 | '7th May 1956, 8th May 1956' | Nana Shiomi | 2005 | Print |
 | 'Mirror Room - Katsura' | Nana Shiomi | 2006 | Print |
 | “Flamingo” by Alexander Calder, from the series "Viva Chicago" | Katsunori Hamanishi | 1997 | Mezzotint |
 | “Miro's Chicago” by Joan Miró, from the series "Viva Chicago" | Katsunori Hamanishi | 1997 | Mezzotint |
 | “Monument with Standing Beast” by Jean Dubuffet, from the series "Viva Chicago" | Katsunori Hamanishi | 1997 | Mezzotint |
 | “The Four Seasons” by Marc Chagall, from the series "Viva Chicago" | Katsunori Hamanishi | 1997 | Mezzotint |
 | #103 Planting the Seeds of Winds — Beginnings | Takahiko Hayashi | 2007 | Etching |
 | #11 The Edge — Recording a Life in a Fingertip | Takahiko Hayashi | 2000 | Etching |
 | #127 Spinning Round Round, I Fell | Takahiko Hayashi | 2010 | Wood engraving |
 | #151 The Unformed Figure — Simplicity into Smaller | Takahiko Hayashi | 2011 | Etching |
 | #167 Considering Lao-tse (2) | Takahiko Hayashi | 2012 | Etching |
 | #27 Considering Tokuyama Village | Takahiko Hayashi | 1996 | Etching |
 | #29 Considering Tokuyama Village — The Wind Filled with Roots | Takahiko Hayashi | 1996 | Etching |
 | #352 Kashimagawa | Tokihiro Sato | 1998 | Gelatin silver transparency on light panel |
 | #41 Kasose 1.89 | Takahiko Hayashi | 1989 | Etching |
 | #71 Considering Lao-tse (7) | Takahiko Hayashi | 2003 | Etching |
 | #78 Cocoon | Takahiko Hayashi | 2003 | Etching |
 | #85 Considering | Takahiko Hayashi | 2004 | Etching |
 | 1000 Wingbeats for One Drop of Nectar | Tuula Moilanen | 2011 | Mokuhanga |
 | 2009 RIV(黄金伝説)- 2009 RIV (Legend of Gold) | Kawachi Seiko | 2009 | Woodcut and hand-coloring |
 | 6 Dreams of Ukiyo Beauty: Ease | Tuula Moilanen | 2008 | Mokuhanga |
 | A Bowlful of Water | Nana Shiomi | 2015 | Japanese Woodcut |
 | A Cliff (3) | Hideo Hagiwara | 1995 | Woodblock print, ink and color on paper |
 | A Day of Stars | Gen Yamanaka | | Woodblock print |
 | A Forgotten Book忘れられた書物 | Fumiko Takeda | ca. 2014 | Etching and aquatint, chine-collé |
 | A Girl's Growth to Adulthood | Chihiro Taki | 2010 | Oil and gold on wooden panel |
 | A Glade | Toko Shinoda | 1999 | Lithograph with hand-colouring |
 | A Hundred Shades of Ink of Edo: Sharaku's Caricatures | Paul Binnie | 2011 | Color woodblock print |
 | A Job in City | Brian Williams | | Lithograph |
 | A Moment of Silence | Yuasa Katsutoshi | 2013 | Oil-based woodcut on paper |
 | A Perfect Love | Jed Henry | | Woodblock print |
 | A Phantasmagorica | Shinji Ando | | Etching with chine colle |
 | A Secret Place | Toshihisa Fudezuka | | Etching |
 | A Storm is Coming | Asako Iwasawa | 2016 | Acrylic on canvas |
 | A Sweet Smell Faintly Drifted | Shinji Ando | | Etching with chine colle |
 | Absorption | Yoshikatsu Tamekane | | Woodblock print with collagraph and metallic leaf |
 | Abstract #3 | Yeh Fang | 2010 | Chinese brush painting |
 | Abstract #4 | Yeh Fang | 2010 | Chinese Brush Painting |
 | Abstract #6 | Yeh Fang | 2010 | Chinese Brush Painting |
 | Abyss of Awakening - 5 | Toshihisa Fudezuka | | Etching |
 | Abyss of the Forest森の深淵 | Fumiko Takeda | ca. 2019 | Etching and aquatint, chine-collé |
 | Actor Nakamura Kichiemon II as the Footman Unpei | Tsuruya Kokei | March 1991 | Woodblock print, ink and color on paper |
 | Actor Nakamura Utaemon VI as the Courtesan Chitose-dayū | Tsuruya Kokei | March 1989 | Woodblock print, ink and color on paper |
 | Actor Onoe Shōroku II as Kudō Suketsune | Tsuruya Kokei | January 1989 | Woodblock print, ink and color on paper |
 | After Hiroshi (For H. Ed. Robison) | Micah Schwaberow | 1989 | Color woodblock print |
 | Afterglow At Shizugatake - 賤ヶ岳残照 | Sano Seiji | 1996 | Woodblock print |
 | Afternoon Roofs | Clifton Karhu | 1996 | Woodblock print, ink and color on paper |
 | Akihabara (One Hundred Views of Tokyo, Message to the 21st Century) | Matsushita Satoru | 1999 | Color woodblock print |
 | Almost Symmetric | Yozo Hamaguchi | 1994 | Mezzotint |
 | Amaterasu | Sarah Brayer | 2010 | Aquatint on artist-made mulberry paper with washi chine collĂŠ and hand coloring |
 | An Evening Moon | Hideo Hagiwara | 1990–91 | Woodblock print, ink and color on paper |
 | And Then (Blue) | Takashi Murakami | | Offset lithograph |
 | Anemones | Wako Ito | | Mezzotint |
 | Angel | April Vollmer | 2015 | Woodcut on mura washi |
 | Anthony | Mike Lyon | | Mokuhanga from 15 cherry plywood blocks on washi |
 | Aoba | Takahashi Hiromitsu | 2004 | Kappazuri stencil |
 | Apocalypse Now or For Ever — Chapter 16: The Curse (after the Apocalypse of St. John) | Nikolay Maystorov | 2000 | Lithograph |
 | Apocalypse Now or For Ever — Chapter 4: The Lord (after the Apocalypse of St. John) | Nikolay Maystorov | 2000 | Lithograph |
 | Apple Tree 2 | Yoshihiko Ueda | 2017 | C-print, acrylic frame |
 | Apple Tree 4 | Yoshihiko Ueda | 2017 | C-print, acrylic frame |
 | Arabesque | Yoshio Imamura | 2015 | Etching and chine colle |
 | Arise | Mana Aki | 2016 | Woodblock |
 | As Darkness Leaves | Hideo Hagiwara | 1990–91 | Woodblock print, ink and color on paper |
 | As Shadows Fall | Sara Lee | 2019 | Pastel on Paper |
 | Asahina | Takahashi Hiromitsu | 2011 | Kappazuri stencil |
 | Ashtray | Yayoi Kusama | | Silkscreen |
 | Attainment | Toko Shinoda | 2007 | Hand-coloured lithograph |
 | Attractor | April Vollmer | 2006 | Mokuhanga |
 | Aubade | Toko Shinoda | 1995 | Lithography |
 | Aurora (II) | Sawada Tetsuro | 1992 | Silkscreen Print |
 | Aurora Boracha | Carol Summers | | Woodcut |
 | Autumn — 秋づく | Sano Seiji | 1999 | Woodblock print |
 | Autumn Aspens (II) - Inyo | Monique Wales | 2017 | Multi-Plate Reductive Linocut Relief Print |
 | Autumn Festival | Ray Morimura | 2008 | Woodblock |
 | Autumn Light, Sugarloaf Ridge | Micah Schwaberow | | Color woodcut |
 | Autumn Rain Shower at Yakushiji | Ray Morimura | 2019 | Woodblock on washi paper |
 | Autumn Shapes | Gen Yamanaka | | Woodblock print |
 | Autumn View | Xu Ming | 2014 | Chinese brush painting |
 | Bamboo and Plum | Ryo Shinagawa | 2018 | Ink on Paper |
 | Bando Tamasaburo V as Ama Matsukaze | Tsuruya Kokei | | Woodblock print on ganpi paper with mica |
 | Basic Room -Chashitsu- | Nana Shiomi | 2013 | Woodblock |
 | Basic Room -Ichimatsu- | Nana Shiomi | 2013 | Woodblock |
 | Bay | Karen Kunc | 2011 | Woodcut, mokuhanga woodblock, watercolor, wax |
 | Bean Flowers | Koji Ikuta | 2001 | Mezzotint |
 | Bear In Mind | Ursula Schneider | | Mokuhanga woodcut |
 | beating of copper - 079 | Junichi Ikeda | 2019 | Drypoint |
 | Beautiful Early Evening | Yuichi Hasegawa | | Woodblock print |
 | Beauty | Weiqi Wang | 2014 | Chinese brush painting |
 | Before the Fight | Jed Henry | | Woodblock print |
 | Beginnings | Margaret Kennard Johnson | | Intaglio print |
 | Between Air and Water No. 2 | Ida Shoichi | 1992 | Color soft ground and hard ground etching with aquatint and drypoint printed on gampi paper chine colle |
 | Between Air and Water No. 4 | Ida Shoichi | 1992 | Color soft ground etching with spit bite aquatint and drypoint printed on gampi paper chine colle |
 | Between Air and Water No. 6 | Ida Shoichi | 1992 | Color soft and hard ground etching with spit bite aquatint and drypoint printed on gampi paper chine collé |
 | Between Air and Water No. 7 | Ida Shoichi | 1992 | Color soft ground etching with spit bite aquatint and drypoint printed on gampi paper chine colle |
 | Beyond | Margaret Kennard Johnson | | Intaglio/relief print |
 | Beyond Wood 1 | Moya Bligh | 2002 | Woodblock print on paper (mokuhanga) |
 | BIJING NOW DRAWING 05 | Toru Ishii | 2016 | Acrylic ink on paper |
 | BIJING NOW 01 | Toru Ishii | 2016 | Digital Dyeing on Silk |
 | BIJING NOW 03 | Toru Ishii | 2016 | Digital Dyeing on Silk |
 | BIJING NOW 04 | Toru Ishii | 2016 | Digital Dyeing on Silk |