 | A Lion Training a Cub | Utagawa Hiroshige | c. 1832/34 | Color woodblock print; otanzaku |
 | A Little Blue Tree | Kunio Kaneko | | Mokuhanga (Japanese woodblock) |
 | A Little Red Bird | Mariko Ando | | Etching with chine collé and hand coloring |
![A Little Restaurant [at Night] (Ryoriya no yoru) by Hiroshi Yoshida](https://www.artic.edu/iiif/2/e0e87290-6b97-4999-6986-731f7a56bbc9/full/843,/0/default.jpg) | A Little Restaurant [at Night] (Ryoriya no yoru)Ryoriya no yoru | Hiroshi Yoshida | 1933 | Color woodblock print; oban |
 | A Little Temple Gate | Hiroshi Yoshida | 1933 | Color woodblock print |
 | A Long-Tailed Fowl (Onagadori), from the series Twelve Assorted Birds (Shochō jūnikin) | Chōbunsai Eishi | ca. 1791 | Woodblock print; ink and color on paper |
![A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi") by Kitagawa Utamaro](https://www.artic.edu/iiif/2/ed82be98-8a83-4163-ccc4-e2f7210cce55/full/843,/0/default.jpg) | A Low Class Prostitute (Gun [teppo]), from the series “Five Shades of Ink in the Northern Quarter" ("Hokkoku goshiki-zumi") | Kitagawa Utamaro | c. 1794/95 | Color woodblock print; oban |
 | A Low Tide Pentaptych | Utagawa Kuniyoshi | c. 1830 | Pentaptych of color woodblock prints |
 | A Maegamai and a Girl- repro | Keisai Eisen | | |
 | A Maiko Powdering Her Face | Hirayama Roko | | |
 | A Man | Toru Mabuchi | | |
 | A man and a cicada | Umetaro Azechi | | Woodblock print |
 | A Man and a Girl Walking in the Rice Fields | Chōbunsai Eishi | ca. 1780 | Woodblock print; ink and color on paper |
 | A Man and Woman Reading a Letter in the Kotatsu | Suzuki Harunobu | | |
 | A man burns limes | Nakao Yoshitaka | | Woodblock print |
 | A Man Shooting with a Blowpipe, illustration for the Conch Shell (Horagai), from the series "A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)" | Katsushika Hokusai | 1821 | Color woodblock print; shikishiban, surimono |
 | A Man Skiing (Sukii no otoko) | Umetaro Azechi | 1955 | Color woodblock print; edition 10/50 |
 | A Man With A Coffee Cup | Umetaro Azechi | | Woodblock print |
 | A Mandarin Duck on a Snowy Bank | Utagawa Hiroshige | 1830s | Color woodblock print; ko-tanzaku |
 | A Market in Mukden | Hiroshi Yoshida | 1937 | Color woodblock print |
 | A May Evening at Kudanzaka | Kobayashi Kiyochika | | Woodblock print |
 | A Merry Christmas to You | Thomas Handforth | 1924 | Etching on paper |
 | A Mexican Coquette | Helen Hyde | 1912 | Color woodcut on paper |
 | A Mild Breeze on a Fine Day (Gaifu kaisei), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei) | Katsushika Hokusai | | Woodblock print |
 | A mirror of strange tales of China and Japan | Tsukioka Yoshitoshi | | Mokuhanga (Japanese woodblock) |
 | A Mirror on a Stand Suggesting the Autumnal Moon (Kyodai no shugetsu), from the series "Eight Scenes of the Parlor (Zashiki hakkei)" | Torii Kiyonaga | c. 1777 | Color woodblock print; chuban |
 | A Misty Day in Nikko | Hiroshi Yoshida | | Woodblock print |
 | A model | Oda Kazuma | | Mokuhanga (Japanese woodblock) |
 | A Modern Bijin (1) | Terashima Shimei | | Woodblock print |
 | A Modern Day "Clear Mirror" (Masukagami) 万寿嘉々見 | Keisai Eisen | 1822 | Set of three woodblock printed books; ink and color on paper |
 | A modern multi-story building with curved balconies and large windows, surrounded by greenery, under a sky with textured clouds. Handwritten note at the bottom: "The Studios of Key West! 19/30 2026 Spitzack." | Charles Spitzack | | |
 | A Moment of Silence | Yuasa Katsutoshi | 2013 | Oil-based woodcut on paper |
 | a moment-15-7 | Tomoe Suzuki | 2015 | Lithograph |
 | a moment-15-8 | Tomoe Suzuki | 2015 | Lithograph |
 | a moment-25-1 | Tomoe Suzuki | 2025 | Lithograph |
 | A Monarch of Japan | Helen Hyde | 1901 | Color woodcut on ivory Japanese paper |
 | A Moon Sixteen Days Old | Katsuyuki Nishijima | | Woodblock print |
 | A Moonlight Night | Asako Iwasawa | | Acrylic on Canvas |
 | A Moonlight Night Scene at the Ishiyama Temple on the Shore of Lake Biwa | Utagawa Hiroshige | | |
 | A Morning Subway | Seoul Kim | | Color etching with chine collé and hand coloring |
 | A Mother and her Children | Suzuki Harunobu | c. 1768 | Color woodblock print; chuban |
 | A Mountain In The Japanese Alps | Umetaro Azechi | | Woodblock print |
 | A Mountain man With Bird | Umetaro Azechi | | Woodblock print |
 | A Mountain Path B | Fumio Fujita | | Woodblock print |
A | A Mountain Path C | Fumio Kitaoka | | Woodblock print |
A | A Mountain Path C | Fumio Fujita | | Woodblock print |
A | A Mountain Path in Autumn | Fumio Fujita | | Woodblock print |
A | A Mountain Path in Autumn | Fumio Kitaoka | | Woodblock print |
 | A Mountainous Landscape with a Stream | Totoya Hokkei | 1827 | Color woodblock print; chuban, surimono |
 | A musical note with a rainbow-colored tail and a black circle at the bottom, labeled 'Dead Weight/A.P 2016'. | Charles Spitzack | | |
 | A Nap (Utatane) | Torii Kotondo | 1930 | Woodblock print |
 | A Nebula (No. 3) | Hideo Hagiwara | 1987 | Woodblock print, ink and color on paper |
 | A New Selection of Fifty Kyôka Poets (Shinsen kyôka gojûnin isshu) | Totoya Hokkei | 1819 | Woodblock- printed book |
 | A New Year’s Gift by the Brush of Toyokuni (Toyokuni toshidama fude) | Utagawa Toyokuni I | | Print |
 | A Night at Sumida River | Kobayashi Kiyochika | ca. 1881 | Woodblock print (nishiki-e), ink and color on paper |
 | A Night Stall in Hakata | Fumio Kitaoka | | Mokuhanga (Japanese woodblock) |
 | A Ninja Attacking Hideyoshi's Retainers | Utagawa Toyonobu | 1883 | Color woodblock print |
 | A Noble Young Lady, from the series A Bright Mirror of Feminine Manners (Onna fuzoku masukagami) | Torii Kiyonaga | c. 1790 | Color woodblock print; chuban |
 | A Nocturnal Fuji, Lake Ashino (Ashino no yu Fuji)Ashino no yu Fuji | Kawase Hasui | 1935 | Color woodblock print |
 | A Nude裸体 | Kuroda Seiki | 1889 | Oil on canvas; 80.0 × 43.8 cm |
 | A pagoda in the country | Hiromitsu Nakazawa | | Woodblock print |
 | A Painter Sketching at Ueno Park — 上野公園画家写生図 | Kobayashi Kiyochika | | Woodblock print |
 | A painting of Daoist immortal Huang Chuping (Jp: Ko Shohei) | Totoya Hokkei | 1823 | Color woodblock print; shikishiban, surimono |
 | A painting titled 'Gulf of America' showing a black metal fence, a green plant, and a blue sky with distant sailboats. | Charles Spitzack | | |
 | A Pair of Boxes, a Letter Box, and Plum Blossoms | Ryūryūkyo Shinsai | n.d. | Color woodblock print, surimono |
 | A pair of ducks by a lotus pond | Kobayashi Kiyochika | 1879 | Color woodblock print; oban |
 | A pair of Flying Ducks and Moon | Ohara Koson | before 1912 | Woodblock print, ink and color on paper |
 | A pair of mandarin ducks, c.1935 | Tsuchiya Koitsu | | Woodblock print |
 | A Parade of Courtesans | Hishikawa Moronobu | c. 1690 | Woodblock print; sumizuri-e, kakemono yoko-e |
 | A Park in Guangzhou | Hiroshi Yoshida | 1941 | Woodblock print, ink and color on paper |
 | A Parody | Suzuki Harunobu | | |
 | A parody of courtesans on display at the Ogiya (Ogiya mise yatsushi) | Chōkōsai Eishō | c. 1795 | Color woodblock print; oban triptych |
 | A Parody of Hachi no ki | Utagawa Toyokuni I | n.d. | Color woodblock prints; oban triptych |
 | A parody of Hanshin and Shide, two chinese monks | Komura Settai | 1941 | Woodblock print |
 | A parody of Narihira's eastern journey | Torii Kiyomitsu | | |
 | A Parody of the God of Good Fortune (Fukujin takara awase) | Chōbunsai Eishi | | |
 | A Parody of the Tales of Ise | Chōbunsai Eishi | c. 1789/95 | Color woodblock print; right sheet of oban triptych |
 | A Parody of Yuranosuke in the Pleasure Quarters (Mitate Yuranosuke yukyo) | Chōbunsai Eishi | n.d. | Color woodblock prints; ōban triptych |
 | A party in a Shinagawa Teahouse (Center sheet) | Chōbunsai Eishi | | |
 | A Party of Geisha in a Suzumi-bune (Second Scene of a Boating Party) | Eishōsai Chōki | ca. 1796 | Second sheet of a pentaptych of woodblock prints; ink and color on paper |
 | A Party Viewing the Moon Across the Sumida River | Torii Kiyonaga | c. 1787 | Color woodblock print; oban triptych |
 | A Passing Palanquin, from the series "Scenes of Flower-viewing at Ueno (Ueno hanami no tei)" | Hishikawa Moronobu | c. 1681/84 | Woodblock print; oban, sumizuri-e |
 | A Passing Shower — 村雨 | Miyagawa Shuntei | 1898 | Woodblock print |
 | A Path through the Forest B | Fumio Fujita | | Woodblock print |
 | A Pavilion | Ebina Masao | | Woodblock print |
 | A Peasant Crossing a Bridge, from the series A True Mirror of Chinese and Japanese Poems | Katsushika Hokusai | late 1830s | Color woodblock print; nagaban |
 | A Perfect Love | Jed Henry | | Woodblock print |
 | A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu) | Katsushika Hokusai | 1781/89 | Color woodblock print |
 | A Phantasmagorica | Shinji Ando | | Etching with chine colle |
 | a Philosopher | Kimura Yoshiharu | | Woodblock print |
 | A Philosopher Watching a Pair of Butterflies, from The Picture Book of Realistic Paintings of Hokusai (Hokusai shashin gafu) | Katsushika Hokusai | c. 1814 | Color woodblock; album sheet |
 | A Picnic Party at Hagidera | Katsukawa Shunchō | c. 1785/95 | Diptych of woodblock prints; ink and color on paper |
 | A Picture by Hishikawa Moronobu: Woman with a Set of Poem Cards | Hishikawa Moronobu | mid 1820s | color woodblock print (surimono) with gold, silver, and embossing |
 | A Picture Contest — 絵合 | Ebina Masao | | Woodblock print |
 | A picture of a tiger, 1860 | Kawanabe Kyosai | | Woodblock print |
 | A Picture of Advance Disposition of Troops at Weihaiwei — shingun haichi no zu. | Kobayashi Kiyochika | | Woodblock print |
 | A Picture of Deep Snow at Tosho Shrine at Ueno | Kobayashi Kiyochika | | Woodblock print |
 | A Picture of Prosperity at Horidome | Kobayashi Kiyochika | | Woodblock print |
 | A Picture of Prosperity: America (Amerika shin no zu)亜墨利加州の図 | Utagawa Hiroshige II | 1861 | Color woodblock print; ōban triptych |
 | A Picture of the Viewing in the Pleasure Quarters | Kikukawa Eizan | 1810s | color woodblock print |