Hanga

Abstract Prints (2049)

Abstract prints represent a revolutionary departure in Japanese printmaking, emerging primarily through the sosaku-hanga (creative prints) movement of the mid-twentieth century. While traditional ukiyo-e and shin-hanga were rooted in representational imagery, abstract works embraced non-figurative composition, exploring color, texture, and form for their own expressive potential. The abstract turn in Japanese printmaking gained international recognition in the 1950s and 1960s, when artists like Yoshida Hodaka, Maki Haku, and Tajima Hiroyuki won major prizes at the Sao Paulo and Venice Biennales. These artists developed distinctive approaches to abstraction — from Maki's layered cement-and-ink surfaces to Tajima's vibrant geometric compositions — that drew on Japanese aesthetic principles while engaging with global modernist movements. The woodblock medium proved uniquely suited to abstract expression, offering possibilities for textural experimentation through woodgrain impression, selective inking, and the interaction between handmade washi paper and carved surfaces. Many abstract printmakers exploited the material qualities of the block itself, allowing the wood's natural grain to become an active compositional element rather than merely a vehicle for an image.

Artists Known for Abstract

Untitled by Keiko Minami

Untitled

Oil on canvas

Untitled (Cow) and Untitled (Donkey) by Keiko Minami

Untitled (Cow) and Untitled (Donkey)

Two etchings on wove

Untitled (Pears) by Keiko Minami

Untitled (Pears)

Oil on canvas

Japanese Modernist Sculptor Abstract Terra Cotta Relief Calligraphy Painting by Kobashi Yasuhide

Japanese Modernist Sculptor Abstract Terra Cotta Relief Calligraphy Painting

Terracotta, Masonite, Paint, Mixed Media

Untitled by Kobashi Yasuhide

Untitled

Monoprint, Woodcut

Untitled by Kobashi Yasuhide

Untitled

Monoprint, Woodcut

Untitled by Kobashi Yasuhide

Untitled

Bronze

Fireworks over Ryogoku by Kobayashi Kiyochika

Fireworks over Ryogoku

1884

Woodblock Print

Untitled by Lee Ufan

Untitled

Terracotta

Untitled by Lee Ufan

Untitled

2009

Color on ceramic

Untitled by Lee Ufan

Untitled

Color on ceramic

Untitled by Lee Ufan

Untitled

Terracotta

Untitled by Lee Ufan

Untitled

Terracotta

Untitled by Lee Ufan

Untitled

1990

Graphite on paper

Untitled by Lee Ufan

Untitled

1982

Oil and mineral pigment on canvas

Work 73-50 B (Nothing) by Maki Haku

Work 73-50 B (Nothing)

1973

Woodblock and embossing

Interval of time #2 by Masahiro Masuda

Interval of time #2

2017

Silkscreen

Ando series I by Noor von Winckelmann

Ando series I

2023

Woodblock, Other

The Goat Trail, Black's Beach: Golden Sunlight by Paul Binnie

The Goat Trail, Black's Beach: Golden Sunlight

2021

Japanese Woodblock Print

Fragments  by Paul Furneaux

Fragments

2022

Mixed media on panel including mokuhanga, wood, stone, pigments , pencil and resin

Untitled by Paul Furneaux

Untitled

2021

Mokuhanga (Japanese woodcut print)

The Light Shines on Fushimi Torii by Ray Morimura

The Light Shines on Fushimi Torii

2016

Woodblock on washi paper

Impression of Arc 90-4 by Ryoichi Horie

Impression of Arc 90-4

1990

Woodblock Print

Domain of Shadows by Sara Lee

Domain of Shadows

2022

Pastel on Paper

Twilight by Sara Lee

Twilight

2022

Japanese Woodblock

Red Space by Sawada Tetsuro

Red Space

1987

Serigraph

Untitled I by Sawada Tetsuro

Untitled I

Offset lithograph

Untitled II by Sawada Tetsuro

Untitled II

1985

Offset lithograph

Untitled III by Sawada Tetsuro

Untitled III

Offset lithograph

No.290 by Sekine Yoshio

No.290

1972

Oil on canvas

Untitled #87 by Sekine Yoshio

Untitled #87

1966

Oil on canvas

Untitled (No. 218) by Sekine Yoshio

Untitled (No. 218)

1970

Oil on canvas

Untitled by Shibata Toshio

Untitled

1971

Oil on canvas

Untitled by Shiko Munakata

Untitled

Lithograph on paper

untitled by Shiko Munakata

untitled

1973

Woodblock print on Japanese paper

Untitled by Shiko Munakata

Untitled

1956

Woodcut with hand-coloring on Japanese paper

Shadow on the Waves by Shiro Kasamatsu

Shadow on the Waves

1971

Color woodblock print

Fragment by Takuji Hamanaka

Fragment

2021

Cut and pasted woodblock printed papers mounted on museum board

Hanabi (Fireworks) by Taniguchi Shigeru

Hanabi (Fireworks)

2003

Silkscreen

Abstract "Flowers" with Red, Blue and Pink Tones by Tokio Miyashita

Abstract "Flowers" with Red, Blue and Pink Tones

20

Lithograph

No. 6 by Toshi Yoshida

No. 6

1952

Woodblock print

A Classical Poem by Tsukioka Yoshitoshi

A Classical Poem

1886

Woodblock Print

Untitled by Waichi Tsutaka

Untitled

1963

Oil on burlap

untitled by Waichi Tsutaka

untitled

70

Oil on canvas

Untitled by Waichi Tsutaka

Untitled

Oil on canvas

Work by Waichi Tsutaka

Work

1993

Iink and color on paper laid down to panel

Work by Waichi Tsutaka

Work

1960

Oil on canvas

Work by Waichi Tsutaka

Work

1970

Painted on Ceramic

Cloth Shadow by Yagi Nagisa

Cloth Shadow

Monotype print on paper

FALLING WATER NO.2, 2002 by Yoshihiko Ueda

FALLING WATER NO.2, 2002

2002

Type C-print

PLANO, ILLINOIS, NO. 2, 2003 by Yoshihiko Ueda

PLANO, ILLINOIS, NO. 2, 2003

2003

Type C-print

QUINAULT NO.2 by Yoshihiko Ueda

QUINAULT NO.2

1991

Type C-print

QUINAULT NO.20 by Yoshihiko Ueda

QUINAULT NO.20

1991

Type C-print

QUINAULT, NO. 34, 1990 by Yoshihiko Ueda

QUINAULT, NO. 34, 1990

1990

Type C-print

TALIESIN NO.3, 2002 by Yoshihiko Ueda

TALIESIN NO.3, 2002

2002

Type C-print

TALIESIN NO.36, 2002 by Yoshihiko Ueda

TALIESIN NO.36, 2002

2002

Type C-print

Indigo No. 6 by Yuko Kimura

Indigo No. 6

2010

Collage of etching on old book pages from Japan

The Go-Cart by Helen Hyde

The Go-Cart

1913

Color woodcut on paper

A Mexican Coquette by Helen Hyde

A Mexican Coquette

1912

Color woodcut on paper

From Lines by Lee Ufan

From Lines

1974

Oil on canvas

Related Subjects

Frequently Asked Questions

Abstract prints represent a revolutionary departure in Japanese printmaking, emerging primarily through the sosaku-hanga (creative prints) movement of the mid-twentieth century. While traditional ukiyo-e and shin-hanga were rooted in representational imagery, abstract works embraced non-figurative composition, exploring color, texture, and form for their own expressive potential.

Maki Haku, Onchi Koshiro, and Nana Shiomi are among the artists most associated with abstract in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 2049 prints tagged with abstract, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.