 | A Fishing Net with Four Hands | Kawase Hasui | | Woodblock print |
![A Flower of the Ōgiya (Ōgiya uchi Hana) [= the courtesan Hanaōgi], from the series Array of Supreme Beauties of the Present Day (Tōji zensei bijin zoroe) by Kitagawa Utamaro](https://www.artic.edu/iiif/2/0754f7b3-e6bf-e819-8466-68c1e4eef82f/full/843,/0/default.jpg) | A Flower of the Ōgiya (Ōgiya uchi Hana) [= the courtesan Hanaōgi], from the series Array of Supreme Beauties of the Present Day (Tōji zensei bijin zoroe) | Kitagawa Utamaro | c. 1794 (Kansei 6) | Woodblock print (nishiki-e); ink and color on paper |
 | A Flower Seller | Maekawa Senpan | 1951 | Color woodblock print |
 | A Flower Seller | Suzuki Harunobu | | |
 | A Flower Vendor | Nishimura Shigenobu | 1737-38 | Hand-colored woodblock print; hosoban |
 | A Flower Vendor | Suzuki Harunobu | 1751/64 | Color woodblock print; oban, benizuri-e |
 | A Foreign Residence in Yokohama | Utagawa Yoshikazu | 1861 | Triptych of woodblock prints (nishiki-e); ink and color on paper |
 | A Foreigner and a Leopard Disguised as a Woman | Utagawa Yoshitoyo | 7th month, 1860 | Woodblock print; ink and color on paper |
 | A Forest, Light and Shade IV | Shigeki Tomura | | Drypoint etching |
 | A Forgotten Book忘れられた書物 | Fumiko Takeda | ca. 2014 | Etching and aquatint, chine-collé |
 | A Fowl Couple Bathing in Sand | Jun'ichiro Sekino | | Woodblock print |
 | A Frog on Lotus Leaf | Koho Shoda | | Woodblock print |
 | A frontispiece of a novel in | Kajita Hanko | | Woodblock print |
 | A frontispiece of a novel, 1900 | Tomioka Eisen | | |
 | A frontispiece of a novel, 1901 | Kajita Hanko | | Woodblock print |
 | A frontispiece of a novel, 1904 | Kajita Hanko | | Woodblock print |
 | A frosty morning at Nagaoka in Izu Peninsula | Kawase Hasui | | Woodblock print |
 | A Full Moon | Keisai Eisen | | |
 | A Garden by Lake Biwa | Hiroshi Yoshida | | Woodblock print |
 | A Garden in Okayama on a Spring Morning | Hiroshi Yoshida | 1933 | Woodblock print, ink and colors on paper |
 | A Garden in Summer | Hiroshi Yoshida | 1933 | Woodblock print |
 | A Garden of Celebrated Japanese and Chinese Paintings (Wakan meigaen)和漢名画苑 | Ōoka Shunboku | 1750 | Set of six woodblock-printed books bound as one, with additional volume; ink on paper |
 | A Gate to the Stupa of Sanchi (Sanchi no mon)Sanchi no mon | Hiroshi Yoshida | 1932 | Color woodblock print; oban |
 | A Geisha and Her Maid | Kitao Shigemasa | About 1777 | Color woodblock print |
 | A Giant Dwarf | Mikio Watanabe | | Mezzotint |
 | A Giant Radish, Chrysanthemums, and Ferns | Ryūryūkyo Shinsai | About 1820 | Color woodblock print; surimono |
 | A Gift | Anita Jung | | Water-based woodcut, screenprint, and walnut dye on washi |
 | A girl | Hiratsuka Un'ichi | | Mokuhanga (Japanese woodblock) |
 | A Girl少女 | Matsumoto Shunsuke | 1941 | Pencil, Japanese ink, charcoal and conté on paper |
 | A Girl and Four Servants, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)" | Torii Kiyonaga | c. 1783/84 | Color woodblock print; oban |
 | A Girl and Her Swan (Artist's daughter, Ayuko) | Jun'ichiro Sekino | | Woodblock print |
 | A Girl Dressing in Pink | Suzuki Harunobu | 1766 | color woodblock print |
 | A Girl In Nikko | Helen Hyde | | Woodblock print |
 | A Girl with a Fan | Chōbunsai Eishi | ca. 1780 | Woodblock print; ink and color on paper |
 | A Girl with an Attendant | Isoda Koryūsai | ca. 1770 | Woodblock print; ink and color on paper |
 | A Girl's Growth to Adulthood | Chihiro Taki | 2010 | Oil and gold on wooden panel |
 | A Glade | Toko Shinoda | 1999 | Lithograph with hand-colouring |
 | A Glance at Miyosaki, Yokohama | Utagawa Yoshimori | ca. 1860 | Diptych of woodblock prints (nishiki-e); ink and color on paper |
 | A Glance at the Distinguished Figures of the Meiji Period (Meiji meiyo ichiran)明治名誉一覧 | Yamazaki Toshinobu | 1877 (Meiji 10) | Color woodblock print; ink and color on paper |
 | a glimmer of abundance fish spitzack woodblock woodcut mokuhanga print printmaking washi seattle art | Charles Spitzack | | |
 | A Glimpse Of Ueno Park | Hiroshi Yoshida | | Woodblock print |
 | A Golden Pheasant amid Snow-Covered Bamboo on a Steep Hillside | Utagawa Hiroshige | c. 1840 | Color woodblock print; chuban |
 | A Golden Pheasant Perched on a Steep Snowy Hillside amid Small Pine Saplings | Utagawa Hiroshige | c. 1833 | Color woodblock print; otanzaku |
 | A Gourd Flask, a Cup, a Writing Box, and a Book for Rokurokusai | Keisai Eisen | 19th century | Color woodblock print; surimono |
 | A Great Mirror of the Actors of the Heisei Period: Bando Tamasaburo as the Heron Maiden (Heisei yakusha o-kagami: Tamasaburo - Sagi musume) | Paul Binnie | | Woodblock print |
 | A Greate Image of Buddha in Kamakura | Gihachiro Okuyama | | Woodblock print |
 | A Greate Image of Buddha in Kamakura | Gihachiro Okuyama | | Woodblock print |
 | A Group of Young Women Entering the Garden of a Horticulturist | Katsushika Hokusai | n.d. | Color woodblock print; surimono |
 | A group Samourai warriors received by a dignatory | Kobayashi Kiyochika | | Woodblock print |
 | A Grove | Toko Shinoda | 20th century | Lithograph on paper; edition 32/50 |
 | A Grudge Against Each Other | Miyagawa Shuntei | 1904 | Woodblock print |
 | A Hawk Capturing a Crane in Flight | Torii Kiyomasu I | c. 1715 | Hand-colored woodblock print; vertical o-oban, tan-e |
 | A Hawk on a Cliff near a Kiri Tree | Torii Kiyomasu I | c. 1716 | Hand-colored woodblock print; o-oban, tan-e |
 | A Hawk Perched on a Snow-covered Pine Tree | Isoda Koryūsai | probably 18th century | Hand-colored print (ishizuri-e); ink and color on paper |
 | A Heron | Joshua Rome | | Woodblock print |
 | A hood — Okoso-Zukin | Ito Shinsui | | Woodblock print |
 | A Horse | Tadashi Nakayama | 1959 | Color woodblock print with metal leaf; edition 45/50 |
 | A Horse Washing in a River川中洗馬図 | Kawabata Gyokushō | ca. 1880–1890 | Color woodblock print |
 | A Hot Spring Inn at Yumoto | Utagawa Hiroshige | 1851 | Print |
 | A House in the City (Machi no ie), from the series "Manchuria (Manshu)" | Umetaro Azechi | 1944 (printed c. 1950 from recut block?) | Color woodblock print; oban |
 | A House of Courtesans, from the series "The Appearance of Yoshiwara (Yoshiwara no tei)" | Hishikawa Moronobu | c. 1681/84 | Hand-colored woodblock print; oban, sumizuri-e |
 | A Hundred Shades of Ink of Edo: Harunobu's Bathtub (Edo zumi hyaku shoku: Harunobu no Furo) | Paul Binnie | | Woodblock print |
 | A Hundred Shades of Ink of Edo: Hokusai's Waterfalls (Edo zumi hyaku shoku: Hokusai no Taki) | Paul Binnie | | Woodblock print |
 | A Hundred Shades of Ink of Edo: Kiyonaga's Pipe (Edo zumi hyaku shoku: Kiyonaga no kiseru) | Paul Binnie | | Woodblock print |
 | A Hundred Shades of Ink of Edo: Kuniyoshi's Cats (Edo zumi hyaku shoku: Kuniyoshi no neko) | Paul Binnie | | Woodblock print |
 | A Hundred Shades of Ink of Edo: Sharaku's Caricatures | Paul Binnie | 2011 | Color woodblock print |
 | A Hundred Shades of Ink of Edo: Utamaro's Erotica (Edo zumi hyaku shoku: Utamaro no Shunga) | Paul Binnie | | Woodblock print |
 | A Hundred Shades of Ink of Edo: Yoshitoshi's Ghosts (Edo zumi hyaku shoku: Yoshitoshi no Bakemono) | Paul Binnie | | Woodblock print |
 | A HUNDRED VIEWS OF FAMOUS PLACES IN THE VARIOUS PROVINCES, "BIZEN TATSUKUCHIYAMA" | Utagawa Hiroshige | Late Edo period, dated 1860 | Ink on paper |
 | A HUNDRED VIEWS OF FAMOUS PLACES IN THE VARIOUS PROVINCES, "KYOTO SHIJO YU SUZUMI" | Utagawa Hiroshige | Late Edo period, dated 1859 | Ink on paper |
 | A Hundred Views of Musashi: A Hundred Posts in the Sumida River | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Atago Hill, Shiba | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Benten Shrine in the Snow, Fukagawa | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Honmonji Temple at Ikegami | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Moon Beyond Shinagawa | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Rinsing Cloth in the Tama River | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Teppozu Bridge and a Distant view of Tsukudajima | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: The Ayase River, with Sensoji Temple in the Distance | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: The Ferry Crossing at Hashiba, Tokyo | Kobayashi Kiyochika | | Woodblock print |
 | A Hundred Views of Musashi: Zojoji Temple, Shiba, in the Snow | Kobayashi Kiyochika | | Woodblock print |
 | A hunter and eagle, diptych, 1880 | Kobayashi Kiyochika | | Woodblock print |
 | A Hunting Ground | Hiroyuki Tajima | | Woodblock print |
 | A Japanese Beauty | Fritz Capelari | 1920 | Print |
 | A Japanese Sailor Leaps on Board a Russian Warship and Kicks its Captain Overboard - From: Records of the Russo Japanese War Michiro Kosen Kibun | Migita Toshihide | | |
 | A Jingle for a Sniff | Ozawa Nankoku | 1880 (page 206, Trübner edition 1887) | Wood-engraved book illustration after an original brush-and-ink drawing by Ozawa Nankoku of Tokyo; engraving by Henry W. Troy, New York |
 | A Job in City | Brian Williams | | Lithograph |
 | A Journey | Gen Yamaguchi | 20th century | Color woodblock print |
 | A Junk, Plate No. 4 | Hiroshi Yoshida | 1939 | Woodblock print, ink and color on paper |
 | A Junk, printing order no. 2 | Hiroshi Yoshida | 1939 | Woodblock print, ink and color on paper |
 | A Keg of Sake and a Basket of Oranges | Katsushika Hokusai | 1820 | Color woodblock print; surimono |
 | À la Maison de M. Civeçawa (Rose-Colored Dance) — installation view腰巻お仙 | Tadanori Yokoo | 1965 | Silkscreen poster (commercial silkscreen process) |
 | A Lady About to Write a Poem | Yashima Gakutei | ca. 1820 | Woodblock print (surimono); ink and color on paper |
 | A Lady in Under Kimono | Ito Shinsui | | Woodblock print |
 | A Lady Visiting a Shrine Followed by a Boy with Kite | Totoya Hokkei | early 19th century (possibly 1822 or 1834) | Color woodblock print; surimono |
 | A Lady with Three Servants, from the series "A Brocade of Eastern Manners (Fuzoku Azuma no nishiki)" | Torii Kiyonaga | c. 1783/84 | Color woodblock print; oban |
 | A Lady-in-Waiting with Waist as Slender as a Willow from the series Flowers and Modern Beauties | Kikukawa Eizan | 1807 | color woodblock print |
 | A Lady, A Maid and A Child (descriptive title) | Chōbunsai Eishi | | |
 | A Lakeside Inn Under Moonlight | Koho Shoda | | Woodblock print |
 | A Lattice Door | Jun'ichiro Sekino | | Woodblock print |
 | A Lay Nun from the Kannon Sutra | Shiko Munakata | 1938 | Woodblock print |