Hanga

Travel Scenes Prints (502)

Travel scenes document journeys along Japan's historic roads, sea routes, and pilgrimage paths, forming one of the woodblock print tradition's most commercially successful and artistically significant genres. The meisho-e (famous places) format, which presented sequential views of notable sites along a route, generated some of ukiyo-e's greatest masterworks and established templates that artists followed for generations. Hiroshige's "Fifty-three Stations of the Tokaido" (1833-34), depicting the post stations along the great road connecting Edo and Kyoto, became the bestselling print series of the Edo period and defined the travel-scene genre. Its success spawned dozens of road series by Hiroshige himself and his contemporaries, documenting the Kisokaido, Nikko road, and other major routes. These prints served dual purposes — as art objects and as practical references for travelers, capturing the character of inns, teahouses, and scenic viewpoints along each route. The travel-scene tradition continued into the modern era as artists documented Japan's expanding railway network and new tourist destinations. Shin-hanga publishers like Watanabe Shozaburo commissioned series of famous views specifically targeting the tourist market, both domestic and international, creating prints that continue to define visual expectations of Japan's most celebrated landscapes.

Artists Known for Travel Scenes

Oiso: Tora's Rain (Oiso, Tora ga ame), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido by Utagawa Hiroshige

Oiso: Tora's Rain (Oiso, Tora ga ame), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido

c. 1833/34

Color woodblock print; oban

Shimada: The Suruga Bank of the Oi River (Shimada, Oigawa Sungan), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido by Utagawa Hiroshige

Shimada: The Suruga Bank of the Oi River (Shimada, Oigawa Sungan), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido

c. 1833/34

Color woodblock print; oban

Akasaka, Fujikawa, Okazaki, Chiryu, and Narumi, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" by Utagawa Kuniyoshi

Akasaka, Fujikawa, Okazaki, Chiryu, and Narumi, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)"

c. 1830/35

Color woodblock print; oban

Four Stations: Okabe, Fujieda, Shimada and Kanaya, from the series Famous Views of the Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan eki yonshuku meisho) by Utagawa Kuniyoshi

Four Stations: Okabe, Fujieda, Shimada and Kanaya, from the series Famous Views of the Fifty-three Stations of the Tōkaidō Road (Tōkaidō gojūsan eki yonshuku meisho)

Edo period, circa 1830-1835 (Tenpō 1-6)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Ichiyūsai Kuniyoshi ga"

Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)" by Utagawa Kuniyoshi

Hara, Yoshiwara, and Kanbara, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Three Stations (Tokaido gojusan eki sanshuku meisho)"

c. 1830/35

Color woodblock print; oban

Minakuchi, Ishibe, Kusatsu, Otsu, and Kyoto, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)" by Utagawa Kuniyoshi

Minakuchi, Ishibe, Kusatsu, Otsu, and Kyoto, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Five Stations (Tokaido gojusan eki goshuku meisho)"

c. 1830/35

Color woodblock print; oban

Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Four Stations (Tokaido gojusan eki yonshuku meisho)" by Utagawa Kuniyoshi

Nihonbashi, Shinagawa, Kawasaki, and Kanagawa, from the series "Famous Places on the Fifty-three Stations of the Tokaido, Four Stations (Tokaido gojusan eki yonshuku meisho)"

c. 1830/35

Color woodblock print; oban

Near Kumamoto by Clifton Karhu

Near Kumamoto

1980

Woodblock print, ink and color on paper

Takayama by Clifton Karhu

Takayama

1964

Woodblock print, ink and color on paper

Diary: Feb. 23rd '02, in London by Tetsuya Noda

Diary: Feb. 23rd '02, in London

2002

Screenprint

Okitsu by Hiroshi Yoshida

Okitsu

1928

Woodblock print, ink and color on paper

Sannenzaka by Clifton Karhu

Sannenzaka

1976

Woodblock print, ink and color on paper

A Park in Guangzhou by Hiroshi Yoshida

A Park in Guangzhou

1941

Woodblock print, ink and color on paper

Diary: July 18 '08, in Israel by Tetsuya Noda

Diary: July 18 '08, in Israel

2008

Woodcut, silkscreen

Diary: July 9th '08, in Istanbul by Tetsuya Noda

Diary: July 9th '08, in Istanbul

2008

Woodcut, silkscreen

Diary: Sept. 11th, '11, in The United States by Tetsuya Noda

Diary: Sept. 11th, '11, in The United States

2011

Woodcut, silkscreen

Remains of the Checkpoint at Shitomae - しとまえの関址 by Shiro Kasamatsu

Remains of the Checkpoint at Shitomae - しとまえの関址

Woodblock print

Grand Canyon by Hiroshi Yoshida

Grand Canyon

1925

Woodblock print

Enoshima by Katsushika Hokusai

Enoshima

Unknown

Color woodblock print

Camping at Washibadake by Hiroshi Yoshida

Camping at Washibadake

1926

Color woodblock print

Diary: Sept. 10th, '06 in Chicago by Tetsuya Noda

Diary: Sept. 10th, '06 in Chicago

2006

Woodblock and silkscreen; edition 9/12

Inariyama, Nagano Prefecture (Nagano ken Inariyama) by Kawase Hasui

Inariyama, Nagano Prefecture (Nagano ken Inariyama)

1947

Color woodblock print

Odawara by Komori Soseki

Odawara

Woodblock print

Grand Canyon, Shôwa period, dated 1925 by Hiroshi Yoshida

Grand Canyon, Shôwa period, dated 1925

Shôwa period, 1926-1989

Woodblock print

Tansui by Hiroshi Yoshida

Tansui

1941

Woodblock print

India Nautch Dancers by Charles W. Bartlett

India Nautch Dancers

1923

Woodblock print

Comb Products in Tsuchiyama by Katsushika Hokusai

Comb Products in Tsuchiyama

c. 1804

Color woodblock print

Illustration of products in Yoshida by Katsushika Hokusai

Illustration of products in Yoshida

1804

Color woodblock print

Morning Mist on the Taj Mahal No. 5, Shôwa period, dated 1932 by Hiroshi Yoshida

Morning Mist on the Taj Mahal No. 5, Shôwa period, dated 1932

Shôwa period, 1926-1989

Woodblock print

Caravan from Afganistan by Hiroshi Yoshida

Caravan from Afganistan

1932

Woodblock print, ink and color on paper

Diary: Sep. 16th '01, in Israel by Tetsuya Noda

Diary: Sep. 16th '01, in Israel

2001

Woodcut, silkscreen

Totomi nakayama / Fugaku Sanju Rokkei by Katsushika Hokusai

Totomi nakayama / Fugaku Sanju Rokkei

Woodblock print

Honolulu by Hiroshi Yoshida

Honolulu

1933

Woodblock print

Diary: Sept. 2nd '05, in Weed, California by Tetsuya Noda

Diary: Sept. 2nd '05, in Weed, California

2005

Screenprint

Diary: Sept. 8th '07, in Weed CA by Tetsuya Noda

Diary: Sept. 8th '07, in Weed CA

2007

Woodcut, silkscreen

Red Wall (Akai kabe), from the series "Manchuria (Manshu)" by Umetaro Azechi

Red Wall (Akai kabe), from the series "Manchuria (Manshu)"

1944 (printed c. 1950 from recut block?)

Color woodblock print; oban

Visitors to Enoshima by Katsushika Hokusai

Visitors to Enoshima

c. 1801/04

Color woodblock print; ebangire, surimono

The Outskirts of Agra No. 3 by Hiroshi Yoshida

The Outskirts of Agra No. 3

1932

Woodblock print, ink and color on paper

Diary: Nov. 3rd, '12, in Hangzhou by Tetsuya Noda

Diary: Nov. 3rd, '12, in Hangzhou

2012

Woodcut, silkscreen

A Wayside Scene (Oji) by Katsushika Hokusai

A Wayside Scene (Oji)

1801–04

Color woodblock print; oban surimono

Singapore by Hiroshi Yoshida

Singapore

1931

Woodblock print, ink and color on paper

Kuwana by Komori Soseki

Kuwana

Woodblock print

Khyber, 1916 by Charles W. Bartlett

Khyber, 1916

Not set

Woodblock print

Celyon 1916 by Charles W. Bartlett

Celyon 1916

Not set

Woodblock print

Kamakura by Charles W. Bartlett

Kamakura

1916

Woodblock print

Taj Mahal at Dawn by Charles W. Bartlett

Taj Mahal at Dawn

1916

Drawing

Boston Common, Shôwa period, by Naoko Matsubara

Boston Common, Shôwa period,

Woodblock print

Old North Church in Boston by Naoko Matsubara

Old North Church in Boston

Woodblock print

Tiruchchirappalli by Toshi Yoshida

Tiruchchirappalli

Woodblock print

Woman on Deck by Kanae Yamamoto

Woman on Deck

1912

Color woodblock print

Three girls strolling at Arashiyama by Miki Suizan

Three girls strolling at Arashiyama

Woodblock print

Shanghai by Henmi Takashi

Shanghai

1920s

Color woodblock print

Eight Noted Places of Kyoto- Complete Eight-Print Set With Album by Okumura Koichi

Eight Noted Places of Kyoto- Complete Eight-Print Set With Album

Woodblock print

Peshawar by Charles W. Bartlett

Peshawar

Not set

Woodblock print

Old State House of Boston by Naoko Matsubara

Old State House of Boston

Woodblock print

New Years Lanterns, Malacca (Morning) by Elizabeth Keith

New Years Lanterns, Malacca (Morning)

Woodblock print

Agra by Charles W. Bartlett

Agra

1916

color woodcut

Amritsar 1916 by Charles W. Bartlett

Amritsar 1916

1916

Drawing

Cincinnati II by Naoko Matsubara

Cincinnati II

20th century

Woodblock print; edition 32/100

Chinese Woman, Hong Kong by Kanae Yamamoto

Chinese Woman, Hong Kong

1917

Color woodblock print

Related Subjects

Frequently Asked Questions

Travel scenes document journeys along Japan's historic roads, sea routes, and pilgrimage paths, forming one of the woodblock print tradition's most commercially successful and artistically significant genres. The meisho-e (famous places) format, which presented sequential views of notable sites along a route, generated some of ukiyo-e's greatest masterworks and established templates that artists followed for generations.

Kawase Hasui, Jun'ichiro Sekino, and Utagawa Hiroshige are among the artists most associated with travel scenes in our collection. Browse the full list of artists who explored this subject above.

Hanga currently catalogues 502 prints tagged with travel scenes, spanning ukiyo-e, shin-hanga, and sōsaku-hanga traditions where applicable.