Hanga

Landscapes Prints (3812)

Landscapes are the most celebrated subject in Japanese woodblock printmaking, encompassing mountain vistas, coastal panoramas, river valleys, and rural scenes that have defined the genre for centuries. The tradition reached its first peak with Hokusai's "Thirty-six Views of Mount Fuji" (1831) and Hiroshige's "Fifty-three Stations of the Tokaido" (1833-34), series that established the meisho-e (famous places) format as a cornerstone of ukiyo-e. Shin-hanga artists of the early twentieth century, particularly Kawase Hasui and Hiroshi Yoshida, reinvented the landscape tradition by combining Western atmospheric effects with Japanese compositional sensibilities. Hasui's snow scenes and twilight views of rural Japan became iconic, while Yoshida's mountain studies introduced plein-air observation techniques unprecedented in woodblock printing. Sosaku-hanga artists like Toshi Yoshida and Shiro Kasamatsu further expanded the landscape vocabulary through personal expression and experimental color palettes. Japanese landscape prints typically emphasize seasonal atmosphere, weather conditions, and the interplay between human presence and natural grandeur. The use of bokashi (graduated color) and multiple impression techniques creates depth and luminosity that distinguish woodblock landscapes from other printmaking traditions.

Artists Known for Landscapes

Heijo Botandai from the Series of One Hundred Views of New Japan by Hiratsuka Un'ichi

Heijo Botandai from the Series of One Hundred Views of New Japan

April 1940

Ink and color on paper

Karasaki from Eight Views of Omi by Hiratsuka Un'ichi

Karasaki from Eight Views of Omi

1927

Color woodblock print

Kuromon Gate, from the series "One Hundred Views of New Tokyo (Shin Tokyo hyakkei)" by Hiratsuka Un'ichi

Kuromon Gate, from the series "One Hundred Views of New Tokyo (Shin Tokyo hyakkei)"

1930

Color woodblock print

Landscape in Sagami by Hiratsuka Un'ichi

Landscape in Sagami

1924

Woodblock print

Landscape Scenes in Ikejiri Setagaya by Hiratsuka Un'ichi

Landscape Scenes in Ikejiri Setagaya

1922

Woodcut print

Ocean View of Ohara by Hiratsuka Un'ichi

Ocean View of Ohara

1927

Color woodblock print

Pagoda Reflected in Sarusawa Pond, Nara, from the series "Ten Views of Nara" by Hiratsuka Un'ichi

Pagoda Reflected in Sarusawa Pond, Nara, from the series "Ten Views of Nara"

1960

Woodblock print

Qufu Village, Shandong Province, China by Hiratsuka Un'ichi

Qufu Village, Shandong Province, China

1955

Woodblock print

Rice Fields in Valley ( sloping hill ) - decription by Hiratsuka Un'ichi

Rice Fields in Valley ( sloping hill ) - decription

Woodblock print

Statue of of Jizo at Jurin-in in Takahata, Nara, from the series "Ten Views of Nara" by Hiratsuka Un'ichi

Statue of of Jizo at Jurin-in in Takahata, Nara, from the series "Ten Views of Nara"

1960

Woodblock print

View of Azuchi by Hiratsuka Un'ichi

View of Azuchi

1931

Color woodblock print

View of Mountain Range in Kyushu from the Sea of Amakusa (Kyushu renzan Amakusa-nada yori by Hiratsuka Un'ichi

View of Mountain Range in Kyushu from the Sea of Amakusa (Kyushu renzan Amakusa-nada yori

1940

Woodblock print

View of Nobuto in Chiba Prefecture by Hiratsuka Un'ichi

View of Nobuto in Chiba Prefecture

1922

Woodblock print

View of the Japanese Garden, from the series "Prints of the Shinjuku Imperial Garden (Shinjuku Gyoen hanga)" by Hiratsuka Un'ichi

View of the Japanese Garden, from the series "Prints of the Shinjuku Imperial Garden (Shinjuku Gyoen hanga)"

1949

Color woodblock print

View of the Lakeshore at Matsue by Hiratsuka Un'ichi

View of the Lakeshore at Matsue

1969

Woodblock print

Tale of the Forty-Seven Ronin Act I (Historical event of 1701) by Utagawa Hiroshige

Tale of the Forty-Seven Ronin Act I (Historical event of 1701)

Fujieda: Wheat Field at Twilight by Jun'ichiro Sekino

Fujieda: Wheat Field at Twilight

Woodblock print

The Drum Bridge in Snow #11 by Utagawa Hiroshige

The Drum Bridge in Snow #11

Okitsu: View from Seiken-ji by Jun'ichiro Sekino

Okitsu: View from Seiken-ji

Woodblock print

Yokohama Road by Utagawa Hiroshige

Yokohama Road

Rice Field near Nara by Jun'ichiro Sekino

Rice Field near Nara

Woodblock print

Mountain Landscape by Umetaro Azechi

Mountain Landscape

1955

Color woodblock print; edition 3/50

Mt. Ishizuchi, Iyo (Iyo Ishizuchi-yama), from the series New One Hundred Views of Japan (Shin Nihon hyakkei) by Umetaro Azechi

Mt. Ishizuchi, Iyo (Iyo Ishizuchi-yama), from the series New One Hundred Views of Japan (Shin Nihon hyakkei)

Woodblock print

Snow in the Valley by Umetaro Azechi

Snow in the Valley

1958

Color woodblock print; edition 3/50

Snowy Valley by Umetaro Azechi

Snowy Valley

1959

Color woodblock print; edition 2/12

Stand on the snow gorge by Umetaro Azechi

Stand on the snow gorge

Woodblock print

Thirty-six Views of Fuji: Way to Okino by Hideo Hagiwara

Thirty-six Views of Fuji: Way to Okino

Woodblock print

Tokyo bay side Shibaura (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ) by Fumio Kitaoka

Tokyo bay side Shibaura (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)

1989-99

Color woodblock print

Tokyo Landscape by Fumio Kitaoka

Tokyo Landscape

Woodblock print

Complete View of a Courtesan House in Tokyo by Tsukioka Yoshitoshi

Complete View of a Courtesan House in Tokyo

1870, 3rd lunar month

Woodblock print (nishiki-e), ink and color on paper

Distant view of Yokohama from the Daikokurō Restaurant at Kanagawa by Tsukioka Yoshitoshi

Distant view of Yokohama from the Daikokurō Restaurant at Kanagawa

1864, 5th lunar month

Woodblock print (nishiki-e), ink and color on paper

Picture of the Battle of Shimotoba at Fushimi in Yamashiro Province by Tsukioka Yoshitoshi

Picture of the Battle of Shimotoba at Fushimi in Yamashiro Province

December 1874

Woodblock print (nishiki-e), ink and color on paper

Famous Views of the Tokaido: A Mirage at Kuwana by Kawanabe Kyosai

Famous Views of the Tokaido: A Mirage at Kuwana

Woodblock print

Famous Views of the Tokaido: Enjoying a Midday Noh Performance by Kawanabe Kyosai

Famous Views of the Tokaido: Enjoying a Midday Noh Performance

Woodblock print

Famous Views of the Tokaido: The Rashomon Gate as It Was Once Was by Kawanabe Kyosai

Famous Views of the Tokaido: The Rashomon Gate as It Was Once Was

Woodblock print

Mariko in Suruga Province: Comic Antics at the Inn (Shukuba no kyôgi), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki) by Kawanabe Kyosai

Mariko in Suruga Province: Comic Antics at the Inn (Shukuba no kyôgi), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki)

Woodblock print

Waterfall at Meguro (Meguro no taki), from the series One Hundred Views of the East (Azuma hyakkei no uchi) by Kawanabe Kyosai

Waterfall at Meguro (Meguro no taki), from the series One Hundred Views of the East (Azuma hyakkei no uchi)

Woodblock print

Distant View of Mt. Fuji from the Hakone Mountains by Kobayashi Kiyochika

Distant View of Mt. Fuji from the Hakone Mountains

Woodblock print

Distant View of Ryogoku from Motoyanagi Bridge by Kobayashi Kiyochika

Distant View of Ryogoku from Motoyanagi Bridge

Woodblock print

Inner Valley at Tsukigase (Tsukigase oku no tani), from the series Famous Sights of Japan (Nihon meishō zue) by Kobayashi Kiyochika

Inner Valley at Tsukigase (Tsukigase oku no tani), from the series Famous Sights of Japan (Nihon meishō zue)

1897 (Meiji 30)

Woodblock print (nishiki-e); ink and color on paper

Night fishing at Kanazawa in Kaga Province — 加賀金沢犀川夜の漁火 by Kobayashi Kiyochika

Night fishing at Kanazawa in Kaga Province — 加賀金沢犀川夜の漁火

Woodblock print

Old Rakan Temple, Yamakei, Bungo Province, from by Kobayashi Kiyochika

Old Rakan Temple, Yamakei, Bungo Province, from

Woodblock print

Our Field Artillery Attacks the Camp at Jiuliancheng by Kobayashi Kiyochika

Our Field Artillery Attacks the Camp at Jiuliancheng

November 1894

Woodblock print (nishiki-e), ink and color on paper

View of Onmaya Bridge by Kobayashi Kiyochika

View of Onmaya Bridge

c. 1879

Woodblock print (nishiki-e), ink and color on paper

View of Takinogawa by Kobayashi Kiyochika

View of Takinogawa

1878

Woodblock print (nishiki-e), ink and color on paper

View of the Ariakerō at Imado by Kobayashi Kiyochika

View of the Ariakerō at Imado

July 1879

Woodblock print (nishiki-e), ink and color on paper

View of the Attack on the Ground Battery at Weihaiwei by Kobayashi Kiyochika

View of the Attack on the Ground Battery at Weihaiwei

February 1895

Woodblock print (nishiki-e), ink and color on paper

View of Ushimachi in Takanawa by Hazy Moonlight by Kobayashi Kiyochika

View of Ushimachi in Takanawa by Hazy Moonlight

1879 (Meiji 12)

Woodblock print (nishiki-e): ink and color on paper

True View of Benten at Inokashira from the series Gekkō’s Miscellaney by Ogata Gekko

True View of Benten at Inokashira from the series Gekkō’s Miscellaney

c. 1886–1899

Woodblock print, ink and color on paper

View of the Higurashi gate by Ogata Gekko

View of the Higurashi gate

Woodblock print

Famous Views of Tokyo: Cherry Blossoms in Mukojima by Toyohara Chikanobu

Famous Views of Tokyo: Cherry Blossoms in Mukojima

Woodblock print

Famous Views of Tokyo: First National Bank of Japan by Toyohara Chikanobu

Famous Views of Tokyo: First National Bank of Japan

Woodblock print

Famous Views of Tokyo: The Kinryuzan Sensoji Temple by Toyohara Chikanobu

Famous Views of Tokyo: The Kinryuzan Sensoji Temple

Woodblock print

Kotohiki Shrine, Sanuki Province, Moon, from by Toyohara Chikanobu

Kotohiki Shrine, Sanuki Province, Moon, from

Woodblock print

People cured at Ikaho Hotspring, Kozuke Province, 1881 by Toyohara Chikanobu

People cured at Ikaho Hotspring, Kozuke Province, 1881

Woodblock print

Shichirigahama Beach, Sagami Province by Toyohara Chikanobu

Shichirigahama Beach, Sagami Province

Woodblock print

Tamagawa, Musashi Province by Toyohara Chikanobu

Tamagawa, Musashi Province

Woodblock print

View from Castle by Toyohara Chikanobu

View from Castle

Woodblock print

Deshima from the series Twelve Views of Nagasaki (Nagasaki junikei no uchi) by Takehisa Yumeji

Deshima from the series Twelve Views of Nagasaki (Nagasaki junikei no uchi)

Woodblock print

Famous Views of Japan: Himeji Castle (Nihon meisho zu-e: Hemijijo) by Paul Binnie

Famous Views of Japan: Himeji Castle (Nihon meisho zu-e: Hemijijo)

Woodblock print

Related Subjects

Frequently Asked Questions

Landscapes are the most celebrated subject in Japanese woodblock printmaking, encompassing mountain vistas, coastal panoramas, river valleys, and rural scenes that have defined the genre for centuries. The tradition reached its first peak with Hokusai's "Thirty-six Views of Mount Fuji" (1831) and Hiroshige's "Fifty-three Stations of the Tokaido" (1833-34), series that established the meisho-e (famous places) format as a cornerstone of ukiyo-e.

Utagawa Hiroshige, Kawase Hasui, and Hiroshi Yoshida are among the artists most associated with landscapes in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 3812 prints tagged with landscapes, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.