Hanga
Edo Period

1670s Japanese Woodblock Prints

28 prints from the 1670s in our collection, created during the Edo Period (16031868). The Edo period saw the rise of ukiyo-e, the iconic woodblock print tradition depicting the floating world of pleasure districts, kabuki actors, beautiful women, and landscapes. Under the Tokugawa shogunate's peaceful rule, a thriving urban culture in Edo (modern Tokyo) fueled demand for affordable printed art.

Top Artists of the 1670s

Prints (28)

A Banquet in a Joroya by Hishikawa Moronobu

A Banquet in a Joroya

ca. 1680

Monochrome woodblock print; ink and color on paper

A Collection of Flowers and Birds (Kacho zukushi) by Hishikawa Moronobu

A Collection of Flowers and Birds (Kacho zukushi)

Edo period (1615-1868), 1683

Woodblock-printed book, sumizuri-e

A Collection of Japanese Paintings (Yamato e-zukushi) by Hishikawa Moronobu

A Collection of Japanese Paintings (Yamato e-zukushi)

1680

Woodblock printed book, sumizuri-e

A House of Courtesans, from the series "The Appearance of Yoshiwara (Yoshiwara no tei)" by Hishikawa Moronobu

A House of Courtesans, from the series "The Appearance of Yoshiwara (Yoshiwara no tei)"

c. 1681/84

Hand-colored woodblock print; oban, sumizuri-e

A Passing Palanquin, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)" by Hishikawa Moronobu

A Passing Palanquin, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)"

c. 1681/84

Woodblock print; oban, sumizuri-e

Autumn Maples with Poem Slips by Tosa Mitsuoki

Autumn Maples with Poem Slips

c. 1675

Six-panel screen (one of pair); ink, colors, gold leaf, and gold powder on silk

Beauty of the Kanbun Era by Kanbun Master (anonymous)

Beauty of the Kanbun Era

late 17th century (c. 1660-1680)

Hanging scroll; ink, color, and gold on paper

Butterflies by Tosa Mitsuoki

Butterflies

second half of 17th century

Pair of six-panel folding screens; ink, color, and gold on silk

Calling upon the Lady Tamakazura, from the illustrated book "Collection of Pictures of Beauties (Bijin e-zukishi)" by Hishikawa Moronobu

Calling upon the Lady Tamakazura, from the illustrated book "Collection of Pictures of Beauties (Bijin e-zukishi)"

c. 1683

Hand-colored woodblock print; double-page illustration cut from a book

Courtesan with a Young Man (Wakashu) beside a Screen by Hishikawa Moronobu

Courtesan with a Young Man (Wakashu) beside a Screen

ca. 1679–84

Woodblock print (sumizuri-e); ink and hand-applied color on paper; horizontal ōban

Egrets and Cotton Roses by Tosa Mitsuoki

Egrets and Cotton Roses

second half of 17th century

Hanging scroll; ink, color, and gold on silk

Emon Hill, from the series "The Appearance of Yoshiwara (Yoshiwara no tei)" by Hishikawa Moronobu

Emon Hill, from the series "The Appearance of Yoshiwara (Yoshiwara no tei)"

c. 1681/84

Woodblock print; oban, sumizuri-e

Flower-Viewing Party with Crest-Bearing Curtain, from the series "Flower Viewing at Ueno (Ueno hanami no tei)" by Hishikawa Moronobu

Flower-Viewing Party with Crest-Bearing Curtain, from the series "Flower Viewing at Ueno (Ueno hanami no tei)"

c. 1681/84

Woodblock print; oban, sumizuri-e

Flower-Viewing Scene by Hishikawa Moronobu

Flower-Viewing Scene

ca. 1685

Monochrome woodblock print (sumie); ink on paper

Heron by Tosa Mitsuoki

Heron

second half of 17th century

Hanging scroll; ink and color on silk

Honbo, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)" by Hishikawa Moronobu

Honbo, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)"

c. 1681/84

Woodblock print; oban, sumizuri-e

Korean Embassy Parade by Hishikawa Moronobu

Korean Embassy Parade

1682

Hand-colored woodblock prints; makimono-e

Matsukaze Murasame by Hishikawa Moronobu

Matsukaze Murasame

ca. 1675–80

Woodblock print; ink and color on paper (sumi-e (ink print)

Patterns by Hishikawa [Hishikawa moyō] by Hishikawa Moronobu

Patterns by Hishikawa [Hishikawa moyō]

1675-1685

Print

Portrait-Icon of Murasaki Shikibu by Tosa Mitsuoki

Portrait-Icon of Murasaki Shikibu

17th century

Hanging scroll; ink, color, and gold on silk

Print by Nishikawa Sukenobu

Print

Monochrome woodblock print; ink on paper

Procession of a Daimyo by Hishikawa Moronobu

Procession of a Daimyo

c. 1681/84

Hand-colored woodblock print; oban yoko-e, sumizuri-e

Quail and Autumn Flowers by Tosa Mitsuoki

Quail and Autumn Flowers

second half of 17th century

Hanging scroll; ink and color on silk

Scene in the Yoshiwara, from the series "Views of Yoshiwara" by Hishikawa Moronobu

Scene in the Yoshiwara, from the series "Views of Yoshiwara"

About 1680

Woodblock print; sumizuri-e, oban

Sei Shonagon, from the illustrated book "Collection of Pictures of Beauties (Bijin e-zukushi)" by Hishikawa Moronobu

Sei Shonagon, from the illustrated book "Collection of Pictures of Beauties (Bijin e-zukushi)"

c. 1683

Hand-colored woodblock print; double-page illustration cut from a book

Shintokumaru Dancing before Oto Hime, from the illustrated book "Collection of Pictures of Beauties (Bijin e-zukushi)" by Hishikawa Moronobu

Shintokumaru Dancing before Oto Hime, from the illustrated book "Collection of Pictures of Beauties (Bijin e-zukushi)"

c. 1683

Hand-colored woodblock print; double-page illustration cut from a book

The Evergreen Pine by Hishikawa Moronobu

The Evergreen Pine

1682

Woodblock-printed book, sumizuri-e

The Tales of Ise with Annotations (Ise Monogatari tōsho shō) 伊勢物語頭書抄 by Hishikawa Moronobu

The Tales of Ise with Annotations (Ise Monogatari tōsho shō) 伊勢物語頭書抄

1679, third month

Set of 3 woodblock printed books; ink on paper

Nearby Decades

Frequently Asked Questions

Hanga catalogues 28 Japanese woodblock prints created during the 1670s (Edo Period, 1603–1868).

The 1670s fall within the Edo Period (江戸時代), which ran from 1603 to 1868.

Hishikawa Moronobu, Tosa Mitsuoki, and Nishikawa Sukenobu are among the artists with the most 1670s prints in our collection.

Explore all Japanese printmaking eras

View all eras