 | Deluvium | Miho Morinoue | 2018 | Lithograph/triptych |
 | Demoiselle Crane and Reed, from Pictorial Monograph of Birds (Shūchō gafu)聚鳥畫譜 — 鍋鶴と葦 | Numata Kashū | 1885 | Color woodblock print from a book; ink and color on paper |
 | Demon in Disguise as an Old Woman Fleeing with a Severed Arm (Rōba kiwan o mochisaru zu), from the series New Forms of Thirty-Six Ghosts (Shinkei sanjūroku kaisen) | Tsukioka Yoshitoshi | 1889 | Woodblock print (nishiki-e); ink, color and gauffrage on paper |
 | Demon Intoning the Name of the Buddha鬼の念仏図 | Suzuki Shōnen | Late 1800s–early 1900s | Hanging scroll; ink and color on silk |
 | Demon King | Jed Henry | | Woodblock print |
 | Den'en no matsuri, No. 2 (Village Festival, No. 2) | Hideo Hagiwara | | Woodblock print |
 | Denzaemon Chiba with severed head | Tsukioka Yoshitoshi | description | Woodblock print |
 | Departing Spring | Kawase Hasui | Spring 1925 | Woodblock print, ink and color on paper with mica |
 | Departure | Sara Lee | 2016 | Gouache and Japanese woodcut |
 | Departure | Hodaka Yoshida | | Mokuhanga (Japanese woodblock) |
 | Departure of a Family | Fumio Kitaoka | | Woodblock print |
 | Departure of the Warrior Kusunoki at the Sakurai Station | Kobayashi Kiyochika | | Woodblock print |
 | departure spitzack woodblock woodcut mokuhanga print printmaking washi seattle art | Charles Spitzack | | |
 | Descending Geese | Utagawa Hiroshige | c. 1830 | Woodblock print; nagaban, surimono |
 | Descending Geese at Hirakata (Hirakata rakugan), from the series Eight Views of Kanazawa (Kanazawa hakkei) | Utagawa Hiroshige | 20th century | Woodblock print; ink and color on paper |
 | Descending Geese at Katada (Katada no rakugan), from the series Eight Views of Omi in Etching Style (Doban Omi hakkei) | Katsushika Hokusai | 1804/16 | Color woodblock print; horizontal koban |
 | Descending Geese at Katada (Katada no rakugan), No. 7 from the series "Eight Views of Omi" | Nishimura Shigenaga | c. 1716/36 | Hand-colored woodblock print; hosoban, urushi-e |
 | Descending Geese at Katada (Katada rakugan), from the series "Eight Views of Omi (Omi hakkei no uchi)" | Utagawa Hiroshige | c. 1834 | Color woodblock print; oban |
 | Descending Geese at Katada (Katada rakugan), from the series "Eight Views of Omi (Omi hakkei)" | Utagawa Hiroshige | 1857 | Color woodblock print; oban |
 | Descending Geese at Katada (Katada rakugan), from the series "Fashionable Eight Views of Omi (Furyu Omi hakkei)" | Kikukawa Eizan | c. 1814/17 | Color woodblock print; oban |
 | Descending Geese at Mimeguri (Mimeguri no rakugan), from the series "Eight Fashionable Views of Edo (Furyu Edo hakkei)" | Torii Kiyonaga | c. 1778 | Color woodblock print; half hosoban (left side) |
 | Descending Geese at Nippori | Utagawa Hiroshige | 1843-1847 | Print |
 | Descending Geese at Shinobazu Pond (Shinobazu rakugan), from the series "Eight Views of the Eastern Capital (Toto hakkei)" | Utagawa Hiroshige | 1836/37 | Color woodblock print; ogi-e on aiban sheet |
 | Descending Geese for Bunshichi (Bunshichi no rakugan), from the series "Eight Views of Elegant Gallants (Furyu otokodate hakkei)" | Katsushika Hokusai | 1781/89 | Color woodblock print; chuban |
 | Descending Geese in the Archery Gallery (Yokyuba no Rakugan) | Kitao Shigemasa | c. 1770s | Color woodblock print; hosoban, trimmed |
 | Descending the Mountain | Umetaro Azechi | | Woodblock print |
 | Descent from the Cross | Sadao Watanabe | 1973 | Hand-colored stencil print on crumpled paper; edition 33/70 |
 | Description (part 2) | Amano Kazumi | July 1957 | Woodblock print, ink on paper |
 | Desert Ginza | Lee Ufan | | Drypoint |
 | Deserted Well | Edward Millman | 1939 | Tempera on fiberboard |
 | Deshima (Twelve Views of Nagasaki) | Takehisa Yumeji | | Woodblock print |
| Deshima from the series Twelve Views of Nagasaki (Nagasaki junikei no uchi) | Takehisa Yumeji | | Woodblock print |
 | Design | Saito Kiyoshi | | |
 | Design 65-10, Shôwa period, dated 1965 | Maki Haku | | Woodblock print |
 | Design for Fan-shaped Print of Kabuki Theater | Utagawa Sadahide | c. 1830s-60s | Ink on paper |
 | Design for the cover of the songlet Flying Island | Takehisa Yumeji | c. 1930 | Woodblock print, ink and color on paper |
 | Design for the songlet Dragon Gorges | Takehisa Yumeji | c. 1930 | Woodblock print, ink and color on paper |
 | Desire | Takahashi Hiromitsu | 2017 | Kappazuri stencil |
 | Desperate Battle of Captain Asakawa at Tuchengzi (Dojôshi ni okeru Taii Asakawa shi no kusen) | Kobayashi Kiyochika | | Woodblock print |
 | Despite the Heavy Artillery Like Rainfall, He Alone Opens the Hyonmu Gate (Danû o okashite tanshin Genbumon o hiraku), Meiji period, dated 1894 | Kobayashi Kiyochika | | Woodblock print |
 | Despite the Snow the Japanese Army Perseveres to Hold Their Strong Position at Wei-hai-wei (Yuki o okashite waga gun Ikaiei no kenrui o nuku zu), Meiji period, dated 1895 | Kobayashi Kiyochika | | Woodblock print |
 | Detailed Sketches for Drawings of Birds and Flowers and Landscapes (Kachō sansui saiga zushiki)花鳥山水細画図式 | Katsushika Isai | 1865 (Keiō 1) | Woodblock-printed book; ink on paper |
D | Devastation | Onchi Koshiro | | Woodblock print |
D | Devastation | Fumio Kitaoka | | Woodblock print |
 | Devil Flower No. 6, Clematis | Hideo Hagiwara | 1960 | Woodblock print, ink and color on paper |
 | Dewa sanzan | Ray Morimura | | Mokuhanga (Japanese woodblock) |
 | Diabutsu Temple Gate | Hiroshi Yoshida | 1940 | Color woodblock print |
 | Diagonal Architecture | Tongji Philip Qian | | Woodblock print |
 | Dialogue | Shoichi Hasegawa | | Etching |
 | Dialogue | Lee Ufan | 2012 | Oil and mineral pigment on canvas |
 | Dialogue | Toko Shinoda | 1985 | Lithograph printed in colours |
 | Dialogue | Lee Ufan | 2013 | Oil and mineral pigment on canvas |
 | Dialogue With Red (B) | Hiroyuki Tajima | | Woodblock print |
 | Diamond Grids in a Hexagon Shape | Yasu Shibata | | Mokuhanga monoprint |
 | Diamond Head, Honolulu | Shiko Munakata | 1964 | Woodblock print |
 | Diana Athill | Andrea G. Artz | | |
 | Diary Jan. 9 1976 | Tetsuya Noda | description | Woodblock print |
 | Diary Nov 12th '75 | Tetsuya Noda | 1975 | Woodblock print |
 | Diary Nov 12th '75 | Tetsuya Noda | | |
 | Diary of Dreams: Budgerigars leaving Its Feet | Chihiro Taki | 2022 | Pencil, colored pencil, watercolor gouache, golden leaf, paper on panel |
 | Diary of Dreams: Fall Into Space | Chihiro Taki | 2020 | Gesso, oil, gold leaf, paper on wooden panel |
 | Diary of Dreams: Pool | Chihiro Taki | 2020 | Gesso, oil, silver foil, paper on wooden panel |
 | Diary of Dreams: Tunnel | Chihiro Taki | 2020 | Gesso, oil, gold leaf, paper on wooden panel |
 | Diary, June 8 | Tetsuya Noda | | Woodblock print |
 | Diary; Aug. 10th '91, 1991 | Tetsuya Noda | | |
 | Diary: April 23rd '83, in Kyoto | Tetsuya Noda | | |
 | Diary: April 24th '97 | Tetsuya Noda | 1997 | Screenprint |
 | Diary: April 24th '97 | Tetsuya Noda | | |
 | Diary: Aug. 10th '91 | Tetsuya Noda | | Woodblock print |
 | Diary: Dec. 24th ‘83, to Kobe | Tetsuya Noda | 1983 | Color woodcut and silkscreen |
 | Diary: Feb. 23rd '02, in London | Tetsuya Noda | 2002 | Screenprint |
 | Diary: Feb. 23rd '02, in London | Tetsuya Noda | | |
 | Diary: Feb. 2nd, '78 | Tetsuya Noda | 1978 | Woodcut, silkscreen |
 | Diary: Feb. 9th, '84, in Ueno | Tetsuya Noda | 1984 | Woodblock and silkcreen print |
 | Diary: February 11th, 1995 (b), Sleeping Man and Newspaper | Tetsuya Noda | 1995 | Woodblock print |
 | Diary: February 28th, 1994 (b), Two Melons | Tetsuya Noda | 1994 | Woodblock print |
 | Diary: Jan. 19th, '98, 1998 | Tetsuya Noda | description | Woodblock print |
 | Diary: July 18 '08, in Israel | Tetsuya Noda | 2008 | Woodcut, silkscreen |
 | Diary: July 9th '08, in Istanbul | Tetsuya Noda | 2008 | Woodcut, silkscreen |
 | Diary: June 24 ’78 | Tetsuya Noda | June 1978 | Screenprint |
 | Diary: March 12th '11 | Tetsuya Noda | 2011 | Woodcut, silkscreen |
 | Diary: March 27th and 28th, '02 | Tetsuya Noda | 2002 | Woodcut, silkscreen |
 | Diary: March 31st, '78 | Tetsuya Noda | 1978 | Woodblock and silkscreen print |
 | Diary: March 3rd, '77 | Tetsuya Noda | 1977 | Woodcut and silkscreen |
 | Diary: March 5th, '05 in Kashiwa | Tetsuya Noda | 2005 | Woodblock and silkscreen |
 | Diary: March 5th, '79 (b) | Tetsuya Noda | 1979 | Woodblock and silkscreen |
 | Diary: Nov. 24th '98, in Ueno Park (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ) | Tetsuya Noda | 1989-99 | |
 | Diary: Nov. 24th, ‘98, in Ueno Park | Tetsuya Noda | 1998 | Woodcut and silkscreen, printed in colors |
 | Diary: Nov. 24th, ‘98, in Ueno Park, | Tetsuya Noda | 1998 | Woodcut and silkscreen, FTG 398. |
 | Diary: Nov. 25th, '98 | Tetsuya Noda | 1998 | Woodcut, silkscreen |
 | Diary: Nov. 3rd, '12, in Hangzhou | Tetsuya Noda | 2012 | Woodcut, silkscreen |
 | Diary: Nov. 7th '68 ( #1) | Tetsuya Noda | 1968 | Woodblock and silkscreen prints |
 | Diary: Nov. 8th, '10 | Tetsuya Noda | 2010 | Woodcut, silkscreen |
 | Diary: Sep. 16th '01, in Israel | Tetsuya Noda | 2001 | Woodcut, silkscreen |
 | Diary: Sep. 28th, '03 | Tetsuya Noda | 2003 | Woodcut, silkscreen |
 | Diary: Sept. 10th, '06 in Chicago | Tetsuya Noda | 2006 | Woodblock and silkscreen; edition 9/12 |
 | Diary: Sept. 11th, '11, in The United States | Tetsuya Noda | 2011 | Woodcut, silkscreen |
 | Diary: Sept. 1st '74, 1974 | Tetsuya Noda | | |
 | Diary: Sept. 1st, ‘74 | Tetsuya Noda | 1974 | Color lithograph |
 | Diary: Sept. 2nd '05, in Weed, California | Tetsuya Noda | 2005 | Screenprint |