Hanga
Edo Period

1840s Japanese Woodblock Prints

298 prints from the 1840s in our collection, created during the Edo Period (16031868). The Edo period saw the rise of ukiyo-e, the iconic woodblock print tradition depicting the floating world of pleasure districts, kabuki actors, beautiful women, and landscapes. Under the Tokugawa shogunate's peaceful rule, a thriving urban culture in Edo (modern Tokyo) fueled demand for affordable printed art.

Top Artists of the 1840s

Prints (298)

'Fashionable Brocade Patterns of the Palace' by Utagawa Kunisada

'Fashionable Brocade Patterns of the Palace'

1847-1852

Print

"Refined Elegance in the Four Seasons" (Shiji seiga), Album of Flower Paintings by Yamamoto Baiitsu

"Refined Elegance in the Four Seasons" (Shiji seiga), Album of Flower Paintings

四時清雅

1844

Album of twelve leaves; ink on paper

(Transmitted from the Gods) Hokusai Sketches (Denshin kaishu Hokusai manga), vol.14 by Katsushika Hokusai

(Transmitted from the Gods) Hokusai Sketches (Denshin kaishu Hokusai manga), vol.14

c.1849

Print

(Transmitted from the Gods) Hokusai's Garden of Pictures (Denshin kaishu Hokusai gaen), vol. 2 by Katsushika Hokusai

(Transmitted from the Gods) Hokusai's Garden of Pictures (Denshin kaishu Hokusai gaen), vol. 2

1843

Print

A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞 by Utagawa Kunisada

A Bedside Guide to the Colors of Love in Spring (Shunshoku neya no shiori) 春色閨の栞

ca. 1850

Set of three woodblock printed books; ink and color on paper

A View of Timber Yards from a Bridge by Utagawa Hiroshige

A View of Timber Yards from a Bridge

c. late 1840s

Color woodblock print; uchiwa-e

Acrobats by Utagawa Sadafusa

Acrobats

1847-52

Woodblock print (nishiki-e); ink and color on paper

Actor Arashi Tokusaburō II (later Kitsusaburō II) as O-Karu with Onoe Kikugorō as Kampei, by Castle Moat in Night Scene (from Chūshingura) by Kitagawa Toyohide

Actor Arashi Tokusaburō II (later Kitsusaburō II) as O-Karu with Onoe Kikugorō as Kampei, by Castle Moat in Night Scene (from Chūshingura)

c. 1840

Color woodblock diptych (nishiki-e); ink and color on paper

Actor Bando Shuka I as Jujibei's Wife Ohaya (Jujibei nyobo Ohaya) by Utagawa Toyokuni I

Actor Bando Shuka I as Jujibei's Wife Ohaya (Jujibei nyobo Ohaya)

c. 1848

Color woodblock print; oban

Actor Bando Shuka I as Jujibei's Wife Ohaya (Jujibei nyobo Ohaya) by Utagawa Kunisada

Actor Bando Shuka I as Jujibei's Wife Ohaya (Jujibei nyobo Ohaya)

c. 1848

Color woodblock print; oban

Actor Ichikawa Danjuro VIII as Narihira at Yatsuhashi from "A Six-fold Screen of Famous Pictures (Meiga rokushi byobu)" by Utagawa Kuniyoshi

Actor Ichikawa Danjuro VIII as Narihira at Yatsuhashi from "A Six-fold Screen of Famous Pictures (Meiga rokushi byobu)"

1847-1852

Color woodblock print

Actor Ichimura Uzaemon 12th (One of Three Kabuki Actors) by Utagawa Kuniyoshi

Actor Ichimura Uzaemon 12th (One of Three Kabuki Actors)

Late Edo period, circa 1847-1852

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Actor Kataoka Gadō II as Hattori Kingorō by Kitagawa Toyohide

Actor Kataoka Gadō II as Hattori Kingorō

1841

Woodblock print (nishiki-e); ink and color on paper

Actor Kataoka Gadō II as Yodoya Tatsugorō by Kitagawa Toyohide

Actor Kataoka Gadō II as Yodoya Tatsugorō

1841

Woodblock print (nishiki-e); ink and color on paper

Actor Nakamura Utaemon 4th (One of Three Kabuki Actors) by Utagawa Kuniyoshi

Actor Nakamura Utaemon 4th (One of Three Kabuki Actors)

Late Edo period, circa 1847-1852

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Ichiyūsai Kuniyoshi ga"

Actor Nakamura Utaemon IV as the Boatman Matsuemon, actually Higuchi Jiro Kanemitsu (Sendo Matsuemon, jissha Higuchi Jiro Kanemitsu) by Utagawa Toyokuni I

Actor Nakamura Utaemon IV as the Boatman Matsuemon, actually Higuchi Jiro Kanemitsu (Sendo Matsuemon, jissha Higuchi Jiro Kanemitsu)

1849

Color woodblock print; oban

Actors as Fujisawa Shiro, Asari Yoichi, and Hangaku, from an untitled series of half-block images of kabuki scenes by Utagawa Kunisada

Actors as Fujisawa Shiro, Asari Yoichi, and Hangaku, from an untitled series of half-block images of kabuki scenes

c. 1851/52

Color woodblock print; chuban

Actors as Fujisawa Shiro, Asari Yoichi, and Hangaku, from an untitled series of half-block images of kabuki scenes by Utagawa Toyokuni I

Actors as Fujisawa Shiro, Asari Yoichi, and Hangaku, from an untitled series of half-block images of kabuki scenes

c. 1851/52

Color woodblock print; chuban

Actors as Hotei Ichiemon and Gokuin Chiemon by Utagawa Kuniyoshi

Actors as Hotei Ichiemon and Gokuin Chiemon

c. 1847/52

Color woodblock print; oban

Actors as Ushiwakamaru, Kisanta, Kiichi Hogen, and Minazuru-hime by Utagawa Kuniyoshi

Actors as Ushiwakamaru, Kisanta, Kiichi Hogen, and Minazuru-hime

c. 1847/52

Color woodblock print; oban

Akasaka—No. 37, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido by Utagawa Hiroshige

Akasaka—No. 37, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido

c. 1847/52

Color woodblock print; oban

Akizuki Yuminosuke's Daughter Miyuki, Later the blind Musician Asagao (Akizuki Yuminosuke musume Miyuki, nochi ni goze Asagao) by Utagawa Kuniyoshi

Akizuki Yuminosuke's Daughter Miyuki, Later the blind Musician Asagao (Akizuki Yuminosuke musume Miyuki, nochi ni goze Asagao)

c. 1848

Color woodblock print; oban

Aoigasaka by Utagawa Hiroshige

Aoigasaka

1843-1847

Print

Ariwara no Narihira passing Mount Fuji on his journey to the East by Utagawa Hiroshige

Ariwara no Narihira passing Mount Fuji on his journey to the East

c. 1845/46

Color woodblock print; vertical oban diptych

Asahina Saburo by Utagawa Hiroshige

Asahina Saburo

1840

Color woodblock print; yokonaga surimono

Ashinoyu by Utagawa Hiroshige

Ashinoyu

1847-1850

Print

Autumn by Utagawa Hiroshige

Autumn

1843-1847

Print

Autumn Leaves and the Togetsu Bridge at Arashiyama in Kyoto by Utagawa Hiroshige

Autumn Leaves and the Togetsu Bridge at Arashiyama in Kyoto

ca. 1840-1842

Print

Autumn Moon at Matsuchiyama by Utagawa Hiroshige

Autumn Moon at Matsuchiyama

1843-1847

Print

Backward-viewing Falls, One of the Three Waterfalls (Urami-ga-taki, santaki no sono ikkei), from the series "Famous Scenic Spots in the Mountains of Nikko (Nikkosan meisho no uchi)" by Keisai Eisen

Backward-viewing Falls, One of the Three Waterfalls (Urami-ga-taki, santaki no sono ikkei), from the series "Famous Scenic Spots in the Mountains of Nikko (Nikkosan meisho no uchi)"

1843–1847

Color woodblock print

Bamboo and Plum in Early Spring by Okada Hankō

Bamboo and Plum in Early Spring

1843

Hanging scroll; ink and color on paper

Black-naped oriole and clematis (Facsimile?) by Utagawa Hiroshige

Black-naped oriole and clematis (Facsimile?)

1840s

Color woodblock print; aitanzaku

Bush Warbler on a Plum Tree in Moonlight by Utagawa Hiroshige

Bush Warbler on a Plum Tree in Moonlight

ca. 1840-1842

Print

Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)" by Utagawa Kuniyoshi

Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

c. 1848/50

Color woodblock print; chuban

Canary and Wisteria by Utagawa Hiroshige

Canary and Wisteria

mid-1840s

color woodblock print

Caricatures of Iwafuji and O-Hatsu, and a Game of Toad-Tiger-Fox by Utagawa Kuniyoshi

Caricatures of Iwafuji and O-Hatsu, and a Game of Toad-Tiger-Fox

1847

Print

Caricatures of Laughing Actors Scribbled on a Wall (Hakumensho kabe no mudagaki) by Utagawa Kuniyoshi

Caricatures of Laughing Actors Scribbled on a Wall (Hakumensho kabe no mudagaki)

c. 1848/51

Color woodblock print; left sheet of oban triptych (right: 1975.474, center: 1975.476)

Cherry Blossom Viewing (Shunchaku hana no shizuku) by Utagawa Kunisada

Cherry Blossom Viewing (Shunchaku hana no shizuku)

c. 1833

Color woodblock prints; oban triptych

Cherry Blossom Viewing (Shunchaku hana no shizuku) by Utagawa Toyokuni I

Cherry Blossom Viewing (Shunchaku hana no shizuku)

c. 1833

Color woodblock prints; oban triptych

Chiryu—No. 40, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido by Utagawa Hiroshige

Chiryu—No. 40, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido

c. 1847/52

Color woodblock print; oban

Chrysanthemums by Utagawa Hiroshige

Chrysanthemums

c. 1840s

Color woodblock print; uchiwa-e

Clear Skies after Snow--Ryogoku in Moonlight by Utagawa Hiroshige

Clear Skies after Snow--Ryogoku in Moonlight

1843-1847

Print

Clearing Skies at Ochanomizu by Utagawa Hiroshige

Clearing Skies at Ochanomizu

1843-1847

Print

Cockerel, Hen and Basket by Utagawa Hiroshige

Cockerel, Hen and Basket

ca. 1840-1842

Print

Collected Thirty-six Kyōka Poets (Kyōka roku roku shū) 興歌六々集 by Totoya Hokkei

Collected Thirty-six Kyōka Poets (Kyōka roku roku shū) 興歌六々集

1840 (Tenpō 11)

Woodblock printed book; ink and color on paper

Cranes by the Water's Edge by Utagawa Hiroshige

Cranes by the Water's Edge

ca. 1840-1842

Print

Crowd Visiting Benzaiten Shrine at Enoshima in Sagami Province (Soshu Enoshima Benzaiten kaicho sankei gunshu no zu) by Utagawa Hiroshige

Crowd Visiting Benzaiten Shrine at Enoshima in Sagami Province (Soshu Enoshima Benzaiten kaicho sankei gunshu no zu)

c. 1847/52

Color woodblock print; oban triptych

Danshichi Kurobei by Utagawa Kuniyoshi

Danshichi Kurobei

ca. 1845

Print

Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)" by Utagawa Kuniyoshi

Dashun (Taishun), from the series "Twenty-four Paragons of Filial Piety as a Mirror for Children (Nijushiko doji kagami)"

c. 1843

Color woodblock print; oban

Deer by Suzuki Kiitsu

Deer

19th century

Hanging scroll; ink and color on silk

Descending Geese at Nippori by Utagawa Hiroshige

Descending Geese at Nippori

1843-1847

Print

Ding Lan (Tei Ran), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)" by Utagawa Kuniyoshi

Ding Lan (Tei Ran), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

c. 1848/50

Color woodblock print; chuban

Distant View from beneath Shin Ohashi Bridge (Shin Ohashi kyoka no chobo), from the series "Thirty-six Views of Mount Fuji Seen from the Eastern Capital (Toto Fujimi sanjurokkei)" by Utagawa Kuniyoshi

Distant View from beneath Shin Ohashi Bridge (Shin Ohashi kyoka no chobo), from the series "Thirty-six Views of Mount Fuji Seen from the Eastern Capital (Toto Fujimi sanjurokkei)"

c. 1843

Color woodblock print; oban

Distant View from Shōheizaka Slope (Shōheizaka no enkei) by Utagawa Kuniyoshi

Distant View from Shōheizaka Slope (Shōheizaka no enkei)

ca. 1843

Print

Distant View of Mount Zozu in Sanuki Province by Utagawa Hiroshige

Distant View of Mount Zozu in Sanuki Province

1843-1847

Print

Distant View of the Kinryuzan Temple at Asakusa by Utagawa Hiroshige

Distant View of the Kinryuzan Temple at Asakusa

ca. 1844-1848

Print

Dragons Among Clouds by Utagawa Hiroshige

Dragons Among Clouds

1844

Color woodblock print; surimono

Drifting in a Boat by Tsubaki Chinzan

Drifting in a Boat

1847

Album leaf; ink and color on silk

Dwelling by the Shore by Tsubaki Chinzan

Dwelling by the Shore

1847

Album leaf; ink and color on silk

Earth by Utagawa Hiroshige

Earth

1843 - 1847

Print

Nearby Decades

Frequently Asked Questions

Hanga catalogues 298 Japanese woodblock prints created during the 1840s (Edo Period, 1603–1868).

The 1840s fall within the Edo Period (江戸時代), which ran from 1603 to 1868.

Utagawa Hiroshige, Utagawa Kuniyoshi, and Utagawa Kunisada are among the artists with the most 1840s prints in our collection.

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