabata

1912

Color woodcut

The Old Hag of the Lonely House by Tsukioka Yoshitoshi

The Old Hag of the Lonely House

1872, 11th lunar month

Woodblock print (nishiki-e), ink and color on paper

An Unfortunate Tale, II by Kawanabe Kyosai

An Unfortunate Tale, II

before 1870

Print

The Third Princess and Kashiwagi, from Chapter 34, “New Herbs I (Wakana I)” (Nihon shinnō onna sannomiya) by Toyohara Chikanobu

The Third Princess and Kashiwagi, from Chapter 34, “New Herbs I (Wakana I)” (Nihon shinnō onna sannomiya)

1890

Triptych of woodblock prints; ink and color on paper

Picture of Major General Tatsumi Comfortably Sleeping with the Powerful Enemy before His Eyes by Ogata Gekko

Picture of Major General Tatsumi Comfortably Sleeping with the Powerful Enemy before His Eyes

1895

Woodblock print (nishiki-e), ink and color on paper

Shioda Matanojo Takanori 潮田又之丞高教 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Shioda Matanojo Takanori 潮田又之丞高教 / Gishi shijushichi zu 義士四十七図

Woodblock print

Before the Stove by Umetaro Azechi

Before the Stove

Woodblock print

Emperor Yurako hunting at Mount Katsuragi by Ogata Gekko

Emperor Yurako hunting at Mount Katsuragi

Woodblock print

Hazama Jujiro Mitsuoki 間十次郎光興 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Hazama Jujiro Mitsuoki 間十次郎光興 / Gishi shijushichi zu 義士四十七図

Woodblock print

Hara Soemon Mototoki 原惣右衛門元辰 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Hara Soemon Mototoki 原惣右衛門元辰 / Gishi shijushichi zu 義士四十七図

Woodblock print

Yamauba with Kintarô Holding a Toy Mask by Kitagawa Utamaro

Yamauba with Kintarô Holding a Toy Mask

Woodblock print

Takiyasha-hime by Tsukioka Yoshitoshi

Takiyasha-hime

1867

Print

Iwata Sentaro Famous Works Collection - 岩田専太郎名作画集 by Sentaro Iwata

Iwata Sentaro Famous Works Collection - 岩田専太郎名作画集

Woodblock print

Toyotomi Hideyoshi by Tsukioka Yoshitoshi

Toyotomi Hideyoshi

1876

Woodblock print

Abe Hirafu by Tsukioka Yoshitoshi

Abe Hirafu

February 1880

Woodblock print (nishiki-e), ink and color on paper

Madaramaru  by Tsukioka Yoshitoshi

Madaramaru

1867

Print

Left: Kurikara Kengorō; right: Hohodemi-no-mikoto by Tsukioka Yoshitoshi

Left: Kurikara Kengorō; right: Hohodemi-no-mikoto

1867, 8th lunar month

Woodblock print (nishiki-e), ink and color on paper

Iwami Jūtarō Kanesuke by Tsukioka Yoshitoshi

Iwami Jūtarō Kanesuke

1865, 6th lunar month

Woodblock print (nishiki-e), ink and color on paper

Second Shogun, Lord Daitoku-inden Hidetada by Tsukioka Yoshitoshi

Second Shogun, Lord Daitoku-inden Hidetada

1875

Woodblock print (nishiki-e), ink and color on paper

Sixth Act by Tsukioka Yoshitoshi

Sixth Act

1860, 4th lunar month

Woodblock print (nishiki-e), ink and color on paper

The Last of Kagoshima Rebellion by Tsukioka Yoshitoshi

The Last of Kagoshima Rebellion

1877

Woodblock print

God of Wealth Daikokuten�fs Lucky Drawing by Kawanabe Kyosai

God of Wealth Daikokuten�fs Lucky Drawing

Woodblock print

Richard Kruml by Kawanabe Kyosai

Richard Kruml

Woodblock print

Kagoshima senki by Toyohara Chikanobu

Kagoshima senki

Woodblock print

Utagawa Toyokuni (KAWANABE Kyosai / UTAGAWA Toyokuni III) by Kawanabe Kyosai

Utagawa Toyokuni (KAWANABE Kyosai / UTAGAWA Toyokuni III)

Woodblock print

A court lady holding a folding-fan, from by Toyohara Chikanobu

A court lady holding a folding-fan, from

Woodblock print

Kagoshima kenka koutotsu kawatake saku no zu 鹿児島縣下甲突川竹柵之図 by Toyohara Chikanobu

Kagoshima kenka koutotsu kawatake saku no zu 鹿児島縣下甲突川竹柵之図

Woodblock print

Public Appearances of Shōgun by Toyohara Chikanobu

Public Appearances of Shōgun

1897

Woodblock print, ink and color on paper

toyohara-chikanobu by Toyohara Chikanobu

toyohara-chikanobu

Woodblock print

Shirakami Genjirō … by Ogata Gekko

Shirakami Genjirō …

1895

Woodblock print (nishiki-e), ink and color on paper

A Father And His Son by Umetaro Azechi

A Father And His Son

Woodblock print

A Man Skiing (Sukii no otoko) by Umetaro Azechi

A Man Skiing (Sukii no otoko)

1955

Color woodblock print; edition 10/50

Man with an Ice-ax by Umetaro Azechi

Man with an Ice-ax

1954

Woodblock print, ink and color on paper

M

Midnight - Ichimokushu Vol 6

Woodblock print

Harimaze by Ogata Gekko

Harimaze

Woodblock print

Kato Kiyomasa gaining meritorious war service at Shizugatake by Ogata Gekko

Kato Kiyomasa gaining meritorious war service at Shizugatake

Woodblock print

Third Act by Tsukioka Yoshitoshi

Third Act

1860, 4th lunar month

Woodblock print (nishiki-e), ink and color on paper

11, Chikamatsu Kanroku Minamoto Yukishige by Tsukioka Yoshitoshi

11, Chikamatsu Kanroku Minamoto Yukishige

1868, 6th lunar month

Woodblock print (nishiki-e), ink and color on paper

Tying on Tanzaku by Koho Shoda

Tying on Tanzaku

early 20th century

Color woodblock print

Inuzuka Shino and Inukai Genpachi by Tsukioka Yoshitoshi

Inuzuka Shino and Inukai Genpachi

April 1873

Woodblock print (nishiki-e), ink and color on paper

Land of the Pygmies (Kojin koku) by Tsukioka Yoshitoshi

Land of the Pygmies (Kojin koku)

Fifth month of 1863

Woodblock print (nishiki-e); ink and color on paper

Kō Musashi-no-kami Moronao by Tsukioka Yoshitoshi

Kō Musashi-no-kami Moronao

second half 1860s

Preparatory drawing for a print, ink and color on paper

Picture of Masakiyo Conqering Korea by Tsukioka Yoshitoshi

Picture of Masakiyo Conqering Korea

1864, 3rd lunar month

Woodblock print (nishiki-e), ink and color on paper

Untitled (Part of a Triptych: A Woman being Shot by Arrows) by Tsukioka Yoshitoshi

Untitled (Part of a Triptych: A Woman being Shot by Arrows)

1889

Woodblock print

A comic picture titled by Kawanabe Kyosai

A comic picture titled

Woodblock print

Emperor Meiji in Western Dress by Toyohara Chikanobu

Emperor Meiji in Western Dress

Woodblock print

Meiji shoshi nenkai kiji by Toyohara Chikanobu

Meiji shoshi nenkai kiji

Woodblock print

Tenna era, from by Toyohara Chikanobu

Tenna era, from

Woodblock print

Picture of Second Lieutenant Ōmori Skillfully Protecting the Regimental Banner at Seongyoli by Ogata Gekko

Picture of Second Lieutenant Ōmori Skillfully Protecting the Regimental Banner at Seongyoli

September 1895

Woodblock print (nishiki-e), ink and color on paper

Okuda Sadaemon Yukitaka 奥田貞右衛門行高 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Okuda Sadaemon Yukitaka 奥田貞右衛門行高 / Gishi shijushichi zu 義士四十七図

Woodblock print

Sergeant First-Class Yokoi ... by Ogata Gekko

Sergeant First-Class Yokoi ...

March 1895

Woodblock print (nishiki-e), ink and color on paper

Takebayashi Tadashichi Takashige 武林唯七隆重 / Gishi Shijushichi zu 義士四十七図 by Ogata Gekko

Takebayashi Tadashichi Takashige 武林唯七隆重 / Gishi Shijushichi zu 義士四十七図

Woodblock print

Yada Goroemon Suketake 矢田五郎右衛門助武 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Yada Goroemon Suketake 矢田五郎右衛門助武 / Gishi shijushichi zu 義士四十七図

Woodblock print

Azechi Umetaro (Azechi Umetaro_) by Umetaro Azechi

Azechi Umetaro (Azechi Umetaro_)

Woodblock print

Chushingura by Ogata Gekko

Chushingura

Woodblock print

Horsemanship: Magaki Heikuro by Ogata Gekko

Horsemanship: Magaki Heikuro

Woodblock print

Kayano Wasuke Tsunenari 茅野和助常成 / Gishi shijushichi zu 義士四十七図 by Ogata Gekko

Kayano Wasuke Tsunenari 茅野和助常成 / Gishi shijushichi zu 義士四十七図

Woodblock print

Related Subjects

Frequently Asked Questions

Figure compositions are among the most diverse subjects in Japanese printmaking, encompassing everything from intimate domestic scenes to grand historical narratives. The tradition spans the full history of ukiyo-e, from Moronobu's pioneering single-sheet prints of the 1670s to contemporary figure studies that blend traditional techniques with modern sensibilities.

Tsukioka Yoshitoshi, Ogata Gekko, and Utagawa Kuniyoshi are among the artists most associated with figures in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 1669 prints tagged with figures, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.